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Author: F. Lanier Graham
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96
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Book Description
First book-length study of a symbol central to the art of Marcel Duchamp and many other modern artists by a noted art historian who discussed the symbol with Duchamp.
Author: F. Lanier Graham
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96
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Book Description
First book-length study of a symbol central to the art of Marcel Duchamp and many other modern artists by a noted art historian who discussed the symbol with Duchamp.
Author: Hannah Westley
Publisher: Rodopi
ISBN: 9042023988
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Reconsidering the relationship between autobiography and self-portraiture, The Body as Medium and Metaphor explores the intertextuality of self-representation in twentieth-century French art. Situating the body as the nexus of intersections between the written word and the visual image, this book rethinks the problematic status of the self. Starting at the twentieth-century's departure from figurative and mimetic representation, this study discusses the work of seminal artists and writers - including Marcel Duchamp, Michel Leiris, Francis Bacon, Bernard Noël, Gisèle Prassinos, Louise Bourgeois and Orlan - to articulate the twentieth century's radical revisions of subjectivity that originated from and returned to representations of the word, the image, and the body. This volume will be of interest to students of both French Literature and Art History, particularly those who are interested in the interdisciplinary exchanges between visual arts and literature.
Author: David Hopkins
Publisher: Oxford University Press
ISBN: 9780198175131
Category : Art
Languages : en
Pages : 516
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Book Description
Marcel Duchamp and Max Ernst are two of the greatest names associated with Dada and Surrealism, the iconoclastic art movements of the early part of the twentieth century. This detailed study brings their work into close proximity for the first time, examining the structural interaction of "ready-made" belief systems in their productions (Catholicism, masculinism, hermeticism). These artists are revealed as precursors of our postmodern obsessions with male and female identity and cultural fragmentation.
Author: Gregory Minissale
Publisher: Cambridge University Press
ISBN: 110701932X
Category : Art
Languages : en
Pages : 409
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Book Description
This book examines how contemporary artworks can affect our psychology, producing immersive experiences.
Author: Ingrid E. Mida
Publisher: Bloomsbury Publishing
ISBN: 1350236144
Category : Design
Languages : en
Pages : 201
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Book Description
Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.
Author: John F. Moffitt
Publisher: State University of New York Press
ISBN: 0791486907
Category : Religion
Languages : en
Pages : 512
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Book Description
Acknowledged as the "Artist of the Century," Marcel Duchamp (1887–1968) left a legacy that dominates the art world to this day. Inventing the ironically dégagé attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.
Author: Celia Rabinovitch
Publisher: North Atlantic Books
ISBN: 1623173566
Category : Art
Languages : en
Pages : 338
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Book Description
Shortlisted for the 2021 Vine Awards Art, chess, and an $87,000 pipe frame an inside look at the relationship between Dadaist artist Marcel Duchamp and chess Grandmaster George Koltanowski Spanning three decades, two continents, two world wars, and the international art and chess scenes of the mid twentieth century, Duchamp's Pipe explores the remarkable friendship between art world enfant terrible Marcel Duchamp and blindfold chess champion George Koltanowski. Artist and cultural historian Celia Rabinovitch describes each man's rise to prominence, the chess matches that sparked their relationship, and the recently discovered pipe that Duchamp gave to Koltanowski. This tale of genius and resilience offers fresh insights into the essence of the gift in the bohemian underground. Rabinovitch invites us to discover the chess wizard and a Duchamp slightly off pedestal--and ultimately more human.
