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Author: Shierry Weber Nicholsen
Publisher: MIT Press (MA)
ISBN: 9780262140621
Category : Philosophy
Languages : en
Pages : 270
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Book Description
"Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions." -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In "Exact Imagination, Late Work," Nicholsen proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. Exact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's "aesthetic writings, " take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurationalor constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
Author: Shierry Weber Nicholsen
Publisher: MIT Press (MA)
ISBN: 9780262140621
Category : Philosophy
Languages : en
Pages : 270
Get Book Here
Book Description
"Nicholsen's "Exact Imagination, Late Work" is the distilled, reflected product of countless hours alongside, and deeply within, Adorno's languages. Her brilliant achievement here is to have demonstrated the emphatic intimacy between Adorno's aesthetics and his compositions." -- Tom Huhn, College of Letters and Philosophy Department, Wesleyan University Most English-language writing on Theodor Adorno has attempted to place him in various contexts and to differentiate him from other thinkers. Such work, while important, marks our failure to appropriate Adorno's ideas imaginatively. In "Exact Imagination, Late Work," Nicholsen proposes such an appropriation through a focus on the centrality of the aesthetic dimension in Adorno. Adorno uses the term "exact imagination" to mark the conjunction of knowledge, subjective experience, and aesthetic form. Exact imagination, as distinct from creative imagination, thus describes a form of nondiscursive rationality. According to Adorno, exact imagination discovers or produces truth by reconfiguring the material at hand; thus, knowledge is inseparable from the configurational form imagination gives it. "Late work" is characterized by the disjunction of subjectivity and objectivity. In its attempt to grasp late phenomena, Adorno's oeuvre itself takes on the form of late work. Exact imagination and late work mark the bounds of Nicholsen's exploration. The five interlocked essays, based on material from Adorno's "aesthetic writings, " take up such issues as subjective aesthetic experience, the historicity of artworks and our experience of them, Adorno's conception of language, the nature of configurationalor constellational form in Adorno's work, and the relation between the artwork, aesthetic experience, and philosophy. A subtext is the unraveling of Adorno's use of the ideas of his colleague Walter Benjamin. Nicholsen's essays themselves can be perceived as a constellation of their own around the central issue of the inseparability of form in its aesthetic dimension and nondiscursive rationality.
Author: James Voorhies
Publisher: MIT Press
ISBN: 0262372843
Category : Art
Languages : en
Pages : 171
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Book Description
Contemporary art exhibitions appeal to cognition as well as the senses, modeling a new and expansive understanding of global aesthetics. In this original work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art’s defining moment. Voorhies reframes aesthetic criteria to account for the liminal, cognitive spaces inside and outside of the exhibition. Surveying a wide range of artists, curators, exhibitions, and related publications, he repositions the aesthetic theory of Theodor Adorno, and draws inspiration from Rosalind Krauss and Fredric Jameson, to describe a contemporary “logic of the curatorial.” He demonstrates how, even as we increasingly expect to learn from contemporary art, we must avoid an instrumentalist and reductive view of art as a mere source of information. As Voorhies shows through an analysis of two major global exhibitions, dOCUMENTA (13) (artistic director Carolyn Christov-Bakargiev) and Documenta11 (artistic director Okwui Enwezor), and of Ute Meta Bauer’s curatorial work at the Centre for Contemporary Art Singapore, it is imperative for artistic research to retain its unique role in the production of knowledge.
Author: Alex Thomson
Publisher: A&C Black
ISBN: 0826474209
Category : Philosophy
Languages : en
Pages : 184
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Book Description
Continuum's Guides for the Perplexed are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or, indeed, downright bewildering. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. One of the most influential philosophers and cultural theorists of the twentieth century, Theodor Adorno poses a considerable challenge to students. His works can often seem obscure and impenetrable, particularly for those with little knowledge of the philosophical traditions on which he draws. His tendency to confound what we take for common sense, and to attack what he sees as the dominant trends in twentieth century European and American culture, can pose very particular difficulties for the reader. 'Adorno' is an engaging and accessible account of his thought that does not patronise or short-change the reader. Those new to Adorno - and those who have struggled to make headway with his work - will find this an invaluable resource - clearly written, comprehensive and specifically focused on just what makes Adorno difficult to read and understand. The text is structured around key themes in Adorno's work and provides clear and stimulating accounts of topics including the central place of the aesthetic in Adorno's writing, his much misunderstood essays on popular culture and the importance of freedom in Adorno's philosophy.
