Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
FACES FROM THE WORLD OF IMPRESSIONISM AND POST-IMPRESSIONISM.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Faces from the World of Impressionism and Post-impressionism
Author: Wildenstein and Company (New York, N.Y.)
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 94
Book Description
Impressionism and Post-Impressionism
Author: Nathalia Brodskaïa
Publisher: Parkstone International
ISBN: 1783105046
Category : Art
Languages : en
Pages : 969
Book Description
Impressionism is the most famous artistic movement. But what appears today as a charming and exquisite landscape painting, was actually one of the first avant-garde movements whose members had decided to fight the values of traditional art. The impressionist outdoor paintings shocked the public by the technique used, but also by their apparent banality. As Monet, Sisley, Pissarro and many others sought to capture the ephemeral nature of light, the next generation would reject naturalism. Indeed, post-impressionists such as Gauguin, Van Gogh, Cézanne and Seurat favored the subjective rather than the objective and the eternal rather than the concrete. In doing so, they laid the formal foundations of 20th-century modern art. This book is a visual guide through the crucial moments in the history of art and the progression of the 19th-century to modernity.
Publisher: Parkstone International
ISBN: 1783105046
Category : Art
Languages : en
Pages : 969
Book Description
Impressionism is the most famous artistic movement. But what appears today as a charming and exquisite landscape painting, was actually one of the first avant-garde movements whose members had decided to fight the values of traditional art. The impressionist outdoor paintings shocked the public by the technique used, but also by their apparent banality. As Monet, Sisley, Pissarro and many others sought to capture the ephemeral nature of light, the next generation would reject naturalism. Indeed, post-impressionists such as Gauguin, Van Gogh, Cézanne and Seurat favored the subjective rather than the objective and the eternal rather than the concrete. In doing so, they laid the formal foundations of 20th-century modern art. This book is a visual guide through the crucial moments in the history of art and the progression of the 19th-century to modernity.
Critical Readings in Impressionism and Post-Impressionism
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Faces of Impressionism
Author: Sona Johnston
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
From traditional, tightly rendered likenesses to light-filled, loosely brushed paintings, the works in this volume depict a variety of subjects: friends, family members, patrons, public figures, and the artists themselves.
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
From traditional, tightly rendered likenesses to light-filled, loosely brushed paintings, the works in this volume depict a variety of subjects: friends, family members, patrons, public figures, and the artists themselves.
Faces from the World of Impressionism and Post-impressionism
Author: Anne Poulet
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 71
Book Description
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 71
Book Description
Post-Impressionism
Author: Nathalia Brodskaïa
Publisher: Parkstone International
ISBN: 1783103892
Category : Art
Languages : en
Pages : 200
Book Description
Whilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’s theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, whilst Cézanne renounced perspective. Rich in its variety and in the singularity of its artists, Post-Impressionism was a passage taken by all the well-known figures of 20th century painting - it is here presented, for the great pleasure of the reader, by Nathalia Brodskaïa.
Publisher: Parkstone International
ISBN: 1783103892
Category : Art
Languages : en
Pages : 200
Book Description
Whilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’s theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, whilst Cézanne renounced perspective. Rich in its variety and in the singularity of its artists, Post-Impressionism was a passage taken by all the well-known figures of 20th century painting - it is here presented, for the great pleasure of the reader, by Nathalia Brodskaïa.
Impressionism and Post-impressionism, 1874-1904
Author: Linda Nochlin
Publisher: Prentice Hall
ISBN:
Category : Architecture
Languages : en
Pages : 244
Book Description
Publisher: Prentice Hall
ISBN:
Category : Architecture
Languages : en
Pages : 244
Book Description
Modern Art
Author: David Britt
Publisher:
ISBN: 9780500238417
Category : Art
Languages : en
Pages : 416
Book Description
With over 400 color illustrations, this authoritative introduction covers every major development in the visual arts, from Impressionism to Post-Modernism.
Publisher:
ISBN: 9780500238417
Category : Art
Languages : en
Pages : 416
Book Description
With over 400 color illustrations, this authoritative introduction covers every major development in the visual arts, from Impressionism to Post-Modernism.
Impressionists and Post-impressionists
Author: Alan Bowness
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 308
Book Description