Corazón Abierto: Mexican American Voices in Texas Music PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Corazón Abierto: Mexican American Voices in Texas Music PDF full book. Access full book title Corazón Abierto: Mexican American Voices in Texas Music by Kathleen A. Hudson. Download full books in PDF and EPUB format.
Author: Kathleen A. Hudson
Publisher: John and Robin Dickson Texas M
ISBN: 9781623499020
Category : Biography & Autobiography
Languages : en
Pages : 272
Get Book Here
Book Description
Corazón Abierto: Mexican American Voices in Texas Music provides a wide view of the myriad contributions Mexican American artists have made to music in Texas and the United States. Based on interviews with longtime stalwarts of Mexican American music--Flaco Jiménez, Tish Hinojosa, Ernie Durawa, Rosie Flores, and others--and also conversations with newer voices like Lesly Reynaga, Marisa Rose Mejia, Josh Baca, and many more, Kathleen Hudson allows the musicians to tell their own stories in a unique and personal way. As the artists reveal in their free-ranging discussions with Hudson, their influences go far beyond traditionally Mexican genres like conjunto, norteño, and Tejano to extend into rock, jazz, country-western, zydeco, and many other styles. Hudson's survey also includes essays, poetry, and other creative works by Dagoberto Gilb, Sandra Cisneros, and others, but the core of the book consists of what she describes as "a collection of voices from different locations in Texas. . . . Some represent voices from the edge, while others give us a view from the center." Weaving together a tapestry that combines "family, borders, creativity, music, food, and community," the book presents an image as varied and difficult to define as the musicians themselves. By sharing the artists' accounts of their influences, their experiences, their family stories, and their musical and cultural journeys, Corazón Abierto reminds us that borders can be gateways, that differences enrich, rather than isolate.
Author: Kathleen A. Hudson
Publisher: John and Robin Dickson Texas M
ISBN: 9781623499020
Category : Biography & Autobiography
Languages : en
Pages : 272
Get Book Here
Book Description
Corazón Abierto: Mexican American Voices in Texas Music provides a wide view of the myriad contributions Mexican American artists have made to music in Texas and the United States. Based on interviews with longtime stalwarts of Mexican American music--Flaco Jiménez, Tish Hinojosa, Ernie Durawa, Rosie Flores, and others--and also conversations with newer voices like Lesly Reynaga, Marisa Rose Mejia, Josh Baca, and many more, Kathleen Hudson allows the musicians to tell their own stories in a unique and personal way. As the artists reveal in their free-ranging discussions with Hudson, their influences go far beyond traditionally Mexican genres like conjunto, norteño, and Tejano to extend into rock, jazz, country-western, zydeco, and many other styles. Hudson's survey also includes essays, poetry, and other creative works by Dagoberto Gilb, Sandra Cisneros, and others, but the core of the book consists of what she describes as "a collection of voices from different locations in Texas. . . . Some represent voices from the edge, while others give us a view from the center." Weaving together a tapestry that combines "family, borders, creativity, music, food, and community," the book presents an image as varied and difficult to define as the musicians themselves. By sharing the artists' accounts of their influences, their experiences, their family stories, and their musical and cultural journeys, Corazón Abierto reminds us that borders can be gateways, that differences enrich, rather than isolate.
Author: Kathleen A. Hudson
Publisher: Texas A&M University Press
ISBN: 1623499038
Category : Music
Languages : en
Pages : 367
Get Book Here
Book Description
Corazón Abierto: Mexican American Voices in Texas Music provides a wide view of the myriad contributions Mexican American artists have made to music in Texas and the United States. Based on interviews with longtime stalwarts of Mexican American music—Flaco Jiménez, Tish Hinojosa, Ernie Durawa, Rosie Flores, and others—and also conversations with newer voices like Lesly Reynaga, Marisa Rose Mejia, Josh Baca, and many more, Kathleen Hudson allows the musicians to tell their own stories in a unique and personal way. As the artists reveal in their free-ranging discussions with Hudson, their influences go far beyond traditionally Mexican genres like conjunto, norteño, and Tejano to extend into rock, jazz, country-western, zydeco, and many other styles. Hudson’s survey also includes essays, poetry, and other creative works by Dagoberto Gilb, Sandra Cisneros, and others, but the core of the book consists of what she describes as “a collection of voices from different locations in Texas. . . . Some represent voices from the edge, while others give us a view from the center.” Weaving together a tapestry that combines “family, borders, creativity, music, food, and community,” the book presents an image as varied and difficult to define as the musicians themselves. By sharing the artists’ accounts of their influences, their experiences, their family stories, and their musical and cultural journeys, Corazón Abierto reminds us that borders can be gateways, that differences enrich, rather than isolate.
