Cultural Policy in Bolivia PDF Download
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Author: Mariano Baptista Gumucio
Publisher:
ISBN: 9789233015197
Category : Arts
Languages : en
Pages : 81
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Book Description
Author: Mariano Baptista Gumucio
Publisher:
ISBN: 9789233015197
Category : Arts
Languages : en
Pages : 81
Get Book Here
Book Description
Author: Mariano Baptista Gumucio
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 96
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Book Description
Author: Aurolyn Luykx
Publisher: SUNY Press
ISBN: 9780791440377
Category : Education
Languages : en
Pages : 456
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Book Description
A vivid ethnography of a group of students training to become schoolteachers in Bolivia and the challenges they face as they try to maintain their indigenous identity.
Author: Nancy Postero
Publisher: Univ of California Press
ISBN: 0520294033
Category : Political Science
Languages : en
Pages : 242
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Book Description
In 2005, Bolivians elected their first indigenous president, Evo Morales. Ushering in a new "democratic cultural revolution," Morales promised to overturn neoliberalism and inaugurate a new decolonized society. Nancy Postero examines the successes and failures in the ten years since Morales's election
Author: David Throsby
Publisher: Cambridge University Press
ISBN: 1107717701
Category : Business & Economics
Languages : en
Pages : 295
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Book Description
Cultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making. The book is the first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy. It deals with general principles of policy-making in the cultural arena as seen from an economic point of view, and goes on to examine a range of specific cultural policy areas, including the arts, heritage, the cultural industries, urban development, tourism, education, trade, cultural diversity, economic development, intellectual property and cultural statistics.
Author: Javier Sanjinés C.
Publisher: University of Pittsburgh Pre
ISBN: 0822970813
Category : History
Languages : en
Pages : 239
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Book Description
Mestizaje—the process of cultural, ethnic, and racial mixing of Spanish and indigenous peoples—has been central to the creation of modern national identity in Bolivia and much of Latin America. Though it originally carried negative connotations, by the early twentieth century it had come to symbolize a national unity that transcended racial divides.Javier Sanjines C. contends that mestizaje, rather than a merging of equals, represents a fundamentally Western perspective that excludes indigenous ways of viewing the world. In this sophisticated study he reveals how modernity in Bolivia has depended on a perception, forged during the colonial era, that local cultures need to be uplifted. Sanjines traces the rise of mestizaje as a defining feature of Bolivian modernism through the political struggles and upheavals of the twentieth century. He then turns this concept upside-down by revealing how the dominant discussion of mestizaje has been resisted and transformed by indigenous thinkers and activists. Rather than focusing solely on political events, Sanjines grounds his argument in an examination of fiction, political essays, journalism, and visual art, offering a unique and masterly overview of Bolivian culture, identity, and politics.
Author: Jeffrey D. Himpele
Publisher: U of Minnesota Press
ISBN: 0816639183
Category : Social Science
Languages : en
Pages : 275
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Book Description
Set against the background of Bolivia's prominent urban festival parades and the country's recent appearance on the front lines of antiglobalization movements, Circuits of Culture is the first social analysis of Bolivian film and television, their circulation through the social and national landscape, and the emergence of the country's indigenous video movement. At the heart of Jeff Himpele's examination is an ethnography of the popular television program, The Open Tribunal of the People. The indigenous and underrepresented majorities in La Paz have used the talk show to publicize their social problems and seek medical and legal assistance from the show's hosts and the political party they launched. Himpele studies the program in order to identify the possibilities of the mass media as a site for political discourse and as a means of social action. Charting as well the history of Bolivia's media culture, Himpele perceptively investigates cinematic media as sites for understanding the modernization of Bolivia, its social movements, and the formation of indigenous identities, and in doing so provides a new framework for exploring the circulation of culture as a way of creating publics, political movements, and producing media. Jeff D. Himpele is associate director for the McGraw Center for Teaching and Learning at Princeton University. He is an anthropologist and documentary filmmaker; his films include the award-winning Incidents of Travel in Chichen Itza and Taypi Kala: Six Visions of Tiwanaku.