Author: Mark Ford
Publisher: Cornell University Press
ISBN: 1501724142
Category : Biography & Autobiography
Languages : en
Pages : 350
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Book Description
Raymond Roussel, one of the most outlandishly compelling literary figures of modern times, died in mysterious circumstances at the age of fifty-six in 1933. The story Mark Ford tells about Roussel's life and work is at once captivating, heartbreaking, and almost beyond belief. Could even Proust or Nabokov have invented a character as strange and memorable as the exquisite dandy and graphomaniac this book brings to life? Roussel's poetry, novels, and plays influenced the work of many well-known writers and artists: Jean Cocteau found in him "genius in its pure state," while Salvador Dalí, who died with a copy of Roussel's Impressions d'Afrique on his bedside table, believed him to be one of France's greatest writers ever. Edmond Rostand, Marcel Duchamp, André Breton, Michel Foucault, and Alain Robbe-Grillet all testified to the power of his unique imagination. By any standards, Roussel led an extraordinary life. Tremendously wealthy, he took two world tours during which he hardly left his hotel rooms. He never wore his clothes more than twice, and generally avoided conversation because he dreaded that it might turn morbid. Ford, himself a poet, traces the evolution of Roussel's bizarre compositional methods and describes the idiosyncrasies of a life structured as obsessively as Roussel structured his writing.
Author: Jacquelynn Baas
Publisher: MIT Press
ISBN: 0262042746
Category : Art
Languages : en
Pages : 397
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Book Description
A groundbreaking reading of Duchamp's work as informed by Asian “esoterism, ” energetic spiritual practices identifying creative energy with the erotic impulse. Considered by many to be the most important artist of the twentieth century, the object of intensive critical scrutiny and extensive theorizing, Marcel Duchamp remains an enigma. He may be the most intellectual artist of all time; and yet, toward the end of his life, he said, “If you wish, my art would be that of living: each second, each breath is a work which is inscribed nowhere, which is neither visual or cerebral.” In Marcel Duchamp and the Art of Life, Jacquelynn Baas offers a groundbreaking new reading of Duchamp, arguing in particular that his work may have been informed by Asian “esoterism, ” energetic spiritual practices that identify creative energy with the erotic impulse. Duchamp drew on a wide range of sources for his art, from science and mathematics to alchemy. Largely overlooked, until now, have been Asian spiritual practices, including Indo-Tibetan tantra. Baas presents evidence that Duchamp's version of artistic realization was grounded in a western interpretation of Asian mind training and body energetics designed to transform erotic energy into mental and spiritual liberation. She offers close readings of many Duchamp works, beginning and ending with his final work, the mysterious, shockingly explicit Étant donnés: 1° la chute d'eau 2° le gaz d'éclairage, (Given: 1. The Waterfall, 2. The Illuminating Gas). Generously illustrated, with many images in color, Marcel Duchamp and the Art of Life speculates that Duchamp viewed art making as part of an esoteric continuum grounded in Eros. It asks us to unlearn what we think we know, about both art and life, in order to be open to experience.
Author: Fabienne Collignon
Publisher: Cambridge Scholars Publishing
ISBN: 1443807338
Category : Art
Languages : en
Pages : 175
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Book Description
‘The Apothecary’s Chest: Magic, Art and Medication’ was a one-day symposium held at the University of Glasgow on November 24, 2007. The symposium called for a discussion on the evolution of the notions of mysticism, knowledge and superstition in the way they are intertwined in both science and the literary imagination in the figure of healers such as the apothecary, the alchemist, the shaman. There were three main areas of interest. The first involved traditional perceptions of physicians, who combined knowledge and superstition and thus bordered, in their practices, on the sphere of the occult. The second theme, evolving from the first, proposed an inquiry of the overlapping interests and processes of science, magic and prophesy, as well as of the implications and consequences of a privileged access to medical knowledge, while the third subject of discussion concentrated on the development of the symbolism of the healer in literature, history, philosophy of science, anthropology, theology, film and art. The twelve papers included in this volume, papers presented by doctoral candidates and young scholars from across a range of geographical regions and disciplines, result in a collection of approaches to an investigative field with topics ranging from mystical traits of mundane materials to the origins of the occult and gender struggles. The thirteenth and final essay included in the volume, Professor Bill Herbert’s ‘From Mere Bellies to the Bad Shaman’, is an exploration of the modern role of the contemporary poet in the form of an extended conversation initiated at the closing of the conference, when Professor Herbert was asked to combine a poetry reading with a few observations on the relationship between the poet and the shaman.
