Author: Helen Chadwick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 122

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Author:
Publisher: SUNY Press
ISBN: 0791480771
Category :
Languages : en
Pages : 260

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Author: Lauren Elkin
Publisher: Farrar, Straus and Giroux
ISBN: 0374721114
Category : Social Science
Languages : en
Pages : 320

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Book Description
A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club, “[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” —Maggie Lange, The Washington Post “Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” —Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary Biography What kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty. In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin—the celebrated author of Flâneuse—explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference—among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE—and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine—and enact—our lives.

Author: Stephen Walker
Publisher: Bloomsbury Publishing
ISBN: 0857722824
Category : Art
Languages : en
Pages : 239

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Highly respected by her peers and hugely influential on the subsequent generation of artists, the British artist Helen Chadwick produced a wideranging body of work in a variety of media, which shifted from early institutional and architectural critique to operatic installations, and to photographic projects and sculptures. Stephen Walker looks behind this apparent variety, identifying a consistent range of interests - ranging from classical Greek through to sub-particle physics - that accompanied and supported Chadwick's realised work. Although she enjoyed significant critical attention in her lifetime, this is the first study to explore the rich archive which informed her oeuvre. Critical of the impact that limiting political, philosophical and scientific constructions have on identity, Chadwick's work can offer insights into the relationship between body and space; self and world; art and science; artifice and nature; theory and practice; the creative self and the creative process. Dismantling and reassembling her ideas, this book combines a close reading of Chadwick's notebooks and research with broader speculation regarding their ongoing relevance for artistic and architectural work today.

Author: Andrew E. Benjamin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 108

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Author: Henry Moore Institute
Publisher:
ISBN: 9781900081047
Category : Art
Languages : en
Pages : 418

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Author: Lynn M. Morgan
Publisher: University of Pennsylvania Press
ISBN: 1512807567
Category : Social Science
Languages : en
Pages : 352

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Selected as the "Most Enduring Edited Collection" by the Council on Anthropology and Reproduction Since Roe v. Wade, there has been increasing public interest in fetuses, in part as a result of effective antiabortion propaganda and in part as a result of developments in medicine and technology. While feminists have begun to take note of the proliferation of fetal images in various media, such as medical journals, magazines, and motion pictures, few have openly addressed the problems that the emergence of the fetal subject poses for feminism. Fetal Subjects, Feminist Positions foregrounds feminism's effort to focus on the importance of women's reproductive agency, and at the same time acknowledges the increasing significance of fetal subjects in public discourse and private experience. Essays address the public fascination with the fetal subject and its implications for abortion discourse and feminist commitment to reproductive rights in the United States. Contributors include scholars from fields as diverse as anthropology, communications, political science, sociology, and philosophy.

Author: Rosemary Betterton
Publisher: Routledge
ISBN: 1136155694
Category : Art
Languages : en
Pages : 260

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An Intimate Distance considers a wide range of visual images of women in the context of current debates which centre around the body, including reproductive science, questions of ageing and death and the concept of 'body horror' in relation to food, consumption and sex. A feminist reclamation of these images suggests how the permeable boundaries between the female body and technology, nature and culture are being crossed in the work of women artists.

Author: Doina Petrescu
Publisher: Routledge
ISBN: 1134325339
Category : Architecture
Languages : en
Pages : 327

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This collection of essays addresses and defines the state of contemporary theories and practices of space: it is concerned with the growing importance of technology and communications, the effects of globalization and the change of social demands. Within the current urban and geopolitical contexts, it addresses the emergence of new social and political theories that raise questions of identity and difference in modern society. The book reiterates feminist concerns with space from the critical stance of the new millennium. With contributions from the leading theorists and thinkers from around the world representing the fields of architecture, art, philosophy and gender studies, this book has a truly international and interdisciplinary reach.

Author: John Danvers
Publisher: BRILL
ISBN: 9401202109
Category : History
Languages : en
Pages : 368

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Book Description
In this book the author takes an unusual multi-disciplinary approach to debates about contemporary art and poetry, ideas about the mind and its representations, and theories of knowledge and being. Arts practices are considered as enactments of mind and as transformative modes of consciousness. Ideas drawn from poetics, philosophy and consciousness studies are used to illuminate the conceptual and aesthetic frameworks of a diverse array of visual artists. Themes explored include: the interconnectedness of existence; art as a way of interrogating appearances; identity and otherness; art and the self as ‘open work’; Buddhist concepts of ‘emptiness’ and ‘suchness’; scepticism, mysticism and the arts; and mind in the landscape. The book contains an important and distinctive visual dimension with photographs and drawings by the author and texts employing unorthodox syntax and layouts that exemplify the themes under discussion. The author hints at a new aesthetics and philosophy of indeterminacy, paradox, uncertainty and discontinuity - a contrarium - in which we negotiate our way through the instabilities and contradictions of contemporary life. Written in a lively and accessible style this volume is of interest to scholars, arts practitioners, teachers and to anyone with an interest in art, poetry, consciousness studies, philosophy and nature. Artists, poets and philosophers discussed, include: Cy Twombly, Helen Chadwick, John Ruskin, Ad Reinhardt, Richard Long, James Turrell, Anish Kapoor, Ian Hamilton Finlay, Agnes Martin, Land Art, Arte Povera, Minimalism, Charles Olson, Kenneth White, Robin Blaser, Fred Wah, Gary Snyder, RS Thomas, Alice Oswald, John Cage, Jorge Luis Borges, Guy Davenport, Kenneth Rexroth, Heidegger, Marjorie Perloff, Thomas McEvilley, Merleau-Ponty, Spinoza, Wittgenstein, Roland Barthes, Umberto Eco, David Abram, Thomas Merton, Pyrrho & Nagarjuna.