Author: Andrew Bowie
Publisher: Oxford University Press
ISBN: 0192570609
Category : Philosophy
Languages : en
Pages : 152
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Book Description
Very Short Introductions: Brilliant, Sharp, Inspiring T.W. Adorno (1903-69) was a German philosopher and social and cultural theorist. His work has come to be seen as increasingly relevant to understanding the pathologies of contemporary society evident in today's climate emergency, the financial crash, the reappearance of fascism in many countries, and the growing instability of the world order. This Very Short Introduction covers Adorno's work and life, explaining his key philosophical concepts and the philosophical background and historical context of Adorno's thinking. Andrew Bowie shows how Adorno's exploration of why human reason can have irrational consequences led him to rethink basic concepts like 'nature', 'history', and 'freedom', offering alternatives to many ways of thinking about these concepts in contemporary philosophy. The book also examines Adorno's social theory, as well as his highly critical assessments of jazz and modern culture, which he considered threatened by the effects of modern capitalism. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Gerhard Schweppenhäuser
Publisher: Duke University Press
ISBN: 0822390728
Category : Philosophy
Languages : en
Pages : 200
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Book Description
Theodor W. Adorno (1903–1969) was one of the twentieth century’s most important thinkers. In light of two pivotal developments—the rise of fascism, which culminated in the Holocaust, and the standardization of popular culture as a commodity indispensable to contemporary capitalism—Adorno sought to evaluate and synthesize the essential insights of Western philosophy by revisiting the ethical and sociological arguments of his predecessors: Kant, Nietzsche, Hegel, and Marx. This book, first published in Germany in 1996, provides a succinct introduction to Adorno’s challenging and far-reaching thought. Gerhard Schweppenhäuser, a leading authority on the Frankfurt School of critical theory, explains Adorno’s epistemology, social and political philosophy, aesthetics, and theory of culture. After providing a brief overview of Adorno’s life, Schweppenhäuser turns to the theorist’s core philosophical concepts, including post-Kantian critique, determinate negation, and the primacy of the object, as well as his view of the Enlightenment as a code for world domination, his diagnosis of modern mass culture as a program of social control, and his understanding of modernist aesthetics as a challenge to conceive an alternative politics. Along the way, Schweppenhäuser illuminates the works widely considered Adorno’s most important achievements: Minima Moralia, Dialectic of Enlightenment (co-authored with Horkheimer), and Negative Dialectics. Adorno wrote much of the first two of these during his years in California (1938–49), where he lived near Arnold Schoenberg and Thomas Mann, whom he assisted with the musical aesthetics at the center of Mann’s novel Doctor Faustus.
Author: Michael Naas
Publisher: Edinburgh University Press
ISBN: 1474471234
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
From the very invention of photography in the early part of the nineteenth century right up through the most recent developments in photography through digital technology, theorists have never stopped asking whether there is in fact any truth at all in photography. The essays collected in this volume consider this and related questions (for example, the relationship between photography and representation, history, time, narrative, memory, mourning, and so on) through the works of Walter Benjamin, Helene Cixous, and Jacques Derrida, among others. The volume opens with a previously untranslated essay by Derrida on photography, entitled, precisely, Aletheia (Truth), and it concludes with 'Melville's Couvade', an original work of fiction on the theme of photography by David Farrell Krell.
Author: Paul J. Hecht
Publisher: Oxford University Press
ISBN: 0192857207
Category : Drama
Languages : en
Pages : 225
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Book Description
Shows how the character called Rosalind, who features in works by Spenser, Lodge, and Shakespeare, can be considered as a single and unifying character whose textual appearances lead us to reconsider important aspects of Renaissance literature: prosody, the influence of Virgil and of pastoral poetry, and the position of women.
Author: Victoria Kahn
Publisher: University of Chicago Press
ISBN: 022608390X
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture. Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state. Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.
Author: Shierry Weber Nicholsen
Publisher: MIT Press
ISBN: 9780262250436
Category : Science
Languages : en
Pages : 236
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Book Description
A psychological exploration of how the love of nature can coexist in our psyches with apathy toward environmental destruction. Virtually everyone values some aspect of the natural world. Yet many people are surprisingly unconcerned about environmental issues, treating them as the province of special interest groups. Seeking to understand how our appreciation for the beauty of nature and our indifference to its destruction can coexist in us, Shierry Weber Nicholsen explores dimensions of our emotional experience with the natural world that are so deep and painful that they often remain unspoken. The Love of Nature and the End of the World is a gathering of meditations and collages. Its evocations of our emotional attachment to the natural world and the emotional impact of environmental deterioration are meant to encourage individual and collective reflection on a difficult dilemma. Nicholsen draws on work in environmental philosophy and ecopsychology; the writings of psychoanalytic thinkers such as Wilfred Bion, Donald Meltzer, and D. W. Winnicott; and ideas from Buddhist and Sufi traditions. She shows how our emotional responses to the vulnerabilities of the natural world range from intense caring and compassion, through grief and outrage, to diffuse depression. Individual chapters focus on silence and the process whereby we move from the unspoken to the spoken, the love of nature, the "perceptual reciprocity" with the natural world to which we might mature, beauty in the human and natural realms, the psychological impact of the destruction of the natural world, and reflections on the future.
Author: Geoff Boucher
Publisher: Bloomsbury Publishing
ISBN: 0857736957
Category : Philosophy
Languages : en
Pages : 186
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Book Description
Dismissed as a miserable elitist who condemned popular culture in the name of 'high art', Theodor W. Adorno (1903-1969) is one of the most provocative and important yet least understood of contemporary thinkers. This book challenges this popular image and re-examines Adorno as a utopian philosopher who believed authentic art could save the world. Adorno Reframed is not only a comprehensive introduction to the reader coming to Adorno for the first time, but also an important re-evaluation of this founder of the Frankfurt School. Using a wealth of concrete illustrations from popular culture, Geoffrey Boucher recasts Adorno as a revolutionary whose subversive irony and profoundly historical aesthetics defended the integrity of the individual against social totality.