Author: Steven Mintz
Publisher: John Wiley & Sons
ISBN: 1405182601
Category : History
Languages : en
Pages : 249
Get Book Here
Book Description
This short, comprehensive collection of primary documents provides an indispensable introduction to Mexican American history and culture. Includes over 90 carefully chosen selections, with a succinct introduction and comprehensive headnotes that identify the major issues raised by the documents Emphasizes key themes in US history, from immigration and geographical expansion to urbanization, industrialization, and civil rights struggles Includes a 'visual history' chapter of images that supplement the documents, as well as an extensive bibliography
Author: Martin Wimmer
Publisher: epubli
ISBN: 3754157043
Category : Music
Languages : en
Pages : 119
Get Book Here
Book Description
With A Haven For Songs: Connecting The Dots About Americana Music, selected works of novelist, lyricist and music critic Martin Wimmer are available in the USA for the first time. Martin Wimmer explains his personal relationship with the art of magicians such as Townes Van Zandt, Jerry Jeff Walker, Blaze Foley, Woody Guthrie, John Prine, Bob Dylan, and Johnny Mercer. These artists, among many others mentioned in the book, are the glue that holds together time, love, history, space, and identity. Join Wimmer on a trip down musical-memory lane as he recounts his adventures at the 30A Songwriter Festival in Florida, the Kerrville Folk Festival in Texas, and New York City. Finally, experience Wimmer's perspective on the Cajun music of Louisiana, Hawaiian Slack Key, the Paisley Underground scene in California, Americana in Europe, and how each of these music scenes are tied to the "Country & Folk" music we know and love today.
Author: Donna M Kabalen de Bichara
Publisher: Texas A&M University Press
ISBN: 1603448047
Category : Literary Criticism
Languages : en
Pages : 250
Get Book Here
Book Description
Voices from the borderlands push against boundaries in more ways than one, as Donna M. Kabalen de Bichara ably demonstrates in this investigation into the twentieth-century autobiographical writing of four women of Mexican origin who lived in the American Southwest. Until recently, little attention has been paid to the writing of the women included in this study. As Kabalen de Bichara notes, it is precisely such historical exclusion of texts written by Mexican American women that gives particular significance to the reexamination of the five autobiographical works that provide the focus for this in-depth study. “Early Life and Education” and Dew on the Thorn by Jovita González (1904–83), deal with life experiences in Texas and were likely written between 1926 and the 1940s; both texts were published in 1997. Romance of a Little Village Girl, first published in 1955, focuses on life in New Mexico, and was written by Cleofas Jaramillo (1878–1956) when the author was in her seventies. A Beautiful, Cruel Country, by Eva Antonio Wilbur-Cruce (1904–98), introduces the reader to history and a way of life that developed in the cultural space of Arizona. Created over a ten-year period, this text was published in 1987, just eleven years before the author’s death. Hoyt Street, by Mary Helen Ponce (b. 1938), began as a research paper during the period of the autobiographer’s undergraduate studies (1974–80), and was published in its present form in 1993. These border autobiographies can be understood as attempts on the part of the Mexican American female autobiographers to put themselves into the text and thus write their experiences into existence.
Author: Lee Zimmerman
Publisher: Texas A&M University Press
ISBN: 1623497027
Category : Music
Languages : en
Pages : 334
Get Book Here
Book Description
With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate. As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, “Americana” covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional. Mining the firsthand insights of those whose stories help shape the sound—people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more—Americana Music provides a history of how Americana originated, how it reached a broader audience in the ’60s and ’70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.
Author: Eric T. Kasper
Publisher: University of North Texas Press
ISBN: 1574417452
Category : Political Science
Languages : en
Pages : 368
Get Book Here
Book Description
Music has long played a role in American presidential campaigns as a mode of both expressing candidates’ messages and criticizing the opposition. The relevance of music in the 2016 campaign for the White House took various forms in a range of American media: a significant amount of popular music was used by campaigns, many artist endorsements were sought by candidates, ever changing songs were employed at rallies, instances of musicians threatening legal action against candidates burgeoned, and artists and others increasingly used music as a form of political protest before and after Election Day. The 2016 campaign was a game changer, similar to the development of music in the 1840 campaign, when “Tippecanoe and Tyler Too” helped sing William Harrison into the White House. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism. These chapters will help the reader understand music in the 2016 election to realize how music will be relevant in 2020 and beyond.
