Author: David Sandner
Publisher: Routledge
ISBN: 1317157427
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.
Critical Discourses of the Fantastic, 1712-1831
Author: David Sandner
Publisher: Routledge
ISBN: 1317157427
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.
Publisher: Routledge
ISBN: 1317157427
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.
Critical Discourses of the Fantastic, 1712-1831
Author: David Sandner
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409428626
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Challenging the idea that fantastic literature emerged in the Romantic period, Sandner shows that fantastic tales were popular throughout the eighteenth century. Reading fiction and criticism by Joseph Addison, Samuel Johnson, Ann Radcliffe, Mary Shelley and Walter Scott, among others, Sandner argues that the fantastic functions as a discourse of the sublime imagination and thereby redefines the antecedents of the fantastic.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409428626
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Challenging the idea that fantastic literature emerged in the Romantic period, Sandner shows that fantastic tales were popular throughout the eighteenth century. Reading fiction and criticism by Joseph Addison, Samuel Johnson, Ann Radcliffe, Mary Shelley and Walter Scott, among others, Sandner argues that the fantastic functions as a discourse of the sublime imagination and thereby redefines the antecedents of the fantastic.
The Female Fantastic
Author: Lizzie McCormick
Publisher: Routledge
ISBN: 1351107771
Category : Literary Criticism
Languages : en
Pages : 460
Book Description
For women-identified writers of both eras, the fantastic offered double vision. Not only did the genre offer strategic cover for challenging the status quo, but also a heuristic mechanism for teasing out the gendered psyche’s links to creative, personal, and erotic agency. These dynamic presentations of female and gender-queer subjectivity, are linked in intriguing and complex matrices to key moments in gender(ed) history. This volume contains essays from international scholars covering a wide range of topics, including werewolves, mummies, fairies, demons, time travel, ghosts, haunted spaces and objects, race, gender, queerness, monstrosity, madness, incest, empire, medicine, and science. By interrogating two non-consecutive decades, we seek to uncover the inter-relationships among fantastic literature, feminism, and modern identity and culture. Indeed, while this book considers the relationship between the 1890s and 1920s, it is more an examination of women’s modernism in light of gendered literary production during the fin-de-siècle than the reverse.
Publisher: Routledge
ISBN: 1351107771
Category : Literary Criticism
Languages : en
Pages : 460
Book Description
For women-identified writers of both eras, the fantastic offered double vision. Not only did the genre offer strategic cover for challenging the status quo, but also a heuristic mechanism for teasing out the gendered psyche’s links to creative, personal, and erotic agency. These dynamic presentations of female and gender-queer subjectivity, are linked in intriguing and complex matrices to key moments in gender(ed) history. This volume contains essays from international scholars covering a wide range of topics, including werewolves, mummies, fairies, demons, time travel, ghosts, haunted spaces and objects, race, gender, queerness, monstrosity, madness, incest, empire, medicine, and science. By interrogating two non-consecutive decades, we seek to uncover the inter-relationships among fantastic literature, feminism, and modern identity and culture. Indeed, while this book considers the relationship between the 1890s and 1920s, it is more an examination of women’s modernism in light of gendered literary production during the fin-de-siècle than the reverse.
Space(s) of the Fantastic
Author: David Punter
Publisher: Routledge
ISBN: 1000299724
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
This book provides a series of new addresses to the enduring problem of how to categorize the Fantastic. The approach taken is through the lens of spatiality; the Fantastic gives us new worlds, although of course these are refractions of worlds already in being. In place of ‘real’ spaces (whatever they might be), the Fantastic gives us imaginary spaces, although within those spaces historical and cultural conflicts are played out, albeit in forms that stretch our understanding of everyday location, and our usual interpretations of cause and effect. Many authors are addressed here, from a variety of different geographical and national traditions, thus demonstrating how the Fantastic - as a mode, a genre, a way of thinking, imagining and writing - continually traverses borders and boundaries. We hope to move the ongoing debate about the Fantastic forward in a scholarly as well as an engaging way.
