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Author: Isaac Julien
Publisher: BFI Publishing
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 234
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Book Description
No Marketing Blurb
Author: Isaac Julien
Publisher: BFI Publishing
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 234
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Book Description
No Marketing Blurb
Author: Barbara Korte
Publisher: BRILL
ISBN: 9004484329
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
This book looks at a sector of black and Asian British film and television as it presented itself in the 1990s and early 2000s. For this period, a ‘mainstreaming’ of black and Asian British film has been observed in criticism and theory and articulated by an increasing number of practitioners themselves, referring to changing modes of production, distribution and reception and implying a more popular and commercial orientation of certain media products. This idea is a leitmotif for the authors’ readings of recent films and examples of television drama, including such diverse products as Young Soul Rebels and Babymother, East Is East and Bend It Like Beckham, The Buddha of Suburbia and White Teeth. These analyses are supplemented with a look at earlier landmark productions (like Pressure) as well as relevant social, institutional and aesthetic frameworks. The book closes with a selection of statements by black and Asian media practitioners who operate from within Britain’s cultural industries: Mike Phillips, Horace Ové, Julian Henriques, Parminder Vir and Gurinder Chadha.
Author: Isaac Julien
Publisher: British Film Inst
ISBN: 9780253331175
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Author: James Caterer
Publisher: Cambridge Scholars Publishing
ISBN: 1443833223
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
When John Major launched the UK’s National Lottery in 1994 he christened it “the people’s Lottery” and handed it to the mythical stewardship of the Everyman. But when the proceeds began to be distributed to worthy causes, including the British film industry, this populist rhetoric came under increasing strain. If Lottery funding is used to produce the type of British films which the public want to see, such as romantic comedies, then many question whether the market deserves such subsidy. Short films and low budget, experimental cinema – which often require state support – tend to go unwatched by large swathes of the Lottery ticket-buying public. This book explores the debates which were sparked by the arrival of “the people’s pictures”, and places them in historical context by examining their many precedents. Is public patronage a boon or a burden for filmmakers? And how do institutional cultures or political buzzwords affect the finished films? Case studies include the popular hits Billy Elliot (2000) and Shooting Fish (1997); art-house releases such as Love Is The Devil (1998) and Gallivant (1997); short films by Lynne Ramsey and David MacKenzie; and artists’ film and video work by Bill Viola and Tracey Emin.
Author: Ella Shohat
Publisher: Routledge
ISBN: 113612196X
Category : Social Science
Languages : en
Pages : 438
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Book Description
This excellent book corrects eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective.
Author: Iain Chambers
Publisher: Routledge
ISBN: 113488155X
Category : Art
Languages : en
Pages : 173
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Book Description
In Migrancy, Culture, Identity, Iain Chambers unravels how our sense of place and identity is realised as we move through myriad languages, worlds and histories. The author explores the uncharted impact of cultural diversity on today's world, from the 'realistic' eye of the painter to the 'scientific' approach of the cultural anthropologist or the critical distance of the historian; from the computer screen to the Walkman and 'World Music'. Migrancy, Culture and Identity takes us on a journey into the disturbance and dislocation of culture and identity that faces all of us to explore how migration, marginality and homelessness have disrupted the West's faith in linear progress and rational thinking, undermining our knowledge, history and cultural identity.
Author:
Publisher: BRILL
ISBN: 900433422X
Category : Social Science
Languages : en
Pages : 338
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Book Description
Author: Jean Howard
Publisher: Routledge
ISBN: 1134718659
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
In this volume Textual Practice brings together some of its most pressing concerns by exploring the interaction of texts with language, politics, gender and history. Textual Practice has a theoretical approach that crosses over into a range of other, apparently disparate, disciplines: philosophy, history, law, medicine, science, architechtrure, gender, and media studies. Key Features: * Features the most exciting new voices and the most influential new scholars in the field * Multidisciplinary * Includes two articles on Ireland _ _ _
Author: Stephen Bourne
Publisher: A&C Black
ISBN: 9780826478986
Category : Social Science
Languages : en
Pages : 276
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Book Description
In this updated edition of his acclaimed and award-winning study, Stephen Bourne takes a personal look at the history of black people in popular British film and television. He documents, from original research and interviews, the experiences and representations which have been ignored in previous media books about people of African descent. There are chapters about Paul Robeson, Newton I. Aduaka, soap operas and much more - as well as several useful appendices and suggestions for further reading.
Author: Manthia Diawara
Publisher: Routledge
ISBN: 1135216738
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream. In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black American Cinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose achievements entail a surreptitious infiltration of the studios. Black American Cinema demonstrates the wealth of the Black contribution to American film and the complex course that contribution has taken. Contributors: Houston Baker, Jr., Toni Cade Bambara, Amiri Baraka, Jacquie Bobo, Richard Dyer, Jane Gaines, Henry Louis Gates, Jr., Ron Green, Ed Guerrero, bell hooks, Phyllis Klotman, Ntongele Masilela, Clyde Taylor, and Michele Wallace.
