Author: Joseph P. Jordan
Publisher: Fairleigh Dickinson
ISBN: 1611475252
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
Dickens Novels as Verse adds to Dickens criticism by being unlike most Dickens criticism. It argues that some of the great Dickens novels are held together by book-length patterns in topics that, by organizing the object in dimensions extra to syntax, make readers’ experience feel truer than it would otherwise feel.
Author: Joseph P. Jordan
Publisher:
ISBN: 9781611477283
Category : Repetition in literature
Languages : en
Pages : 0
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Book Description
Dickens Novels as Verse adds to Dickens criticism by being unlike most Dickens criticism. It argues that some of the great Dickens novels are held together by book-length patterns in topics that, by organizing the object in dimensions extra to syntax, make readers' experience feel truer than it would otherwise feel.
Author: Joseph Patrick Jordan
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
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Book Description
Author: Jeremy Tambling
Publisher: Routledge
ISBN: 1317612884
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Focusing on the language, style, and poetry of Dickens’ novels, this study breaks new ground in reading Dickens’ novels as a unique form of poetry. Dickens’ writing disallows the statement of single unambiguous truths and shows unconscious processes burrowing within language, disrupting received ideas and modes of living. Arguing that Dickens, within nineteenth-century modernity, sees language as always double, Tambling draws on a wide range of Victorian texts and current critical theory to explore Dickens’ interest in literature and popular song, and what happens in jokes, in caricature, in word-play and punning, and in naming. Working from Dickens’ earliest writings to the latest, deftly combining theory with close analysis of texts, the book examines Dickens’ key novels, such as Pickwick Papers, Martin Chuzzlewit, Dombey and Son, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. It considers Dickens as constructing an urban poetry, alert to language coming from sources beyond the individual, and relating that to the dream-life of characters, who both can and cannot awake to fuller, different consciousness. Drawing on Walter Benjamin, Lacan, and Derrida, Tambling shows how Dickens writes a new and comic poetry of the city, and that the language constitutes an unconscious and secret autobiography. This volume takes Dickens scholarship in exciting new directions and will be of interest to all readers of nineteenth-century literary and cultural studies, and more widely, to all readers of literature.
Author: Charles Dickens
Publisher: BoD – Books on Demand
ISBN: 3752381671
Category : Fiction
Languages : en
Pages : 50
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Book Description
Reproduction of the original: The Poems and Verses of Charles Dickens by Charles Dickens
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 488
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Book Description
A Tale of Two Cities (1859) is the second historical novel by Charles Dickens, set in London and Paris before and during the French Revolution. It depicts the plight of the French proletariat under the brutal oppression of t+E3he French aristocracy in the years leading up to the revolution, and the corresponding savage brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution. It follows the lives of several protagonists through these events, most notably Charles Darnay, a French once-aristocrat who falls victim to the indiscriminate wrath of the revolution despite his virtuous nature, and Sydney Carton, a dissipated English barrister who endeavours to redeem his ill-spent life out of love for Darnay's wife, Lucie Manette.
Author: Jeremy Tambling
Publisher: Routledge
ISBN: 1317612892
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Focusing on the language, style, and poetry of Dickens’ novels, this study breaks new ground in reading Dickens’ novels as a unique form of poetry. Dickens’ writing disallows the statement of single unambiguous truths and shows unconscious processes burrowing within language, disrupting received ideas and modes of living. Arguing that Dickens, within nineteenth-century modernity, sees language as always double, Tambling draws on a wide range of Victorian texts and current critical theory to explore Dickens’ interest in literature and popular song, and what happens in jokes, in caricature, in word-play and punning, and in naming. Working from Dickens’ earliest writings to the latest, deftly combining theory with close analysis of texts, the book examines Dickens’ key novels, such as Pickwick Papers, Martin Chuzzlewit, Dombey and Son, Bleak House, Little Dorrit, Great Expectations, and Our Mutual Friend. It considers Dickens as constructing an urban poetry, alert to language coming from sources beyond the individual, and relating that to the dream-life of characters, who both can and cannot awake to fuller, different consciousness. Drawing on Walter Benjamin, Lacan, and Derrida, Tambling shows how Dickens writes a new and comic poetry of the city, and that the language constitutes an unconscious and secret autobiography. This volume takes Dickens scholarship in exciting new directions and will be of interest to all readers of nineteenth-century literary and cultural studies, and more widely, to all readers of literature.
