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Author: Jonathan Burke Cutmore
Publisher: Routledge
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
This monograph draws together a collection of scholarly essays which illustrate the complexity of the early 19th-century conservative publishing milieu.
Author: Jonathan Burke Cutmore
Publisher: Routledge
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
This monograph draws together a collection of scholarly essays which illustrate the complexity of the early 19th-century conservative publishing milieu.
Author: Richard Chenevix
Publisher: Palala Press
ISBN: 9781377789606
Category : History
Languages : en
Pages : 550
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Mary Caton Lingold
Publisher: Duke University Press
ISBN: 0822371995
Category : Music
Languages : en
Pages : 268
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Book Description
The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary. Contributors. Myron M. Beasley, Regina N. Bradley, Steph Ceraso, Tanya Clement, Rebecca Dowd Geoffroy-Schwinden, W. F. Umi Hsu, Michael J. Kramer, Mary Caton Lingold, Darren Mueller, Richard Cullen Rath, Liana M. Silva, Jonathan Sterne, Jennifer Stoever, Jonathan W. Stone, Joanna Swafford, Aaron Trammell, Whitney Trettien
Author: Dorothy L. Cheney
Publisher: University of Chicago Press
ISBN: 9780226102467
Category : Nature
Languages : en
Pages : 396
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Book Description
Cheney and Seyfarth enter the minds of vervet monkeys and other primates to explore the nature of primate intelligence and the evolution of cognition. "This reviewer had to be restrained from stopping people in the street to urge them to read it: They would learn something of the way science is done, something about how monkeys see their world, and something about themselves, the mental models they inhabit."—Roger Lewin, Washington Post Book World "A fascinating intellectual odyssey and a superb summary of where science stands."—Geoffrey Cowley, Newsweek "A once-in-the-history-of-science enterprise."—Duane M. Rumbaugh, Quarterly Review of Biology
Author: Alexander Burnham
Publisher: Rutgers University Press
ISBN: 9780813919836
Category : Literary Collections
Languages : en
Pages : 492
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Book Description
In 1925, Edwin A. Alderman, president of the University of Virginia, fulfilled a long-held dream by establishing a magazine at the institution founded by Thomas Jefferson just over one hundred years earlier. Not only did Alderman initiate publication of the Virginia Quarterly Review, he contributed an essay to its inaugural issue. Appearing as the first selection in this new volume of nonfiction from the VQR, Alderman's "Edgar Allan Poe and the University of Virginia" reflects the rare combination of literary sensibility and immersion in the political and social issues of the day, which has characterized the journal throughout its seventy-five-year history. As Alderman writes, "I may be frank and say that there was a time when Poe did not greatly appeal to me. I felt the sheer, clear beauty of his song..., but his detachment from the world of men, where my interests most centered, left me unresponsive and simply curious.... I have come, however, to see the limitations of that view, and to behold something admirable and strange and wonderful in this proud, gifted man." While the style and diction of the contributions have changed in the years since that first spring issue, a similar clarity of thought, deep intelligence, candor, and command of language can be found in every one of the fifty one essays assembled here by Alexander Burnham. From its home at One West Range, a few doors down from Poe's own room, the VQR has welcomed to its pages scholars such as Dumas Malone and Robert Coles, and writers whose books have become international bestsellers, including Arthur C. Clarke and Frances Mayes. Included here are some of the twentieth century's most brilliant thinkers and stylists, such international literary, political, and intellectual figures as Andre Gide, D. H. Lawrence, Aldous Huxley, Evelyn Waugh, T. S. Eliot, Eleanor Roosevelt, Thomas Mann, Jean-Paul Sartre, Bertrand Russell, and Robert Graves. George F. Kennan muses on "The Experience of Writing History," Henry Steele Commager asks "Do We Have a Class Society?," and Edmund S. Morgan considers the aloof character of George Washington. Carlos Baker tracks Ezra Pound through Venice, and Scott Donaldson ponders "The Jilting of Ernest Hemingway." These leading lights share space, as they do in every volume of the journal, with lesser-known but no less talented writers ruminating on the Battle of the Bulge, the Berlin Wall, the Bomb, and Vietnam, on growing up in Hollywood and living in Charlottesville, Virginia. Writers of the South are fittingly represented by Thomas Wolfe, Mary Lee Settle, and Louis D. Rubin Jr., but a quick scan of the table of contents reveals that the VQR has never been a regional magazine. As the current editor, Staige D. Blackford writes in his preface, "Since its inception, the Virginia Quarterly Review has tried to offer its readers a variety of essays on a variety of topics ranging from foreign affairs to domestic politics, from literature to travel, from sports to sex, from music to medicine." On the occasion of its seventy-fifth anniversary, We Write for Our Own Time amply and entertainingly reflects what the VQR's masthead has always proclaimed as its identity: "A National Journal of Literature and Discussion."
Author: David Shields
Publisher: Vintage
ISBN: 0307593231
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.
Author: Bowdoin College. Library
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 108
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Book Description
Author: Tom Sleigh
Publisher: Graywolf Press
ISBN: 1644451670
Category : Poetry
Languages : en
Pages : 135
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Book Description
A profound encounter with the hyperreality of our time of global upheaval, violence, and pandemic. Tom Sleigh’s poems are skeptical of the inevitability of our fate, but in this brilliant new collection, they are charged with a powerful sense of premonition, as if the future is unfolding before us, demanding something greater than the self. Justice is a prevailing force, even while the poems are fully cognizant of the refugee crisis, war, famine, and the brutal reality of a crowded hospital morgue. The King’s Touch collides the world of fact and the world of mystery with a resolutely secular register. The title poem refers to the once-held belief that the king, as a divine representative, is imbued with the power of healing touch. Sleigh turns this encounter between illness and human contact toward his own chronic blood disease and the ongoing COVID-19 pandemic and its mounting death tolls. One poem asks, “isn’t it true that no matter how long you / wear them, masks don’t grieve, only faces do?” In this essential new work, Sleigh shows how the language of poetry itself can revive and recuperate a sense of a future under the conditions of violence, social unrest, and global anxiety about the fate of the planet.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 462
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Book Description
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1188
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Book Description