Author: Leo Spitzer
Publisher: Plunkett Lake Press
ISBN:
Category : History
Languages : en
Pages : 236
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Book Description
Desperate to escape the increasingly vehement persecution in their homelands, thousands of refugees from Nazi-dominated Central Europe, the majority of them Jews, found refuge in Latin America in the 1930s. Bolivia became a principal recipient of this influx — one of the few remaining places in the entire world to accept Jewish refugees after the German Anschluss of Austria in 1938. Some 20,000 refugees arrived in Bolivia, more than in Canada, Australia, New Zealand, South Africa — the leading British Commonwealth countries — combined. In Bolivia, the refugees began to reconstruct a version of the world that they had been forced to abandon. Their own origins and social situations had been diverse in Central Europe, ranging across generational, class, educational, and political differences, and incorporating various professional, craft, and artistic backgrounds. But it was Austro/German Jewish bourgeois society that provided them with a model for emulation and a common locus for identification in their place of refuge. Indeed, at the very time when that dynamic social and cultural amalgam was being ruthlessly and systematically destroyed by the Nazis, the Jewish refugees in Bolivia attempted to recall and revive a version of it in a land thousands of miles from their home: in a country that offered them a haven, but in which many of them felt themselves as mere sojourners. Hotel Bolivia explores an important, but generally neglected, aspect of the experience of group displacement — the relationship between memory and cultural survival during an era of persecution and genocide. Employing oral histories, family photographs, artistic and documentary portrayals, it considers the Third Reich background for the emigration, the refugees’ perceptions of past and future, and the role of images and stereotypes in shaping refugee and Bolivian cross-cultural communication and acceptance. It examines how the immigrants remembered, recalled and reshaped the European world they had been forced to abandon in the institutions, culture, and community they created in Bolivia. In documenting life stories and reclaiming the memories and discourses of ordinary persons who might otherwise remain hidden from history, Hotel Bolivia contributes to a major objective of contemporary historical studies. But it is also directly concerned with theoretical issues, increasingly evident in historical writing, focusing on the contextualization of memory and the interdependence – and tension – between memory and history. In reflecting on remembered experience, over time and between people, the ultimate objective of this book is to contribute to the historical study of memory itself. “A curiously inspiring corner of Holocaust history: the story is of how culture and memory survive, and change, in the shock of new surroundings.” — Adam Hochschild, author of King Leopold’s Ghost “A form of doing history that offers fresh intellectual insights while touching the heart.” — Ruth Behar, University of Michigan, author of The Vulnerable Observer andTranslated Women “It is rare that a scholarly book reads like a novel. Leo Spitzer’s compelling Hotel Bolivia not only is beautifully written but changes the way we think about history... This groundbreaking book will become required reading in numerous fields, including Latin American studies, Jewish studies, diaspora studies, immigration studies, and ethnic studies.” — Jeffrey Lesser, Brown University, author of Welcoming the Undesirables: Brazil and the Jewish Question “Evocative, thoughtful, and otherwise impressive... Vividly introduces readers to a little-known aspect of refugee history during the Holocaust.” — Kirkus “A searing account of the Jewish refugees’ checkered experience... Part memoir, part oral history, Spitzer’s eye-opening study uses interviews with surviving refugees (now widely dispersed around the world), plus letters, photographs, family albums and archival documents to explore the trauma of displacement.” — Publishers Weekly
Author: Raphaela Henze
Publisher: Routledge
ISBN: 100038702X
Category : Business & Economics
Languages : en
Pages : 225
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Book Description
Cultural Management and Policy in Latin America provides in-depth insights into the education and training of cultural managers from interdisciplinary and comparative perspectives. The book focuses on the effects of neoliberalism on cultural policies across the region, and questions how cultural managers in Latin America deal not only with contemporary political challenges but also with the omnipresent legacy of colonialism. In doing so, it unpacks the methods, formats, and narratives employed. Reflecting on emerging and contemporary research topics, the book analyses the key literature and scholarly contexts to identify impacts in the region and beyond. The volume provides scholars, students and reflective practitioners with a comprehensive resource on international cultural management that helps to overcome Western-centric methods and theories.
Author: Javier A. Galván
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 289
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Book Description
In this book, contemporary representations of Bolivian art, music, religion, literature, festivals, theater, and cinema document how history and geography have shaped Bolivia's modern culture. Bolivia has long been neglected by North American historians and anthropologists. Now, author Javier A. Galván fills this gap with a book that analyzes the complex cultures of this South American nation within the context of its rich history and contemporary traditions. The first half of this text is dedicated to how and where people live—detailed geography, social traditions, religious practices, political institutions, and Bolivian cuisine and culture. The varied religious and linguistic traditions of the indigenous groups that comprise the majority of the national population are also described, giving readers a deeper appreciation for the diversity of Bolivia's character. The second half of the book explores the creative talent of Bolivians who are advancing the literary movements, painting styles, architectural design, theater productions, fashion design, and emerging film industry of the country. Culture and Customs of Bolivia also includes a detailed analysis of contemporary print and broadcasting media.