Author: Donna Marie Miller
Publisher: Texas A&M University Press
ISBN: 1623495199
Category : Music
Languages : en
Pages : 258
Get Book Here
Book Description
James and Annetta White opened the Broken Spoke in 1964, then a mile south of the Austin city limits, under a massive live oak, and beside what would eventually become South Lamar Boulevard. White built the place himself, beginning construction on the day he received his honorable discharge from the US Army. And for more than fifty years, the Broken Spoke has served up, in the words of White’s well-worn opening speech, “. . . cold beer, good whiskey, the best chicken fried steak in town . . . and good country music.” White paid thirty-two dollars to his first opening act, D. G. Burrow and the Western Melodies, back in 1964. Since then, the stage at the Spoke has hosted the likes of Bob Wills, Dolly Parton, Ernest Tubb, Ray Price, Marcia Ball, Pauline Reese, Roy Acuff, Kris Kristofferson, George Strait, Willie Nelson, Jerry Jeff Walker, Asleep at the Wheel, and the late, great Kitty Wells. But it hasn’t always been easy; through the years, the Whites and the Spoke have withstood their share of hardship—a breast cancer diagnosis, heart trouble, the building’s leaky roof, and a tour bus driven through its back wall. Today the original rustic, barn-style building, surrounded by sleek, high-rise apartment buildings, still sits on South Lamar, a tribute and remembrance to an Austin that has almost vanished. Housing fifty years of country music memorabilia and about a thousand lifetimes of memories at the Broken Spoke, the Whites still honor a promise made to Ernest Tubb years ago: they’re “keepin’ it country.”
Author: Dean Alger
Publisher: University of North Texas Press
ISBN: 1574415468
Category : Biography & Autobiography
Languages : en
Pages : 384
Get Book Here
Book Description
Lonnie Johnson (1894–1970) was a virtuoso guitarist who influenced generations of musicians from Django Reinhardt to Eric Clapton to Bill Wyman and especially B. B. King. Born in New Orleans, he began playing violin and guitar in his father’s band at an early age. When most of his family was wiped out by the 1918 flu epidemic, he and his surviving brother moved to St. Louis, where he won a blues contest that included a recording contract. His career was launched. Johnson can be heard on many Duke Ellington and Louis Armstrong records, including the latter’s famous “Savoy Blues” with the Hot Five. He is perhaps best known for his 12-string guitar solos and his ground-breaking recordings with the white guitarist Eddie Lang in the late 1920s. After World War II he began playing rhythm and blues and continued to record and tour until his death. This is the first full-length work on Johnson. Dean Alger answers many biographical mysteries, including how many members of Johnson’s large family were left after the epidemic. It also places Johnson and his musical contemporaries in the context of American race relations and argues for the importance of music in the fight for civil rights. Finally, Alger analyzes Johnson’s major recordings in terms of technique and style. Distribution of an accompanying music CD will be coordinated with the release of this book.
Author: Robert R. Botello
Publisher:
ISBN: 9781648430473
Category : Folk dancers
Languages : en
Pages : 256
Get Book Here
Book Description
The danza de matachines is a tradition with roots in the Spanish colonization of Mexico that summons history for Mexican, Chicano, and indigenous communities. The elaborate ritual, regalia, and practices associated with the tradition tell of the repeated appearances of Our Lady of Guadalupe to the Aztec Indian Juan Diego as she provided instructions for the building of a church. Matachines have been dancing in Mexico and portions of the southwestern United States for as long as 300 years, and various troupes in San Antonio date their beginnings to the late 1800s, as immigrants from Mexico brought the tradition to the southern reaches of Texas. In We Dance for the Virgen, Robert R. Botello, who participated in a family-based troupe from 2006 to 2019, reviews the history of the tradition while contrasting the troupe's internal changes in traditions with those originating from the larger social and political context of San Antonio. In Botello's words, this book "is as much about the dance and its history as it is about my transformation as a matachines dancer." Botello ultimately examines issues of cultural appropriation arising from the association of the troupe with the Roman Catholic Archdiocese of San Antonio, revealing the resilience in a tradition that has remained true to its origins across many generations of dancers.
