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Author: Wendy Hilton
Publisher: Pendragon Press
ISBN: 9780945193982
Category : Juvenile Nonfiction
Languages : en
Pages : 478
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Book Description
This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
Author: Wendy Hilton
Publisher: Pendragon Press
ISBN: 9780945193982
Category : Juvenile Nonfiction
Languages : en
Pages : 478
Get Book Here
Book Description
This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
Author: Nadine George-Graves
Publisher: Oxford University Press
ISBN: 0190273275
Category : Music
Languages : en
Pages : 1057
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Book Description
The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.
Author: Amanda Eubanks Winkler
Publisher: Cambridge University Press
ISBN: 1108490867
Category : Art
Languages : en
Pages : 261
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Book Description
The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
Author: Richard Nelson
Publisher: Samuel French, Inc.
ISBN: 9780573627835
Category : Drama
Languages : en
Pages : 68
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Book Description
Adapted from Joyce's literary masterpiece set in 1904, the last and best known of the short stories collected in The Dubliners, this intimate musical portrays a homespun Yuletide party with Irish music, dancing, food, drink and good fellowship. Sparkling songs, many of them traditional sounding Irish melodies that are performed as entertainment by the partygoers, are all original. Christopher Walken starred in a production that moved from Playwrights Horizon to Broadway.
Author: Mark Franko
Publisher: Oxford University Press, USA
ISBN: 0199794014
Category : History
Languages : en
Pages : 272
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Book Description
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.
Author: Randi Margrete Selvik
Publisher: Routledge
ISBN: 1000055663
Category : History
Languages : en
Pages : 238
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Book Description
Performing Arts in Changing Societies is a detailed exploration of genre development within the fields of dance, theatre, and opera in selected European countries during the decades before and after 1800. An introductory chapter outlines the theoretical and ideological background of genre thinking in Europe, starting from antiquity. A further fourteen chapters cover the performing genres as they developed in England, France, Germany, and Austria, and follow the dissemination and adaptation of the corresponding genres in minor and major cities in the Nordic countries. With a strong emphasis on the role that pragmatic and contextual factors had in defining genres, the book examines such subjects as the dancing masters in Christiania (Oslo), circa 1800, the repertory and travels of an itinerant acrobat and his wife in Norway in the 1760s, and the influence of Enlightenment ideas on bourgeois drama in Denmark. Including detailed analyses in the light of material, political, and social factors, this is a valuable resource for scholars and researchers in the fields of musicology, opera studies, and theatre and performance studies.
Author: Wendy Hilton
Publisher: London : Dance Books Limited
ISBN:
Category : History
Languages : en
Pages : 400
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Book Description
Author: John S. Powell
Publisher: Clarendon Press
ISBN: 9780198165996
Category : History
Languages : en
Pages : 622
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Book Description
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Author: Wendy Hilton
Publisher: Dance & Music
ISBN: 9781576471333
Category : Biography & Autobiography
Languages : en
Pages : 295
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Book Description
Beginning with her childhood discoveries of the worlds of dance and music, continuing through her ballet and historical dance studies in England, and culminating in her distinguished work as a dancer, choreographer, scholar, and teacher in the United States, this memoir traces the fascinating, circuitous path of Wendy Hilton''s remarkable career. Hilton's early aspirations to become a ballerina led her to the ballet studios of Marie Rambert, Cleo Nordi, Audrey de Vos, and Maria Fay and then to dancing in live broadcasts on early British television, in movies, and with the companies of Felicity Grey, Walter Gore, and Letty Littlewood. In 1952, a chance introduction to the historical dance specialist Belinda Quirey began Hilton's lifelong study of and commitment to the fields of early dance and music. A few years later, another chance introduction to the eminent Bach specialist Rosalyn Tureck brought Hilton to America, with their collaborations winning rave reviews from distinguished critics. Hilton went on to collaborate with such other renowned musicians as Michael Tilson Thomas, Albert Fuller, and Frederick Renz, and such early music groups as the New York Pro Musica Antiqua and the Ensemble for Early Music. Two significant academic appointments, both of which would continue for over twenty years, played prominent roles in her career: at the Juilliard School, where, as nowhere else, she mounted gloriously costumed and musically sophisticated performances in the baroque dance style, and at Stanford University, where she directed an annual workshop on baroque dance and music. Hilton's memoir is richly illustrated with 75 photographs by notable dance and theater photographers, including Jack Blake, Frederica Davis, Rebecca Lesher of the Martha Swope Studios, Peter Schaaf, G. B. L. Wilson, and Reg Wilson.
Author: Betty Bang Mather
Publisher: Music: Scholarship and Perform
ISBN:
Category : Music
Languages : en
Pages : 360
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Book Description
Dance Music of the French Baroque brings together information on rhythm from the interrelated fields of music, dance, poetry, rhetoric, and philosophy. Part I is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, and performance of ornaments. Part II describes in alphabetic order the fifteen most frequently encountered dances of the period and identifies the most typical performance of each in relation to the factors discussed in Part I. With reference to numerous illustrations and musical examples, it clearly conveys the manner in which the allemandes, bourées, chaconnes, gigues, etc., may be executed. This practical book presents a myriad of information in a form that is easy to use yet as graceful as the dances it describes.
