Fantazius Mallare: A Mysterious Oath (Illustrated Edition) PDF Download
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Author: Ben Hecht
Publisher: e-artnow
ISBN:
Category : Psychology
Languages : en
Pages : 77
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Book Description
FantazusMallare is a tortured artist who is slowly descending into madness. In a search for a muse and aided by a dwarf-monster, Goliath, Mallare tries to make sense of the world of reason versus that of insanity. Since its publication in 1924 and being banned in 1928 by the US Government, the book has achieved a cult status that strips the veneer of sanity, religion, lust and art. e-artnow presents to you the meticulously edited book with all the original black and white illustrations which earned it both its notoriety and praise._x000D_ Excerpt:_x000D_ "FantaziusMallare considered himself mad because he was unable to behold in the meaningless gesturings of time, space and evolution a dramatic little pantomime adroitly centered about the routine of his existence. He was a silent looking man with black hair and an aquiline nose. His eyes were lifeless because they paid no homage to the world outside him. When he was thirty-five years old he lived alone high above a busy part of the town. He was a recluse. His black hair that fell in a slant across his forehead and the rigidity of his eyes gave him the appearance of a somnambulist. Twenty-twoHe found life unnecessary and submitted to it without curiosity. His ideas were profoundly simple. The excitement of his neighborhood, his city, his country and his world left him unmoved. He found no diversion in interpreting them. A friend had once asked him what he thought of democracy. This was during a great war being waged in its behalf. Mallare replied: "Democracy is the honeymoon of stupidity."
Author: Ben Hecht
Publisher: e-artnow
ISBN:
Category : Psychology
Languages : en
Pages : 77
Get Book Here
Book Description
FantazusMallare is a tortured artist who is slowly descending into madness. In a search for a muse and aided by a dwarf-monster, Goliath, Mallare tries to make sense of the world of reason versus that of insanity. Since its publication in 1924 and being banned in 1928 by the US Government, the book has achieved a cult status that strips the veneer of sanity, religion, lust and art. e-artnow presents to you the meticulously edited book with all the original black and white illustrations which earned it both its notoriety and praise._x000D_ Excerpt:_x000D_ "FantaziusMallare considered himself mad because he was unable to behold in the meaningless gesturings of time, space and evolution a dramatic little pantomime adroitly centered about the routine of his existence. He was a silent looking man with black hair and an aquiline nose. His eyes were lifeless because they paid no homage to the world outside him. When he was thirty-five years old he lived alone high above a busy part of the town. He was a recluse. His black hair that fell in a slant across his forehead and the rigidity of his eyes gave him the appearance of a somnambulist. Twenty-twoHe found life unnecessary and submitted to it without curiosity. His ideas were profoundly simple. The excitement of his neighborhood, his city, his country and his world left him unmoved. He found no diversion in interpreting them. A friend had once asked him what he thought of democracy. This was during a great war being waged in its behalf. Mallare replied: "Democracy is the honeymoon of stupidity."
Author: Ben Hecht
Publisher:
ISBN:
Category : Fantasy fiction, American
Languages : en
Pages : 222
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Book Description
Author: Ben Hecht
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
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Book Description
Author: Ben Hecht
Publisher: DigiCat
ISBN:
Category : Psychology
Languages : en
Pages : 85
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Book Description
FantazusMallare is a tortured artist who is slowly descending into madness. In a search for a muse and aided by a dwarf-monster, Goliath, Mallare tries to make sense of the world of reason versus that of insanity. Since its publication in 1924 and being banned in 1928 by the US Government, the book has achieved a cult status that strips the veneer of sanity, religion, lust and art. DigiCat presents to you the meticulously edited book with all the original black and white illustrations which earned it both its notoriety and praise. Excerpt: "FantaziusMallare considered himself mad because he was unable to behold in the meaningless gesturings of time, space and evolution a dramatic little pantomime adroitly centered about the routine of his existence. He was a silent looking man with black hair and an aquiline nose. His eyes were lifeless because they paid no homage to the world outside him. When he was thirty-five years old he lived alone high above a busy part of the town. He was a recluse. His black hair that fell in a slant across his forehead and the rigidity of his eyes gave him the appearance of a somnambulist. Twenty-twoHe found life unnecessary and submitted to it without curiosity. His ideas were profoundly simple. The excitement of his neighborhood, his city, his country and his world left him unmoved. He found no diversion in interpreting them. A friend had once asked him what he thought of democracy. This was during a great war being waged in its behalf. Mallare replied: "Democracy is the honeymoon of stupidity."
Author: Hope Apple
Publisher: Bloomsbury Publishing USA
ISBN: 0313095981
Category : Performing Arts
Languages : en
Pages : 481
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Book Description
Keeping track of prolific authors who write fiction series was quite challenging for even the most ardent fan until To Be Continueddebuted in 1995. Noew, readers will be happy that the soon-to-be-released second edition has added 1,600 new books and 400 new series. To Be Continued, Second Edition, maintians the first volume's successful formula that featured concise A-to-Z entries packed with useful information, including titles, publishers, publication dates, genre categories, annotations, and subject terms. Among the genre categories that can be found in To Be Continued are romance, science fiction, crime novel, horror, adventure, fantasy, humor, western, war, Christian fiction, and others.
Author: R. Reginald
Publisher: Wildside Press LLC
ISBN: 0941028755
Category : Reference
Languages : en
Pages : 802
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Book Description
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
Author:
Publisher:
ISBN:
Category : Psychoanalysis
Languages : en
Pages : 516
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Book Description
Author: Robert Reginald
Publisher: Wildside Press LLC
ISBN: 0809519186
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Includes plot summaries and detailed descriptions of 194 works of science fiction from the 19th and 20th centuries.
Author: Brian Stableford
Publisher: Scarecrow Press
ISBN: 0810863456
Category : Literary Criticism
Languages : en
Pages : 568
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Book Description
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Author: Samuel Steward
Publisher: University of Chicago Press
ISBN: 022630471X
Category : Literary Collections
Languages : en
Pages : 263
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Book Description
Samuel Steward (1909–93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared the considerable scope of his experiences with Alfred Kinsey, and a prolific writer whose publications ranged from scholarly articles to gay erotica (the latter appearing under the pen name Phil Andros). Perhaps his oddest authorial role was as a monthly contributor between 1944 and 1949 to the Illinois Dental Journal, an obscure trade publication for dentists, where writing as Philip Sparrow he produced a series of charming, richly allusive, and often quirky essays on a wildly eclectic assortment of topics. In Philip Sparrow Tells All, Jeremy Mulderig has collected thirty of these engaging but forgotten columns, prefacing them with revealing introductions that relate the essays to people and events in Steward’s life and to the intellectual and cultural contexts in which he wrote during the 1940s. In these essays we encounter such famous friends of Steward as Gertrude Stein, André Gide, and Thornton Wilder. We hear of his stint as a holiday sales clerk at Marshall Field’s (where he met and seduced fellow employee Rock Hudson), of his roles as an opera and ballet extra in hilariously shoddy costumes, of his hoarding tendencies, his disappointment with the drabness of men’s fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig’s entertaining annotations explain the essays’ wide-ranging allusions and also highlight their gay subtext, which constituted a kind of private game that Steward played with his mostly oblivious audience of Midwestern dentists. The first collection of any of Samuel Steward’s writings to be republished since his death in 1993, Philip Sparrow Tells All makes these lost essays available to a broad readership that Steward imagined but never actually enjoyed when he wrote them. In doing so, it takes a major step toward documenting his important place in twentieth-century gay literature and history.
