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Author: David A. Bywaters
Publisher:
ISBN: 9780520070615
Category : History
Languages : en
Pages : 196
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Book Description
"Bywaters does nothing less than make late Dryden readable, readable for perhaps the very first time since the middle of the eighteenth century. . . . His will be the book that teaches teachers."--Carol Kay, New York University "In my opinion, the best overall account of Dryden's later career that we possess . . . a new starting point for criticism of Dryden's later works. . . . The writing alone establishes the author's credibility as a plain-spoken man who has much to say and nothing to hide."--John Wallace, University of Chicago "Bywaters does nothing less than make late Dryden readable, readable for perhaps the very first time since the middle of the eighteenth century. . . . His will be the book that teaches teachers."--Carol Kay, New York University
Author: David A. Bywaters
Publisher:
ISBN: 9780520070615
Category : History
Languages : en
Pages : 196
Get Book Here
Book Description
"Bywaters does nothing less than make late Dryden readable, readable for perhaps the very first time since the middle of the eighteenth century. . . . His will be the book that teaches teachers."--Carol Kay, New York University "In my opinion, the best overall account of Dryden's later career that we possess . . . a new starting point for criticism of Dryden's later works. . . . The writing alone establishes the author's credibility as a plain-spoken man who has much to say and nothing to hide."--John Wallace, University of Chicago "Bywaters does nothing less than make late Dryden readable, readable for perhaps the very first time since the middle of the eighteenth century. . . . His will be the book that teaches teachers."--Carol Kay, New York University
Author: Steven N. Zwicker
Publisher: Cambridge University Press
ISBN: 1139827049
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
John Dryden, Poet Laureate to Charles II and James II, was one of the great literary figures of the late seventeenth century. This Companion provides a fresh look at Dryden's tactics and triumphs in negotiating the extraordinary political and cultural revolutions of his time. The newly commissioned essays introduce readers to the full range of his work as a poet, as a writer of innovative plays and operas, as a purveyor of contemporary notions of empire, and most of all as a man intimate with the opportunities of aristocratic patronage as well as the emerging market for literary gossip, slander and polemic. Dryden's works are examined in the context of seventeenth-century politics, publishing and ideas of authorship. A valuable resource for students and scholars, the Companion includes a full chronology of Dryden's life and times and a detailed guide to further reading.
Author: John West
Publisher: Oxford University Press
ISBN: 0198816405
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
This book explores ideas of enthusiasm, or divine inspiration, in the works of the poet, dramatist, and literary critic John Dryden. It offers a new view of a major seventeenth-century writer and also examines the complex political and religious tensions implicit in Dryden's interest in enthusiasm.
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520915127
Category : Literary Criticism
Languages : en
Pages : 572
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Book Description
In the last decade of Dryden's life, he brought four new works before the theatre-going public: a dramatic opera, a tragedy, a tragicomedy, and a number of appendages to an old comedy by John Fletcher, which was revived partly so that Dryden might have the author's third-night profits. He died that night, but his family received the money. The dramatic opera, King Arthur, benefited from a fine score by Henry Purcell and has remained in the operatic repertoire to this day. Cleomenes, the tragedy, was banned until Dryden was able to convince Queen Mary that it did not reflect any seditious sympathy with the exiled James II, after which it was successful. The fate of Love Triumphant, the tragicomedy, was different; possibly because of a growing swell of moral reform, the play was universally damned, even though its themes of incest and miscellaneous fornication had never brought rejection to Dryden in the past. The Secular Masque, Dryden's principal contribution to The Pilgrim by Fletcher, had undistinguished music, but its lively verse and broad review of the previous century kept the piece on the stage for the next fifty years, and in anthologies up to the present.
Author:
Publisher: Yale University Press
ISBN: 9780300143461
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
The quarrel between the ancients and moderns was resumed in the 17th century as writers and artists debated how far to risk the freedom to innovate. This text argues that it was this tension that gave unity to the cultural life of the period and helped define its baroque character.
Author: Claude Julien Rawson
Publisher: University of Delaware Press
ISBN: 9780874138429
Category : Literary Collections
Languages : en
Pages : 316
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Book Description
American, British, and Australian scholars of English gathered at Yale University in October 2000 to mark the tercentenary of the British writer's death. Their 14 essays explore such aspects as modernity and exclusion in his The Spanish Fryar, his translation of Juvenal's Sixth Satire, and his Hamlet as an unwritten masterpiece. Distributed by Associated University Presses. Annotation c2004 Book News, Inc., Portland, OR (booknews.com).
Author: Joseph Hone
Publisher: Oxford University Press
ISBN: 0192579681
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
How did Alexander Pope become the greatest poet of the eighteenth century? Modern scholarship has typically taken Pope's rise to greatness and subsequent remoteness from lesser authors for granted. As a major poet he is treated as the successor of Milton and Dryden or the precursor of Wordsworth. Drawing on previously neglected texts and overlooked archival materials, Alexander Pope in the Making immerses the poet in his milieux, providing a substantial new account of Pope's early career, from the earliest traces of manuscript circulation to the publication of his collected Works and beyond. In this book, Joseph Hone illuminates classic poems such as An Essay on Criticism, The Rape of the Lock, and Windsor-Forest by setting them alongside lesser-known texts by Pope and his contempories, many of which have never received sustained critical attention before. Pope's earliest experiments in satire, panegyric, lyric, pastoral, and epic are all explored alongside his translations, publication strategies, and neglected editorial projects. By recovering values shared by Pope and the politically heterodox men and women whose works he read and with whom he collaborated, this book constructs powerful new interpretive frameworks for some of the eighteenth century's most celebrated poems. Alexander Pope in the Making mounts a comprehensive challenge to the 'Scriblerian' paradigm that has dominated scholarship for the past eighty years. It sheds fresh light on Pope's early career and reshapes our understanding of the ideological landscape of his era. This book will be essential reading for scholars and students of eighteenth-century literature, history, and politics.
Author: Ashley Marshall
Publisher: JHU Press
ISBN: 1421408171
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
An exhaustive study of satire in the long eighteenth century. Outstanding Academic Title, Choice In The Practice of Satire in England, 1658–1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu—to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.
Author: Anne Cotterill
Publisher: Oxford University Press, USA
ISBN: 0199261172
Category : History
Languages : en
Pages : 352
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Book Description
Digressive Voices in Early Modern English Literature looks afresh at major nondramatic texts by Donne, Marvell, Browne, Milton, and Dryden, whose digressive speakers are haunted by personal and public uncertainty. To digress in seventeenth-century England carried a range of meaning associated with deviation or departure from a course, subject, or standard. This book demonstrates that early modern writers trained in verbal contest developed richly labyrinthine voices thatcaptured the ambiguities of political occasion and aristocratic patronage while anatomizing enemies and mourning personal loss. Anne Cotterill turns current sensitivity toward the silenced voice to argue that rhetorical amplitude might suggest anxieties about speech and attack for men forced to be competitiveyet circumspect as they made their voices heard.
Author: Andrew R. Walkling
Publisher: Routledge
ISBN: 1315524201
Category : Music
Languages : en
Pages : 363
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Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