Author: Charles Dickens
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 12862
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Book Description
In 'The Complete Works of Charles Dickens: Novels, Short Stories, Plays, Poetry, Essays, Articles, Speeches, Travel Sketches & Letters (Illustrated)', readers are offered a comprehensive look into the diverse literary talents of one of the most prominent Victorian authors. Dickens' works, known for their social commentary, intricate plots, and vivid characters, showcase his mastery of the serial format and his ability to capture the essence of 19th-century London. The collection includes classics such as 'Great Expectations', 'A Tale of Two Cities', and 'Oliver Twist', as well as lesser-known gems. The illustrations accompanying the texts provide added depth to the reading experience. Dickens' writing style is marked by a combination of humor, sentimentality, and realism, making his works both entertaining and thought-provoking. Charles Dickens, a prolific writer influenced by his own experiences of poverty and social injustice, used his platform to shed light on the harsh realities of Victorian society. His works continue to resonate with readers today, highlighting the timeless themes of class struggle, redemption, and the human capacity for kindness. Dickens' dedication to social reform and his gift for storytelling have secured his legacy as one of the greatest novelists of the 19th century. I highly recommend 'The Complete Works of Charles Dickens' to any reader seeking to explore the depth and breadth of Dickens' literary contributions. Whether you are a seasoned fan or new to Victorian literature, this collection offers a comprehensive overview of Dickens' versatile talent and enduring relevance.
Author: Stefanie Markovits
Publisher: Oxford University Press
ISBN: 0198718861
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
The Victorian Verse-Novel: Aspiring to Life considers the rise of a hybrid generic form, the verse-novel, in the second half of the nineteenth century. Such poems combined epic length with novelistic plots in the attempt to capture not a heroic past but the quotidian present. Victorian verse-novels also tended to be rough-mixed, their narrative sections interspersed with shorter, lyrical verses in varied measures. In flouting the rules of contemporary genre theory, which saw poetry as the purview of the eternal and ideal and relegated the everyday to the domain of novelistic prose, verse-novels proved well suited to upsetting other hierarchies, as well, including those of gender and class. The genre's radical energies often emerge from the competition between lyric and narrative drives, between the desire for transcendence and the quest to find meaning in what happens next; the unusual marriage plots that structure such poems prove crucibles of these rival forces. Generic tensions also yield complex attitudes towards time and space: the book's first half considers the temporality of love, while its second looks at generic geography through the engagement of novels in verse with Europe and the form's transatlantic travels. Both well-known verse-novels (Elizabeth Barrett Browning's Aurora Leigh, Arthur Hugh Clough's Amours de Voyage, Coventry Patmore's The Angel in the House) and lesser-known examples are read closely alongside a few nearly related works (Tennyson's Idylls of the King, Robert Browning's The Ring and the Book). An Afterword traces the verse-novel's substantial influence on the modernist novel.
Author: Emily Allen
Publisher: Oxford University Press
ISBN: 0198929226
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Novel-Poetry examines the verse-novel--a hybrid genre that emerged in the middle decades of Britain's nineteenth century--to make a larger claim about the nature of genre and formal structures for time, action, and identity that cross genres. The volume uncovers trajectories of literary influence that structure our approach to literature and affect how we shape our lives, lives which are often constrained by cause-and-effect and narrative-driven ways of approaching time and possibility. Novel-Poetry tracks an alternative way of thinking about time and event that was inspired by the French Revolution, popularized by Lord Byron, and explored by experimental Victorian poets such as Elizabeth Barrett Browning, Robert Browning, Arthur Hugh Clough, and George Meredith. The volume turns to the work of philosophers Alain Badiou, Jean-Pierre Dupuy, and Slavoj %Zi%zek to theorize this alternative mode, which it aligns with the "futur antérieur." The temporality of the future anterior disrupts both the novel's realist chronologies and the expressivist lyric's cult of "the moment," thus liberating possibilities for collective action. Ranging widely across romantic lyric poetry, Victorian novels, and nineteenth-century and contemporary literary theory, Novel-Poetry asks, what alternative structures and temporalities does a focus on either realistic narrative or the lyric moment occlude? Are there ways of thinking about lived experience and personal or collective agency that do not conform to traditional models, ways that the verse-novel might help us to explore? What might be gained today from trying to think about ourselves and our world outside of established frameworks that are now so naturalized as to feel almost inescapable? This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence.
