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Author: Samuel A. Hay
Publisher: Wayne State University Press
ISBN: 9780814326169
Category : Biography & Autobiography
Languages : en
Pages : 322
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Book Description
This book on the prize-winning African American playwright Ed Bullins is the first to chronicle the life and work of the man who dominated the New York theatre scene between 1968 and 1982. With his presentations of street life, Bullins transformed the Protest and Art-theatre traditions founded by W. E. B. DuBois and Alain Locke and made important contributions to black theatre.
Author: Samuel A. Hay
Publisher: Wayne State University Press
ISBN: 9780814326169
Category : Biography & Autobiography
Languages : en
Pages : 322
Get Book Here
Book Description
This book on the prize-winning African American playwright Ed Bullins is the first to chronicle the life and work of the man who dominated the New York theatre scene between 1968 and 1982. With his presentations of street life, Bullins transformed the Protest and Art-theatre traditions founded by W. E. B. DuBois and Alain Locke and made important contributions to black theatre.
Author: Ed Bullins
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 184
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Book Description
Author: Ed Bullins
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 352
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Book Description
Author: Lynda Koolish
Publisher: Univ. Press of Mississippi
ISBN: 9781578062584
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
This volume of photos of African-American authors highlights the diversity within African American literature and celebrates the many genres it explores. 59 photos.
Author: Ed Bullins
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 304
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Book Description
Author: William B. Branch
Publisher: Signet Book
ISBN:
Category : Drama
Languages : en
Pages : 564
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Book Description
This anthology of nine contemporary plays (all produced between 1975 and 1990) actively confronts the racial realities of American culture and celebrates the African American experience with originality and meaning. Playwrights include George C. Wolfe, Leslie Lee, Steve Carter, Amiri Baraka, P.J. Gibson, William Branch, Alexander Simmons, Ed Bullins, and August Wilson.
Author: Lanie Robertson
Publisher: Samuel French, Inc.
ISBN: 9780573681844
Category : Drama
Languages : en
Pages : 44
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Book Description
"Deals with one of the last appearances of Billie Holiday." -- p.7 | May include musicians.
Author: Kimberley W. Benston
Publisher: Routledge
ISBN: 1135078246
Category : Literary Criticism
Languages : en
Pages : 405
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Book Description
Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realising African-American aspirations for autonomy and authority. Artists covered include: * John Coltrane * Ntozake Shange * Ed Bullins * Amiri Baraka * Adrienne Kennedy * Michael Harper. Performing Blackness is an exciting contribution to the ongoing debate about the vitality and importance of black culture.
Author: Woodie King
Publisher: Hal Leonard Corporation
ISBN: 1617745944
Category : Drama
Languages : en
Pages : 263
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Book Description
A collection of scenes and monologues by African American playwrights.
Author: Leslie Catherine Sanders
Publisher: LSU Press
ISBN: 9780807115824
Category : Drama
Languages : en
Pages : 272
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Book Description
In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
