Author: Catherine Gunther Kodat
Publisher: Rutgers University Press
ISBN: 0813565286
Category : History
Languages : en
Pages : 229
Book Description
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.
Don't Act, Just Dance
Author: Catherine Gunther Kodat
Publisher: Rutgers University Press
ISBN: 0813565286
Category : History
Languages : en
Pages : 229
Book Description
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.
Publisher: Rutgers University Press
ISBN: 0813565286
Category : History
Languages : en
Pages : 229
Book Description
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.
Apparition of Splendor
Author: Elizabeth Gregory
Publisher: Rutgers University Press
ISBN: 1644531968
Category : Art
Languages : en
Pages : 280
Book Description
Apparition of Splendor looks in depth at Marianne Moore's elaborately constructed, multi-dimensional poems of her 1950s-60s celebrity phase, in which, cross-dressed as George Washington, she presented her poetry as part of a comedic performance. This biography shows how her poems challenge the highbrow hierarchy of art and invite the readers into the process of making meaning out of their daily lives.
Publisher: Rutgers University Press
ISBN: 1644531968
Category : Art
Languages : en
Pages : 280
Book Description
Apparition of Splendor looks in depth at Marianne Moore's elaborately constructed, multi-dimensional poems of her 1950s-60s celebrity phase, in which, cross-dressed as George Washington, she presented her poetry as part of a comedic performance. This biography shows how her poems challenge the highbrow hierarchy of art and invite the readers into the process of making meaning out of their daily lives.
Ballet News
Author:
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 564
Book Description
Balanchine's Ballerinas
Author: Robert Tracy
Publisher: New York : Linden Press/Simon & Schuster
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Publisher: New York : Linden Press/Simon & Schuster
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Saturday Review
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1164
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1164
Book Description
Balletmaster
Author: Moira Shearer
Publisher: New York : Putnam
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
It was their sole encounter, but the sheer force and élan of Balanchine's personality, technique and genius held the young ballerina in total thrall from that day to this. As Moira Shearer observed his works over the years, she determined to set down Balanchine's extraordinary career and tempestuous life from a dancer's perspective. She researched his Russian youth, and the dazzling Diaghilev and continental years. She talked with key colleagues, ex-wives and impresarios as living background to her account of his hard-won triumphs with the New York City Ballet as the most innovative and important choreographer of this century. The story of Balanchine's life is here is full, the romantic destructiveness and willfulness along with the genius, but it is informal and distillate rather than compendious.
Publisher: New York : Putnam
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 216
Book Description
It was their sole encounter, but the sheer force and élan of Balanchine's personality, technique and genius held the young ballerina in total thrall from that day to this. As Moira Shearer observed his works over the years, she determined to set down Balanchine's extraordinary career and tempestuous life from a dancer's perspective. She researched his Russian youth, and the dazzling Diaghilev and continental years. She talked with key colleagues, ex-wives and impresarios as living background to her account of his hard-won triumphs with the New York City Ballet as the most innovative and important choreographer of this century. The story of Balanchine's life is here is full, the romantic destructiveness and willfulness along with the genius, but it is informal and distillate rather than compendious.
Dancer from the Dance
Author: Andrew Holleran
Publisher: HarperCollins
ISBN: 0063299496
Category : Fiction
Languages : en
Pages : 254
Book Description
“An astonishingly beautiful book. The best gay novel written by anyone of our generation.”—Harper’s “Through the sweat and haze of longing come piercing insights – about the closeness of gay male friendship, about the vanity and imperfections of men. The more one reads the novel, we realise that what Holleran has given us is our very own queer (queerer?) Great Gatsby: its decadence, its fear, its violence, its ecstasy, its transience.”—The Guardian Andrew Holleran’s landmark novel of a young man's search for love and companionship in New York’s emerging gay world in the 1970s, with a new introduction by Garth Greenwell. Young, astonishingly beautiful, and tired of living a lie, Anthony Malone trades life as a seemingly straight small-town lawyer for the decadence of New York’s emerging gay scene—an odyssey that takes him from Manhattan’s Everard baths and after hour discos, to lavish orgies on Fire Island and parks after dark. Rescuing Malone from a possessive lover and shepherding him through his immersion in this life of fierce joys and cheap truths is the flamboyant Sutherland, a high-camp quintessential queen. But for Malone, the endless city nights and Fire Island days are close to burning out, and despite Sutherland’s abundant attentiveness and glittering world-weary wisdom, Malone soon realizes what he is truly looking for may not be found in these beautiful places, where life is crowded, and people are forever outrunning their own desires and death.
Publisher: HarperCollins
ISBN: 0063299496
Category : Fiction
Languages : en
Pages : 254
Book Description
“An astonishingly beautiful book. The best gay novel written by anyone of our generation.”—Harper’s “Through the sweat and haze of longing come piercing insights – about the closeness of gay male friendship, about the vanity and imperfections of men. The more one reads the novel, we realise that what Holleran has given us is our very own queer (queerer?) Great Gatsby: its decadence, its fear, its violence, its ecstasy, its transience.”—The Guardian Andrew Holleran’s landmark novel of a young man's search for love and companionship in New York’s emerging gay world in the 1970s, with a new introduction by Garth Greenwell. Young, astonishingly beautiful, and tired of living a lie, Anthony Malone trades life as a seemingly straight small-town lawyer for the decadence of New York’s emerging gay scene—an odyssey that takes him from Manhattan’s Everard baths and after hour discos, to lavish orgies on Fire Island and parks after dark. Rescuing Malone from a possessive lover and shepherding him through his immersion in this life of fierce joys and cheap truths is the flamboyant Sutherland, a high-camp quintessential queen. But for Malone, the endless city nights and Fire Island days are close to burning out, and despite Sutherland’s abundant attentiveness and glittering world-weary wisdom, Malone soon realizes what he is truly looking for may not be found in these beautiful places, where life is crowded, and people are forever outrunning their own desires and death.
Outlook and Independent
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1006
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1006
Book Description
The Outlook
Author: Lyman Abbott
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 770
Book Description
Outlook
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1234
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1234
Book Description