First World Festival of Negro Arts, Dakar 1st 24th April 1966 PDF Download
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Author:
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Category : Arts, Black
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Arts, Black
Languages : en
Pages :
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Category :
Languages : en
Pages : 79
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Author: WORLD FESTIVAL OF NEGRO ARTS.
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Category :
Languages : en
Pages :
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Category : Art festivals
Languages : en
Pages : 6
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Category : African American artists
Languages : en
Pages : 282
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Category :
Languages : en
Pages : 0
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Author: Bennetta Jules-Rosette
Publisher: University of Illinois Press
ISBN: 0252052153
Category : Art
Languages : en
Pages : 374
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Book Description
Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art.
Author:
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Category : Art, African
Languages : en
Pages : 12
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Author:
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Category :
Languages : en
Pages : 281
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Author: Beth A. Buggenhagen
Publisher: Indiana University Press
ISBN: 0253067782
Category : Art
Languages : en
Pages : 285
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Book Description
In Senegal, portraiture serves as a vital index and creator of social connection. People sit for and display portraits, keep albums, and view illustrated magazines together. Through these portraiture practices, Senegalese have fashioned idealized images to mend fraught and fragmented lives in the context of decades of migration. The Future Is in Your Hands provides an expansive frame for photography to highlight the role of affect in portraiture practices. Moving from the colonial to the newly independent Senegal, Beth Buggenhagen combines museum, ethnographic, and archival research on photography's past with lens-based artists who address themes of separation, visibility, rupture, and repatriation through portraiture. Buggenhagen, in collaboration with Senegalese photographers, explores how photographs, as visual and material objects, migrate themselves and, like the bodies they represent, create a record not only of lived experiences but also of the cycle of migration for this labor-exporting country. By complicating the history of portraiture in Senegal, The Future Is in Your Hands reveals the enduring power of images and the efforts under way to keep this art form safely in Senegalese hands.
