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Author: Anna Powell
Publisher: Edinburgh University Press
ISBN: 0748628789
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
Author: Anna Powell
Publisher: Edinburgh University Press
ISBN: 0748628789
Category : Performing Arts
Languages : en
Pages : 240
Get Book Here
Book Description
Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
Author: Patricia Pisters
Publisher: Stanford University Press
ISBN: 0804740283
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images and time-images. We live in a matrix of visual culture that is always moving and changing. Each image is always connected to an assemblage of affects and forces. This book presents a model, as well as many concrete examples, of how to work with Deleuze in film theory. It asks questions about the universe as metacinema, subjectivity, violence, feminism, monstrosity, and music. Among the contemporary films it discusses within a Deleuzian framework are Strange Days, Fight Club, and Dancer in the Dark.
Author: Ian Buchanan
Publisher: A&C Black
ISBN: 1847061281
Category : Psychology
Languages : en
Pages : 172
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Book Description
A hugely important collection of essays on Deleuze and Cinema from an international panel of experts.
Author: Gilles Deleuze
Publisher: U of Minnesota Press
ISBN: 9780816616770
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories
Author: Xavier Aldana Reyes
Publisher: Routledge
ISBN: 1317748794
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
This book brings together various theoretical approaches to Horror that have received consistent academic attention since the 1990s – abjection, disgust, cognition, phenomenology, pain studies – to make a significant contribution to the study of fictional moving images of mutilation and the ways in which human bodies are affected by those on the screen on three levels: representationally, emotionally and somatically. Aldana Reyes reads Horror viewership as eminently carnal, and seeks to articulate the need for an alternative model that understands the experience of feeling under corporeal threat as the genre’s main descriptor. Using recent, post-millennial examples throughout, the book also offers case studies of key films such as Hostel, [REC], Martyrs or Ginger Snaps, and considers contemporary Horror strands such as found footage or 3D Horror.
Author: Anna Powell
Publisher:
ISBN: 9780748651061
Category : Electronic books
Languages : en
Pages : 232
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Book Description
Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics.
Author: Sunny Hawkins
Publisher: Bloomsbury Publishing USA
ISBN: 1501358448
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
Applying Deleuze's schizoanalytic techniques to film theory, Deleuze and the Gynesis of Horror demonstrates how an embodied approach to horror film analysis can help us understand how film affects its viewers and distinguish those films which reify static, hegemonic, “molar” beings from those which prompt fluid, nonbinary, “molecular” becomings. It does so by analyzing the politics of reproduction in contemporary films such as Ex Machina; Mary Shelley's Frankenstein; Mad Max: Fury Road; the Twilight saga; and the original Alien quadrilogy and its more recent prequels, Prometheus and Alien: Covenant. Author Sunny Hawkins argues that films which promote a “monstrous philosophy” of qualitative, affirmative difference as difference-in-itself, and which tend to be more molecular than molar in their expressions, can help us trace a “line of flight” from the gender binary in the real world. Deleuze and the Gynesis of Horror demonstrates how the techniques of horror film – editing, sound and visual effects, lighting and colour, camera movement – work in tandem with a film's content to affect the viewer's body in ways that disrupt the sense of self as a whole, unified subject with a stable, monolithic identity and, in some cases, can serve to breakdown the binary between self/Other, as we come to realize that we are none of us static, categorizable beings but are, as Henri Bergson said, “living things constantly becoming.”
Author: Patricia Allmer
Publisher: Columbia University Press
ISBN: 0231850085
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).
Author: Daniel Adam Daniel
Publisher: Edinburgh University Press
ISBN: 1474456383
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage,' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror. It applies a rich theoretical synthesis of phenomenological and Deleuzian approaches to a number of case studies, including films like The Blair Witch Project, Paranormal Activity and Creep as well as video games such as Alien: Isolation and new media forms such as Youtube horror and virtual reality horror.
Author: Felicity Colman
Publisher: Berg
ISBN: 1847887708
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of Film, Media and Philosophy.
