Author: H. Sylvester Krouse
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Danse D'amour
Author: H. Sylvester Krouse
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
Book Description
Canadiana
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1182
Book Description
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1182
Book Description
The Danse Macabre of Women
Author: Ann Tukey Harrison
Publisher: Kent State University Press
ISBN: 9780873384735
Category : Drama
Languages : en
Pages : 194
Book Description
The 'Danse Macabre' of Women is a 15th-century French poem found in an illuminated late-medieval manuscript. This book contains reproductions of each manuscript folio, a translation and explanatory chapters by Ann Tukey Harrison. Art historian Sandra L. Hindman also contributes a chapter.
Publisher: Kent State University Press
ISBN: 9780873384735
Category : Drama
Languages : en
Pages : 194
Book Description
The 'Danse Macabre' of Women is a 15th-century French poem found in an illuminated late-medieval manuscript. This book contains reproductions of each manuscript folio, a translation and explanatory chapters by Ann Tukey Harrison. Art historian Sandra L. Hindman also contributes a chapter.
Moving Modernism
Author: Nell Andrew
Publisher: Oxford University Press
ISBN: 0190057300
Category : Performing Arts
Languages : en
Pages : 257
Book Description
The emergence of modern dance and the early history of cinema ran concurrent with the European avant-garde's development of pictorial abstraction in the first decades of the 20th century. However, many assume that modernist abstraction resulted from a century of natural, autonomous evolution to painting styles and tastes. In Moving Modernism, author Nell Andrew challenges this assumption. By examining dance and film created during this period, she argues that performative modes of art created the link between bodily movement and movement depicted in modernist paintings. In a seeming paradox, dance and film - durational arts, involving real bodies in space-participated in the development of abstract art. With archival material collected in North America and Europe, Moving Modernism resurfaces lost performances, identifies working methods, and establishes the circles of aesthetic influence and reception for avant-garde dance pioneers and experimental film makers from the turn of the century to the interwar period. Reexamining the motivation that fueled the emergence of abstraction, Andrew claims that painters sought meaning not only in the material and formal picture but also in temporal and sensorial experience. Andrew looks at major figures and intellectual movements including Loïe Fuller and Symbolism; Valentine de Saint-Point and the Cubo-Futurist and neo-Symbolist movements; and early cinematic abstraction from Edison and the Lumières to Hans Richter and Marcel Duchamp. Close examinations of each figure show that theatrical display, embodied self-projection, and kinesthetic desire are not necessarily in opposition to pictorial abstraction; in fact, they expand our understanding of the urges that created modern art.
Publisher: Oxford University Press
ISBN: 0190057300
Category : Performing Arts
Languages : en
Pages : 257
Book Description
The emergence of modern dance and the early history of cinema ran concurrent with the European avant-garde's development of pictorial abstraction in the first decades of the 20th century. However, many assume that modernist abstraction resulted from a century of natural, autonomous evolution to painting styles and tastes. In Moving Modernism, author Nell Andrew challenges this assumption. By examining dance and film created during this period, she argues that performative modes of art created the link between bodily movement and movement depicted in modernist paintings. In a seeming paradox, dance and film - durational arts, involving real bodies in space-participated in the development of abstract art. With archival material collected in North America and Europe, Moving Modernism resurfaces lost performances, identifies working methods, and establishes the circles of aesthetic influence and reception for avant-garde dance pioneers and experimental film makers from the turn of the century to the interwar period. Reexamining the motivation that fueled the emergence of abstraction, Andrew claims that painters sought meaning not only in the material and formal picture but also in temporal and sensorial experience. Andrew looks at major figures and intellectual movements including Loïe Fuller and Symbolism; Valentine de Saint-Point and the Cubo-Futurist and neo-Symbolist movements; and early cinematic abstraction from Edison and the Lumières to Hans Richter and Marcel Duchamp. Close examinations of each figure show that theatrical display, embodied self-projection, and kinesthetic desire are not necessarily in opposition to pictorial abstraction; in fact, they expand our understanding of the urges that created modern art.
Catalog of Copyright Entries
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 786
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 786
Book Description
Author:
Publisher: Minority Rights Group
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Publisher: Minority Rights Group
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Naaman-Zwillingsbrüder
Author: John Denison Champlin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
Book Description
The Musical Times
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1046
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1046
Book Description
Author:
Publisher: TheBookEdition
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher: TheBookEdition
ISBN:
Category :
Languages : en
Pages :
Book Description
Alice Guy Blaché
Author: Alison McMahan
Publisher: A&C Black
ISBN: 9780826451583
Category : Biography & Autobiography
Languages : en
Pages : 420
Book Description
"Over a hundred years after she started making films (which was considerably earlier than D. W. Griffith, Mabel Normand, and Lillian Gish began their careers), the life and work of Alice Guy Blache is still shrouded in myth and controversy." "Only a fraction of the approximately one thousand films that she directed still exist, and almost half of these have been found very recently. The films are spread out in archives all over the world. Not all of them are available for viewing, even to scholars, and many of them are in desperate need of conservation and preservation." "It is widely agreed that she was the first woman filmmaker but there is considerable debate as to whether she made the first ever fiction film. She played a key role in early sound film production, and yet this part of her career is almost always ignored. She is, to this day, the only women ever to have owned and run her own film studio. And yet she made her final film in 1920, at the age of 47, and died in New Jersey in 1968 - unacknowledged, unheralded, almost totally forgotten." "Ten years of research has enabled Alison McMahan to piece together the career of this extraordinary woman. What results is the first full-length treatment of Alice Guy Blache's work, the debunking of several long-standing myths about her and, ultimately, the emergence of a feminist figurehead of the filmmaking industry."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: A&C Black
ISBN: 9780826451583
Category : Biography & Autobiography
Languages : en
Pages : 420
Book Description
"Over a hundred years after she started making films (which was considerably earlier than D. W. Griffith, Mabel Normand, and Lillian Gish began their careers), the life and work of Alice Guy Blache is still shrouded in myth and controversy." "Only a fraction of the approximately one thousand films that she directed still exist, and almost half of these have been found very recently. The films are spread out in archives all over the world. Not all of them are available for viewing, even to scholars, and many of them are in desperate need of conservation and preservation." "It is widely agreed that she was the first woman filmmaker but there is considerable debate as to whether she made the first ever fiction film. She played a key role in early sound film production, and yet this part of her career is almost always ignored. She is, to this day, the only women ever to have owned and run her own film studio. And yet she made her final film in 1920, at the age of 47, and died in New Jersey in 1968 - unacknowledged, unheralded, almost totally forgotten." "Ten years of research has enabled Alison McMahan to piece together the career of this extraordinary woman. What results is the first full-length treatment of Alice Guy Blache's work, the debunking of several long-standing myths about her and, ultimately, the emergence of a feminist figurehead of the filmmaking industry."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved