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Author:
Publisher: Getty Publications
ISBN: 0892368365
Category : Landscape in art
Languages : en
Pages : 158
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Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Author:
Publisher: Getty Publications
ISBN: 0892368365
Category : Landscape in art
Languages : en
Pages : 158
Get Book Here
Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Author: Brett Bowles
Publisher: Manchester University Press
ISBN: 1526141647
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 366
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Book Description
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Author: P.J.S. Whitmore
Publisher: Springer Science & Business Media
ISBN: 9401034915
Category : History
Languages : en
Pages : 381
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Book Description
Thinking of the text from the Dies frae (S. Matthew, XXV, 40). It is also probable that this other Saint Francis, partly out of admiration for his illustrious compatriot of Assisi and partly from a compelling urge to be superlative in all things, chose the title in opposition to the Franciscans, the Fratres Minori, l who had previously adopted this style taken from Saint Matthew, XXIII, 8. The title "Minim" was confirmed in these words" ... eosque Eremitos Ordinis Minimorum Fratrum Eremitarum F. Francesci de Paula in posterum nuncupari," taken from the Papal Bull, Meritis religiosae vitae, of 26 February, 1493. The earliest reference to the Order in France is in a fragment preserved in the Bibliotheque de l'Arsenal called, La regle et vie de Frere Franfois, pauvre et humble hermite de Paule, laquelle donne a tous ses 2 freres voulant entrer et vivre en son ordre. The dating of this manuscript should be accepted with considerable reserve; it bears a clearly legible "1474," although it seems most unlikely that any reference to an Order occurred before the Bull of 1493 or that any Rule appeared in French before the Founder's visit to Louis XI in 1483. 3 The fame of Francis and his reputation as a "guerisseur" had reached the French court where Louis XI was sick and dying; the King summoned him to the chateau of Le Plessis-Ies-Tours, but it required the intervention of the Pope to make the hermit undertake the journey
Author: Serbin, Sylvia
Publisher: UNESCO Publishing
ISBN: 9231001302
Category :
Languages : en
Pages : 132
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Book Description
Author: Carlton Lake
Publisher: New Directions Publishing
ISBN: 9780811211307
Category : Antiques & Collectibles
Languages : en
Pages : 236
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Book Description
The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.
Author: Gertrude Stein
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 18
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Book Description
Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.
Author: Gretchen V. Angelo
Publisher: Orange Grove Texts Plus
ISBN: 9781616100506
Category : French language
Languages : en
Pages : 0
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Book Description
Liberte is a French language textbook for first-year college students. Please note that an instructor guide is included as a downloadable attachment.
Author: Georges Sadoul
Publisher: Berkeley : University of California Press
ISBN: 9780520021525
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
Lists significant international films, with brief plot summaries, critical analyses, and listings of producers, directors, and actors
Author: Sir Ronald Storrs
Publisher: Freeman Press
ISBN: 1443725498
Category : Biography & Autobiography
Languages : en
Pages : 620
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Book Description
SIR RONALD STORRS - PREFACE THIS has not been been an easy book to write. My books and papers were destroyed by fire with the rest of my property in 1931, so that of material, consciously prepared or preserved as such, I have none. I had, however, the habit ever since leaving England in 1904 of writing weekly to my mother, and of enclosing briefly minuted items I thought might entertain her. All these documents she kept with my letters, including a few diaries of special missions or journeys during the Wan In the longest of these, describing Baghdad in 1917, she inked over my pencil version with the result, as in a palimpsest, that some of the words she could not read then I cannot decipher now. These surviving records I have wherever possible quoted in original with, I hope, a gain in immediacy and actuality by recording not only historic facts, sometimes already known, but also my feelings at the time with stories and details, trifling in themselves yet constituting atmosphere the hardest of all things to recapture after many years. There are no corrections but many omissions, especially of personal remarks intended only for home consumption. The retention of many faults of youthful slang and flippancy proceeds not so much from any illusion as to their intrinsic demerits as from a preference for the varied patina of the past over the shiny smoothness of a Vernis Martin surface. The loss of a slowly collected library bearing on the chief interests of a mans life is a handicap, less only than the loss of serious docu ments. Not total replacement, not even the Socialist ideal of the British Museum Library access to everything, possession of nothing can recall the annotations andcross-references of many years. In a book full of Oriental names it is impossible to avoid the vexed question of transliteration. That is a subject upon which, as indicated, I have strong ideas and even stronger feelings. In 1920 Sir Herbert Samuel made me Chairman of a small Committee appointed for the purpose of transliterating Palestinian Arabic. We worked long and hard, and in due course submitted to His Excellency the neat little viii . Preface brochure which at this moment meets my resentful gaze. By the time it had reached London the Colonial Office had decided to adopt the system of the Royal Geographical Society. Lawrence was pleasant about his spelling members of our Committee cannot be. My object now is to present the strange sounds and symbols of the East with a minimum of fatigue to the reader. The system is that of English consonants with Italian vowels, and I add accents and quantities. There are one or two irregularities. The name of the founder of Islam is accurately rendered to convey the pronunciation of Muhammad even for personages such as Prince Mahomed All, in whose reigning house is a tradition of pronuncia tion alia Turca. By the time the name has reached Cyprus it has become Mehmet. Nevertheless, with a positive advantage of differentiation, I write the Sharif and King Husain ibn All of Arabia correctly according to system but the Prince and Sultan Hussein of Egypt, with the French spelling that comes close to his own Turkish utterance. By holding, though illogically, to accepted spellings of some famous words, I have at least avoided the exasperation of Quran and Makkah and of that in tolerable clenching of the glottis, the letter, ain...
