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Author: Belén Vidal
Publisher: Columbia University Press
ISBN: 0231162030
Category : Performing Arts
Languages : en
Pages : 162
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Book Description
The British heritage film : nation and representation -- Production cycles and cultural significance : a European heritage film? -- Narrative aesthetics and gentered histories : renewing the heritage film -- Afterword: tradition and change.
Author: Belén Vidal
Publisher: Columbia University Press
ISBN: 0231162030
Category : Performing Arts
Languages : en
Pages : 162
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Book Description
The British heritage film : nation and representation -- Production cycles and cultural significance : a European heritage film? -- Narrative aesthetics and gentered histories : renewing the heritage film -- Afterword: tradition and change.
Author: L. Enticknap
Publisher: Springer
ISBN: 113732872X
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.
Author: Tom McGreevey
Publisher:
ISBN: 9780813524313
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Introduces the world of film preservation, looking at its history and techniques
Author: Nico de Klerk
Publisher: Vernon Press
ISBN: 1622736524
Category : Art
Languages : en
Pages : 328
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Book Description
'Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author’s experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24 institutes worldwide, based on their websites, in February 2014; the latter constitutes a unique source. This original work uncovers the disconnect between the curatorial activities of these institutes and their missions. A central finding is that publicly funded film heritage institutes give their public an inadequate sense of cinema history. By and large they offer a mainstream-oriented repertoire of presentations, overwhelmingly consisting of feature fiction; they show a disproportionate amount of recent and new works, often through commercial distribution; their screenings consist of an unexplained melee of technological formats (sometimes substandard); and their presentations monotonously frame film as art, although their professed aesthetics are mostly of a cinephile nature and rest on received opinion. Specific materials, early cinema in particular, and specialist knowledge, both historical and methodological, are largely restricted to their network of peer communities. Wholesome transfer of full knowledge, in word and image, to the public is not a major concern. 'Showing and Telling' concludes with recommendations for curatorial activities. Firstly, with a conceptual apparatus that allows a more complete understanding of film heritage and its histories. Secondly, with a plea for rethinking the institutes’ gatekeeper function and for developing more varied, imaginative, and informative public presentations, both on site and online, that reflect the range of their collections and their histories.
Author: Ginette Vincendeau
Publisher: British Film Institute
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
No Marketing Blurb
Author: Claire Monk
Publisher: Edinburgh University Press
ISBN: 0748688862
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
This book is a study of the contemporary audiences for quality period films, and their responses to these films, with reference to the critical debate which constructs many of these films as 'heritage films'.
Author: Yau Shuk-ting, Kinnia
Publisher: Springer
ISBN: 0230339506
Category : Social Science
Languages : en
Pages : 113
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Book Description
How do East Asian cultural heritages in shape film? How are these legacies being revived, or even re-created, by contemporary filmmakers? This collection examines the dynamic interactions between East Asian culture heritages and cinemas in mainland China, Hong Kong, Taiwan, Japan, and South Korea.
Author: David Pirie
Publisher: London : Gordon Fraser
ISBN:
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
Author: Great Britain: Parliament: House of Commons: Culture, Media and Sport Committee
Publisher: The Stationery Office
ISBN: 9780215028334
Category : Political Science
Languages : en
Pages : 364
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Book Description
Protecting and preserving our Heritage : Vol. 2: Written Evidence
Author: Cornelius Crowley
Publisher: Cambridge Scholars Publishing
ISBN: 1443878545
Category : History
Languages : en
Pages : 290
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Book Description
This book investigates the millennial history of the Indian subcontinent. Through the various methods adopted, the objects and moments examined, it questions various linguistic, literary and artistic appropriations of the past, to address the conflicting comprehensions of the present and also the figuring/imagining of a possible future. The volume engages with this general cultural condition, in relation both to the subcontinent’s current “synchronic” reality and to certain aspects of the culture’s underlying diachronic determinations. It also reveals how the multiple heritages are negotiated through the subcontinent’s long-term sedimentational history. It scrutinizes both conservative interpretations of heritage and a possibly incremental enrichment, and the additional possibility of a mode of appropriation open to a dialectic of creative destruction, in which the patrimonial imperative is challenged, leaving room for processes of renewal and rejuvenation. The collection is organized around four major topics: Orientalism, addressed by way of the Tamil Epic Manimekalai, through the evocation of the Hastings Circle and views on a possible Hindu-Muslim unity sketched out by Sayyid Ahmed Khan; modernism in Indian and Burmese texts written in English; pictorial art, through a consideration of the work of British Asian and Indian film directors; and, finally, the current state of a body of critical thinking on gender.
