Author: Barbara Brooks Morgan
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 92

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Book Description

Author: Selma Jeanne Cohen
Publisher: Wesleyan University Press
ISBN: 9780819560032
Category : Performing Arts
Languages : en
Pages : 116

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Book Description
In this book choreographers provide their definitions and interpretations of modern dance based on their own experience.

Author: Walter Sorell
Publisher: New York : Columbia University Press
ISBN: 9780231029681
Category : Dance.
Languages : en
Pages : 276

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Book Description
29 essays discuss the many aspects of ballet and modern dance emphasizing contemporary movements in these arts

Author: Don McDonagh
Publisher: Garden City, N.Y. : Doubleday
ISBN:
Category : Performing Arts
Languages : en
Pages : 576

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Book Description

Author: Edward Ross Dickinson
Publisher: Cambridge University Press
ISBN: 1107196221
Category : History
Languages : en
Pages : 309

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Book Description
The book explores the revolutionary impact of modern dance on European culture in the early twentieth century. Edward Ross Dickinson uncovers modern dance's place in the emerging 'mass' culture of the modern metropolis and reveals the connections between dance, politics, culture, religion, the arts, psychology, entertainment, and selfhood.

Author: Connie Kreemer
Publisher: HarperCollins Publishers
ISBN:
Category : Choregraphers
Languages : en
Pages : 308

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Book Description
Each chapter begins with a brief biography and concludes with a chronological works list.

Author: Donald N. Clark
Publisher: Routledge
ISBN: 0429715854
Category : History
Languages : en
Pages : 218

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Book Description
This edition of Korea Briefing, the fourth in the series, is issued in conjunction with The Asia Society's Festival of Korea, a yearlong, nationwide celebration of Korean history, culture, and contemporary life.

Author: Murray Louis
Publisher: Routledge
ISBN: 1134955804
Category : Music
Languages : en
Pages : 286

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Book Description
This is the definitive resource for understanding and practicing the influential dance technique developed by two pioneers of modern dance, Alwin Nikolais and Murray Louis. The Nikolais/Louis Dance Technique is presented in a week-to-week classroom manual, providing an indispensable tool for teachers and students of this widely studied movement practice. Theoretical background for further reading is set off from the manual for those interested in deeper study. Their philosophy and methodology span a broad readership and offer an important addition to dance literature and American cultural history.

Author: Vernon Castle
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 192

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Book Description

Author: Sherril Dodds
Publisher: Oxford University Press
ISBN: 019762037X
Category : Choreography
Languages : en
Pages : 265

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Book Description
The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.