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Author: Judy Quinn
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
The essays in this book are a selection of papers delivered at the symposium Creating the Medieval Saga in Bergen 2005. The essays have been revised after discussion with respondents and other members of the audience, and further refined in exchanges with the editors and the general editors of the Viking Collection since. Focus at the symposium was on the ways in which editorial practices have created out of complex manuscript witnesses (dating from the thirteenth to the nineteenth century) a body of deceptively neat narratives, the medieval Icelandic sagas.
Author: Judy Quinn
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 348
Get Book
Book Description
The essays in this book are a selection of papers delivered at the symposium Creating the Medieval Saga in Bergen 2005. The essays have been revised after discussion with respondents and other members of the audience, and further refined in exchanges with the editors and the general editors of the Viking Collection since. Focus at the symposium was on the ways in which editorial practices have created out of complex manuscript witnesses (dating from the thirteenth to the nineteenth century) a body of deceptively neat narratives, the medieval Icelandic sagas.
Author: Ármann Jakobsson
Publisher: Routledge
ISBN: 1317041461
Category : Literary Criticism
Languages : en
Pages : 516
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Book Description
The last fifty years have seen a significant change in the focus of saga studies, from a preoccupation with origins and development to a renewed interest in other topics, such as the nature of the sagas and their value as sources to medieval ideologies and mentalities. The Routledge Research Companion to the Medieval Icelandic Sagas presents a detailed interdisciplinary examination of saga scholarship over the last fifty years, sometimes juxtaposing it with earlier views and examining the sagas both as works of art and as source materials. This volume will be of interest to Old Norse and medieval Scandinavian scholars and accessible to medievalists in general.
Author: Daniel C. Najork
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514121
Category : History
Languages : en
Pages : 153
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Book Description
Maríu saga, the Old Norse-Icelandic life of the Virgin Mary, survives in nineteen manuscripts. While the 1871 edition of the saga provides two versions based on multiple manuscripts and prints significant variants in the notes, it does not preserve the literary and social contexts of those manuscripts. In the extant manuscripts Maríu saga rarely exists in the codex by itself. This study restores the saga to its manuscript contexts in order to better understand the meaning of the text within its manuscript matrix, why it was copied in the specific manuscripts it was, and how it was read and used by the different communities that preserved the manuscripts.
Author: Elizabeth Walgenbach
Publisher: BRILL
ISBN: 9004461469
Category : History
Languages : en
Pages : 190
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Book Description
This book focuses on excommunication, outlawry, and the connections between them in medieval Icelandic legal and literary sources. It argues that outlawry was a punishment shaped by the conventions and structures of excommunication as it developed in canon law.
Author: Jeffrey Scott Love
Publisher: Herbert Utz Verlag
ISBN: 3831642257
Category : Hervarar saga ok Heiðreks konungs
Languages : en
Pages : 342
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Book Description
Author: Svanhildur Óskarsdóttir
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110625393
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
Njáls saga is the best known and most highly regarded of all medieval Icelandic sagas and it occupies a special place in Icelandic cultural history. The manuscript tradition is exceptionally rich and extensive. The oldest extant manuscripts date to only a couple of decades after the saga’s composition in the late 13th century and the saga was subsequently copied by hand continuously up until the 20th century, even alongside the circulation of printed text editions in latter centuries. The manuscript corpus as a whole has great socio-historical value, showcasing the myriad ways in which generations of Icelanders interpreted the saga and took an active part in its transmission; the manuscripts are also valuable sources for evidence of linguistic change and other phenomena. The essays in this volume present new research and a range of interdisciplinary perspectives on the Njáls saga manuscripts. Many of the authors took part in the international research project "The Variance of Njáls saga" which was funded by the Icelandic Research Council from 2011-2013.
Author: Ian Peter Grohse
Publisher: BRILL
ISBN: 9004343652
Category : History
Languages : en
Pages : 305
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Book Description
In Frontiers for Peace in the Medieval North. The Norwegian-Scottish Frontier c. 1260-1470, Ian Peter Grohse offers an account of social and political relations in the frontier community of Orkney in the late Middle Ages.
Author: Margaret Clunies Ross
Publisher: Cambridge University Press
ISBN: 1139492640
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages.
Author: Stefka G. Eriksen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110664763
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
The main aim of this book is to discuss various modes of studying and defining the medieval self, based on a wide span of sources from medieval Western Scandinavia, c. 800-1500, such as archeological evidence, architecture and art, documents, literature, and runic inscriptions. The book engages with major theoretical discussions within the humanities and social sciences, such as cultural theory, practice theory, and cognitive theory. The authors investigate how the various approaches to the self influence our own scholarly mindsets and horizons, and how they condition what aspects of the medieval self are 'visible' to us. Utilizing this insight, we aim to propose a more syncretic approach towards the medieval self, not in order to substitute excellent models already in existence, but in order to foreground the flexibility and the complementarity of the current theories, when these are seen in relationship to each other. The self and how it relates to its surrounding world and history is a main concern of humanities and social sciences. Focusing on the theoretical and methodological flexibility when approaching the medieval self has the potential to raise our awareness of our own position and agency in various social spaces today.
Author: Margaret Clunies Ross
Publisher: Boydell & Brewer
ISBN: 184384639X
Category : Sagas
Languages : en
Pages : 262
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Book Description
Sagas of Icelanders, also called family sagas, are the best known of the many literary genres that flourished in medieval Iceland, most of them achieving written form during the thirteenth and early fourteenth centuries. Modern readers and critics often praise their apparently realistic descriptions of the lives, loves and feuds of settler families of the first century and a half of Iceland's commonwealth period (c. AD 970-1030), but this ascription of realism fails to account for one of the most important components of these sagas, the abundance of skaldic poetry, mostly in dróttkvætt "court metre", which comes to saga heroes' lips at moments of crisis. These presumed voices from the past and their integration into the narrative present of the written sagas are the subject of this book. It investigates what motivated Icelandic writers to develop this particular mode, and what particular literary effects they achieved by it. It also looks at the various paths saga writers took within the evolving prosimetrum (a mixed verse and prose form), and explores their likely reasons for using poetry in diverse ways. Consideration is also given to the evolution of the genre in the context of the growing popularity in Iceland of romantic and legendary sagas. A final chapter is devoted to understanding why a minority of sagas of Icelanders do not use poetry at all in their narratives.g prosimetrum (a mixed verse and prose form), and explores their likely reasons for using poetry in diverse ways. Consideration is also given to the evolution of the genre in the context of the growing popularity in Iceland of romantic and legendary sagas. A final chapter is devoted to understanding why a minority of sagas of Icelanders do not use poetry at all in their narratives.g prosimetrum (a mixed verse and prose form), and explores their likely reasons for using poetry in diverse ways. Consideration is also given to the evolution of the genre in the context of the growing popularity in Iceland of romantic and legendary sagas. A final chapter is devoted to understanding why a minority of sagas of Icelanders do not use poetry at all in their narratives.g prosimetrum (a mixed verse and prose form), and explores their likely reasons for using poetry in diverse ways. Consideration is also given to the evolution of the genre in the context of the growing popularity in Iceland of romantic and legendary sagas. A final chapter is devoted to understanding why a minority of sagas of Icelanders do not use poetry at all in their narratives.