Publisher: Routledge
ISBN: 1000299724
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
This book provides a series of new addresses to the enduring problem of how to categorize the Fantastic. The approach taken is through the lens of spatiality; the Fantastic gives us new worlds, although of course these are refractions of worlds already in being. In place of ‘real’ spaces (whatever they might be), the Fantastic gives us imaginary spaces, although within those spaces historical and cultural conflicts are played out, albeit in forms that stretch our understanding of everyday location, and our usual interpretations of cause and effect. Many authors are addressed here, from a variety of different geographical and national traditions, thus demonstrating how the Fantastic - as a mode, a genre, a way of thinking, imagining and writing - continually traverses borders and boundaries. We hope to move the ongoing debate about the Fantastic forward in a scholarly as well as an engaging way.
Egyptian Motherlode
Author: David Sandner
Publisher: Fairwood Press LLC
ISBN:
Category : Fiction
Languages : en
Pages : 298
Book Description
The Prophet is one of a very few musicians with the ability to warp reality through his music. His dreams bring him to other realms, to places he should not go, into contact with entities with the power to threaten the existence of our world. Egyptian Motherload is a wild ride through American popular music of the 20th century, from Jazz to Blues, from Psychedelic Rock to Funk and beyond, following The Prophet’s life and transformations—and all the people: family, friends, bandmates, and enemies he changes along the way—on the strangest musical journey of all.
Publisher: Fairwood Press LLC
ISBN:
Category : Fiction
Languages : en
Pages : 298
Book Description
The Prophet is one of a very few musicians with the ability to warp reality through his music. His dreams bring him to other realms, to places he should not go, into contact with entities with the power to threaten the existence of our world. Egyptian Motherload is a wild ride through American popular music of the 20th century, from Jazz to Blues, from Psychedelic Rock to Funk and beyond, following The Prophet’s life and transformations—and all the people: family, friends, bandmates, and enemies he changes along the way—on the strangest musical journey of all.
Hellhounds
Author: David Sandner
Publisher: Fairwood Press LLC
ISBN:
Category : Fiction
Languages : en
Pages : 45
Book Description
In this sequel to the novelette Mingus Fingers, authors David Sandner and Jacob Weisman follow Kenny, a talented musician who learned from jazz great Charles Mingus how to “play in the soul.” Kenny has always had an affinity for rabbits and butterflies, believing that butterflies are broken souls waiting to return. When Kenny goes missing, his brother searches for him at a crossroad and an old speakeasy, where the cold, dark shadows of spirit and music lead him to a musician who may know if Kenny is alive . . . or dead. Kenny’s brother must put his trust in his belief that the music of the living may be the only way to transform and bring back a spirit of the dead.
Publisher: Fairwood Press LLC
ISBN:
Category : Fiction
Languages : en
Pages : 45
Book Description
In this sequel to the novelette Mingus Fingers, authors David Sandner and Jacob Weisman follow Kenny, a talented musician who learned from jazz great Charles Mingus how to “play in the soul.” Kenny has always had an affinity for rabbits and butterflies, believing that butterflies are broken souls waiting to return. When Kenny goes missing, his brother searches for him at a crossroad and an old speakeasy, where the cold, dark shadows of spirit and music lead him to a musician who may know if Kenny is alive . . . or dead. Kenny’s brother must put his trust in his belief that the music of the living may be the only way to transform and bring back a spirit of the dead.
Philip K. Dick
Author: David Sandner
Publisher: McFarland
ISBN: 1476639191
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
Philip K. Dick was a visionary writer of science fiction. His works speak to contemporary fears of being continually watched by technology, and the paranoia of modern life in which we watch ourselves and lose our sense of identity. Since his death in 1982, Dick's writing remain frighteningly relevant to 21st century audiences. Dick spent his life in near poverty and it was only after his death that he gained popular and critical recognition. In this new collection of essays, interviews, and talks, Philip K Dick is rediscovered. Concentrating both on recent critical studies and on reassessing his legacy in light of his new status as a "major American author," these essays explore, just what happened culturally and critically to precipitate his extraordinary rise in reputation. The essays look for his traces in the places he lived, in the SF community he came from, and in his influence on contemporary American literature and culture, and beyond.
