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Author: Clarges Gallery (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
Author: Clarges Gallery (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Author: Martyn Gregory (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 39
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Author: Gerald M. Norman Gallery (London)
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Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Author: Heffer Gallery (Cambridge)
Publisher:
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Category :
Languages : en
Pages : 4
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Author: Goodman Gallery
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 100
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Author: Reid Gallery
Publisher:
ISBN:
Category : Art, English
Languages : en
Pages :
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Author: Spink & Son (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
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Author: Martyn Gregory
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
ISBN: 1588393496
Category : Painting, Modern
Languages : en
Pages : 482
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Book Description
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
