Author: Mark Edward
Publisher: Bloomsbury Publishing
ISBN: 1350082953
Category : Performing Arts
Languages : en
Pages : 243
Book Description
In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.
Contemporary Drag Practices and Performers
Contemporary Drag Practices and Performers
Author: Mark Edward (Professor of performance arts)
Publisher:
ISBN: 9781350082977
Category : Drag shows
Languages : en
Pages :
Book Description
"In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit"--
Publisher:
ISBN: 9781350082977
Category : Drag shows
Languages : en
Pages :
Book Description
"In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit"--
Contemporary Drag Practices and Performers
Author: Mark Edward
Publisher: Bloomsbury Publishing
ISBN: 1350082961
Category : Performing Arts
Languages : en
Pages : 243
Book Description
In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.
Publisher: Bloomsbury Publishing
ISBN: 1350082961
Category : Performing Arts
Languages : en
Pages : 243
Book Description
In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.
Drag Histories, Herstories and Hairstories
Author: Mark Edward
Publisher: Bloomsbury Publishing
ISBN: 1350104361
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Drawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance. This text centres on the importance of dragging up the past to see beyond present drag constructs. Therefore, this volume maps the multi-threaded contexts of contemporary practices while rooting them in their fabulous historical past and memory. The chapters in the book not only examine drag histories, but also what drag does with history, how it enacts or tells stories about remembering and the past. Featuring work about the USA, UK and Ireland, Japan, Australia, Brazil and Barbados, through contributions from an international assortment of performers, academics and writers, this book allows the reader to engage with a range of archive research including photographic explorations of ageing drag queens; ethnicity and drag; queering ballet through drag; the connections between drag king and queen history; queering pantomime performance; bodies as living archives through memory and place; drag mothers and daughters; drag and military veterans; Puerto Rican drag performers and historical film. The volume functions not only to contribute to the area of drag history, but also touch on current work in drag that is done about history. Collectively, these essays complement the contemporary practices documented in Contemporary Drag Practices and Performers: Drag in a Changing Scene (2020), yet they offer echoes of a distinctive drag history, enlarging the remit of history to uncover drag's fruitful past.
Publisher: Bloomsbury Publishing
ISBN: 1350104361
Category : Performing Arts
Languages : en
Pages : 257
Book Description
Drawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance. This text centres on the importance of dragging up the past to see beyond present drag constructs. Therefore, this volume maps the multi-threaded contexts of contemporary practices while rooting them in their fabulous historical past and memory. The chapters in the book not only examine drag histories, but also what drag does with history, how it enacts or tells stories about remembering and the past. Featuring work about the USA, UK and Ireland, Japan, Australia, Brazil and Barbados, through contributions from an international assortment of performers, academics and writers, this book allows the reader to engage with a range of archive research including photographic explorations of ageing drag queens; ethnicity and drag; queering ballet through drag; the connections between drag king and queen history; queering pantomime performance; bodies as living archives through memory and place; drag mothers and daughters; drag and military veterans; Puerto Rican drag performers and historical film. The volume functions not only to contribute to the area of drag history, but also touch on current work in drag that is done about history. Collectively, these essays complement the contemporary practices documented in Contemporary Drag Practices and Performers: Drag in a Changing Scene (2020), yet they offer echoes of a distinctive drag history, enlarging the remit of history to uncover drag's fruitful past.
Translocas
Author: Lawrence La Fountain-Stokes
Publisher: University of Michigan Press
ISBN: 0472054279
Category : Performing Arts
Languages : en
Pages : 351
Book Description
Argues for the political potential of drag and trans performance in Puerto Rico and its diaspora
Publisher: University of Michigan Press
ISBN: 0472054279
Category : Performing Arts
Languages : en
Pages : 351
Book Description
Argues for the political potential of drag and trans performance in Puerto Rico and its diaspora
Drag
Author: Jacob Bloomfield
Publisher: Univ of California Press
ISBN: 0520409655
Category : History
Languages : en
Pages : 265
Book Description
"A must-read for anyone interested in the history of drag performance."--Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.
Publisher: Univ of California Press
ISBN: 0520409655
Category : History
Languages : en
Pages : 265
Book Description
"A must-read for anyone interested in the history of drag performance."--Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.
Pink Labor on Golden Streets
Author: Christiane Erharter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 290
Book Description
"Pink labor on golden streets: queer art practices is particularly concerned with combining, juxtaposing, or playing off various artistic strategies where form and politics intervene. Two artistic attitudes, often perceived as divergent, are described here: the choice of form attributed to political issues versus political stances dictating the question of form. This book sheds light on contradictory standpoints of queer art practices, conceptions of the body, and ideas of 'queer abstraction, ' a term coined by Jack Judith Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire"--Page [4] of cover.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 290
Book Description
"Pink labor on golden streets: queer art practices is particularly concerned with combining, juxtaposing, or playing off various artistic strategies where form and politics intervene. Two artistic attitudes, often perceived as divergent, are described here: the choice of form attributed to political issues versus political stances dictating the question of form. This book sheds light on contradictory standpoints of queer art practices, conceptions of the body, and ideas of 'queer abstraction, ' a term coined by Jack Judith Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire"--Page [4] of cover.
Queer Dramaturgies
Author: Alyson Campbell
Publisher: Springer
ISBN: 1137411848
Category : Performing Arts
Languages : en
Pages : 503
Book Description
This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.
Publisher: Springer
ISBN: 1137411848
Category : Performing Arts
Languages : en
Pages : 503
Book Description
This international collection of essays forms a vibrant picture of the scope and diversity of contemporary queer performance. Ranging across cabaret, performance art, the performativity of film, drag and script-based theatre it unravels the dynamic relationship performance has with queerness as it is presented in local and transnational contexts.
Queering Drag
Author: Meredith Heller
Publisher: Indiana University Press
ISBN: 025304569X
Category : Social Science
Languages : en
Pages : 250
Book Description
Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending: male impersonation in variety and vaudeville (1860–1920); the "sexless" gender-bending of El Teatro Campesino (1960–1980); queer butch acts performed by black nightclub singers, such as Stormé DeLarverie, instigator of the Stonewall riots (1910–1970); and the range of acts that compose contemporary drag king shows. Heller highlights how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods, nor do they provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity, and it models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it also facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Publisher: Indiana University Press
ISBN: 025304569X
Category : Social Science
Languages : en
Pages : 250
Book Description
Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending: male impersonation in variety and vaudeville (1860–1920); the "sexless" gender-bending of El Teatro Campesino (1960–1980); queer butch acts performed by black nightclub singers, such as Stormé DeLarverie, instigator of the Stonewall riots (1910–1970); and the range of acts that compose contemporary drag king shows. Heller highlights how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods, nor do they provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity, and it models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it also facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Queer Dance
Author: Clare Croft
Publisher: Oxford University Press
ISBN: 0199377332
Category : Performing Arts
Languages : en
Pages : 337
Book Description
Queer Dance challenges social norms and enacts queer coalition across the LGBTQ community. The book joins forces with feminist, anti-racist, and anti-colonial work to consider how bodies are forces of social change.
Publisher: Oxford University Press
ISBN: 0199377332
Category : Performing Arts
Languages : en
Pages : 337
Book Description
Queer Dance challenges social norms and enacts queer coalition across the LGBTQ community. The book joins forces with feminist, anti-racist, and anti-colonial work to consider how bodies are forces of social change.