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Author: Lothar Lutze
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 92
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Book Description
Author: Lothar Lutze
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 92
Get Book
Book Description
Author: Lothar Lutze
Publisher:
ISBN:
Category :
Languages : en
Pages : 77
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Book Description
Author: Ashis Sengupta
Publisher: Bloomsbury Publishing
ISBN: 1474250734
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
Islam in Performance brings together six contemporary plays from Bangladesh, India, and Pakistan that highlight the political performance of Islam in South Asia, especially since the 1947 partition of the subcontinent. The plays invite comparison with one another, engaging with the issue from perspectives of the three countries concerned: Hindutva politics in India othering the Muslim population for electoral gains, radical Islamization of Pakistan paralyzing political governance and encouraging jihadi violence, and the ever-increasing Islamist threat to Bangladesh's founding secular ethos. Finally, this anthology focuses on the suffering such exclusionary politics of religious nationalism has piled upon minorities across the region. Widely performed but largely unpublished, the plays with their geographic and stylistic range provide a good spectrum of some of the best writing in contemporary South Asian drama. The editor's scholarly introduction offers a framework for studying the plays as both texts and performance pieces.
Author: A. Sengupta
Publisher: Springer
ISBN: 1137375140
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
While remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Author: Lothar Lutze
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 96
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Book Description
Author: Catherine Diamond
Publisher: University of Hawaii Press
ISBN: 082486767X
Category : Performing Arts
Languages : en
Pages : 406
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Book Description
Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.
Author: Ajay K. Chaubey
Publisher:
ISBN: 9788131609071
Category : Drama
Languages : en
Pages : 347
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Book Description
This volume contains seventeen path-breaking essays by Indian, European, Indo-Scottish, and Indo-American scholars. It seeks to affirm heterogeneity and difference, celebrating multi-dimensional modes of looking at South Asian diasporic cinema and theatre in the new millennium. The essays in the anthology engage in critical conversations around diverse themes-from 'home' and 'homeland' in Afghan Cinema, to the Partition of India. This co-mingling of multiple voices articulates the new, topical and sometimes radical dimensions of contemporary South Asian film and drama. In essence, the credo of this compendium is to breach extant disciplinary boundaries and establish a stimulating and thought-provoking rapport with its readers. With a polyvocality stemming from its panoply of eminent international contributors, this volume acts as a bridge, dissolving borders and addressing often-specious cultural pre-conceptions. It forges a cultural studies causeway across the largely reductionist duality of South Asian 'diasporic' and 'domiciled' visual arts. This anthology, arguably the first of its kind, will be useful to both research students and academics around the world. [Subject: South Asian Studies, Literature, Performing Arts, Theater Studies, Film Studies, Cultural Studies, Literary Studies]
Author: Sundeep Waslekar
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 396
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Book Description
Author: Dev Nath Pathak
Publisher: Taylor & Francis
ISBN: 1351656139
Category : Social Science
Languages : en
Pages : 274
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Book Description
This volume looks at the politics of communication and culture in contemporary South Asia. It explores languages, signs and symbols reflective of current mythologies that underpin instances of performance in present-day India and its neighbouring countries. From gender performances and stage depictions to protest movements, folk songs to cinematic reconstructions and elections to war-torn regions, the chapters in the book bring the multiple voices embedded within the grand theatre of popular performance and the cultural landscape of the region to the fore. Breaking new ground, this work will prove useful to students and researchers in sociology and social anthropology, art and performance studies, political studies and international relations, communication and media studies and culture studies.
Author: Aparna Bhargava Dharwadker
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
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Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
