El Vino En El Arte/ The Wine in the Art PDF Download
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Author: M. Montserrat Miret
Publisher: Planeta
ISBN:
Category : Art
Languages : en
Pages : 256
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Book Description
La vid y el vino forman parte de la cultura mediterránea y, por ende, de sus manifestaciones artísticas. El vino en el arte, escrito por Montserrat Miret y profusamente ilustrado, nos muestra y comenta una amplia selección de obras en las que el vino es protagonista, desde los primeros jarrones griegos hasta cuadros contemporáneos. Una obra que nos permite asegurar que, desde que nuestros antepasados en el Neolítico empezaron a seleccionar las vides salvajes, la historia del hombre está teñida de un tenue color rojizo.
Author: M. Montserrat Miret
Publisher: Planeta
ISBN:
Category : Art
Languages : en
Pages : 256
Get Book Here
Book Description
La vid y el vino forman parte de la cultura mediterránea y, por ende, de sus manifestaciones artísticas. El vino en el arte, escrito por Montserrat Miret y profusamente ilustrado, nos muestra y comenta una amplia selección de obras en las que el vino es protagonista, desde los primeros jarrones griegos hasta cuadros contemporáneos. Una obra que nos permite asegurar que, desde que nuestros antepasados en el Neolítico empezaron a seleccionar las vides salvajes, la historia del hombre está teñida de un tenue color rojizo.
Author: Enrique Grau
Publisher: Villegas Asociados
ISBN: 9588156394
Category : Painters
Languages : en
Pages : 332
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Book Description
The name of the painter Enrique Grau is inseparable from the history of art in Colombia. Since his astonishing debut as a prodigy in the early 1940s, Grau has explored virtually every avenue of art: drawing, engraving, collage, silkscreen, woodcuts, painting, sculpture, theatrical costumes and sets, cinema, murals, frescos, and objects. In the course of his long career, Grau has achieved and consolidated a style that is personal and classical at the same time; he is unique in the panorama of Latin American art. This book pays homage to an artist as vital at the age of 83 as he was when the public first brought him acclaim over 60 years ago.
Author: Steve Charters
Publisher: Routledge
ISBN: 1000533956
Category : Business & Economics
Languages : en
Pages : 615
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Book Description
The link between culture and wine reaches back into the earliest history of humanity. The Routledge Handbook of Wine and Culture brings together a newly comprehensive, interdisciplinary overview of contemporary research and thinking on how wine fits into the cultural frameworks of production, intermediation and consumption. Bringing together many leading researchers engaged in studying these phenomena, it explores the different ways in which wine is constructed as a social artefact and how its representation and use acquire symbolic meaning. Wine can be analysed in different ways by varying disciplines involved in exploring wine and culture (anthropology, economics and business, geography, history and sociology, and as text). The Handbook uses these as lenses to consider how producers, intermediaries and consumers use and create cultural significance. Specifically, the work addresses the following: how wine relates to place, belief systems and accompanying rituals; how it may be used as a marker of the identity and mechanisms of civilising processes (often in conjunction with food and the arts); how its framing intersects with science and nature; the ideologies and power relations which arise around all these activities; and the relation of this to wine markets and public institutions. This is essential reading for researchers and students in education for the wine industry and in the humanities and social sciences engaged in understanding patterns of human ingenuity and interaction, such as sociology, anthropology, economics, health, geography, business, tourism, cultural studies, food studies and history.
Author: Robert Clarke
Publisher: Hippocrene Books
ISBN: 9780781810647
Category : Foreign Language Study
Languages : en
Pages : 388
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Book Description
The Hippocrene Master's Series, a comprehensive self-study course for individuals with little or no previous knowledge of the language, now offers Mastering Arabic, Mastering Polish, and Mastering Spanish, each conveniently packaged with its own audio-CD accompaniment. Native speakers are recorded on each CD to help capture the pronunciation, rhythm, and intonation of the target language. Learning these languages has never been easier, whether you're at home, in the car, or using a portable disc player! The basic teaching material of Mastering Spanish, which covers the Spanish of Spain and of South and Central America, is presented on two 60-minute compact discs.
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1104
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Book Description
Author: Henry Neuman
Publisher:
ISBN:
Category :
Languages : en
Pages : 614
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Book Description
Author:
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 716
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Book Description
Author:
Publisher:
ISBN:
Category : Dinners and dining
Languages : en
Pages : 832
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Book Description
Author: Néstor Ponce de León
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 796
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Book Description
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110422816
Category : Literary Criticism
Languages : en
Pages : 698
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Book Description
The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