Publisher: McFarland
ISBN: 1476639191
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
Philip K. Dick was a visionary writer of science fiction. His works speak to contemporary fears of being continually watched by technology, and the paranoia of modern life in which we watch ourselves and lose our sense of identity. Since his death in 1982, Dick's writing remain frighteningly relevant to 21st century audiences. Dick spent his life in near poverty and it was only after his death that he gained popular and critical recognition. In this new collection of essays, interviews, and talks, Philip K Dick is rediscovered. Concentrating both on recent critical studies and on reassessing his legacy in light of his new status as a "major American author," these essays explore, just what happened culturally and critically to precipitate his extraordinary rise in reputation. The essays look for his traces in the places he lived, in the SF community he came from, and in his influence on contemporary American literature and culture, and beyond.
George R.R. Martin and the Fantasy Form
Author: Joseph Young
Publisher: Routledge
ISBN: 1351384597
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Using the frameworks of literary theory relevant to modern fantasy, Dr. Joseph Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of his chosen genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fire derives not from Martin’s abandonment of genre convention, as is sometimes asserted, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program. Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important work for both students and critics of Martin’s work and argues for a reading of A Song of Ice and Fire as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.
Publisher: Routledge
ISBN: 1351384597
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Using the frameworks of literary theory relevant to modern fantasy, Dr. Joseph Young undertakes a compelling examination of George R. R. Martin’s A Song of Ice and Fire and his employment of the structural demands and thematic aptitudes of his chosen genre. Examining Martin’s approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of A Song of Ice and Fire derives not from Martin’s abandonment of genre convention, as is sometimes asserted, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program. Written in clear and accessible prose, George R. R. Martin and the Fantasy Form is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important work for both students and critics of Martin’s work and argues for a reading of A Song of Ice and Fire as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.
A Research Guide to Gothic Literature in English
Author: Sherri L. Brown
Publisher: Rowman & Littlefield
ISBN: 1442277483
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
Publisher: Rowman & Littlefield
ISBN: 1442277483
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
His Unburned Heart
Author: David Sandner
Publisher: Raw Dog Screaming Press
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 81
Book Description
His Unburned Heart tells the story of Mary Shelley’s quest to retrieve her husband’s heart from his publisher. History tells us that Percy Shelley was cremated, though his heart failed to burn, but the rest of the details are lost to time. Sandner has channeled Mary Shelley herself to share the story with us. That story is paired here with a second, related, piece. The Journal of Sorrow is named after Mary Shelley’s personal journal, and imagines Percy Shelley’s demise. “Sandner presents a tender examination on the nature of grief as a literary icon speculates on her lover's demise and the strange effort to recover the last physical remnant of her dead poet. Compelling and very moving prose.” --Tim McGregor, author of Wasps in the Ice Cream and Eynhallow
Publisher: Raw Dog Screaming Press
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 81
Book Description
His Unburned Heart tells the story of Mary Shelley’s quest to retrieve her husband’s heart from his publisher. History tells us that Percy Shelley was cremated, though his heart failed to burn, but the rest of the details are lost to time. Sandner has channeled Mary Shelley herself to share the story with us. That story is paired here with a second, related, piece. The Journal of Sorrow is named after Mary Shelley’s personal journal, and imagines Percy Shelley’s demise. “Sandner presents a tender examination on the nature of grief as a literary icon speculates on her lover's demise and the strange effort to recover the last physical remnant of her dead poet. Compelling and very moving prose.” --Tim McGregor, author of Wasps in the Ice Cream and Eynhallow