Author: Sylvia "Magogo" Glasser
Publisher: Cambridge Scholars Publishing
ISBN: 1527584445
Category : Art
Languages : en
Pages : 328
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Book Description
This book weaves archaeology, anthropology, culture, politics, colonial history, dance and choreography into a life-transforming tapestry. It charts the extraordinary story of the author’s work in South Africa during the abhorrent system of Apartheid when she started a mixed-race dance company called Moving into Dance in the garage of her house. Her in-depth research into rock art, its meaning, the creation and performance of Tranceformations, the dancers’ own transformative experiences, as well as issues of cultural appropriation, are at the core of this book. It straddles different disciplines, and shows in real terms how art, or specifically dance, can transform people’s lives, not only in physical or cognitive parameters, but that it can change attitudes and perceptions of both participants and observers; that it can touch the human spirit and transcend the very essence of being human. This book also includes a link to a video of the 30-minute dance “Tranceformations”, choreographed by the author.
Author: SYLVIA MAGOGO. GLASSER
Publisher:
ISBN: 9781527584433
Category : Dance
Languages : en
Pages : 0
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Book Description
This book weaves archaeology, anthropology, culture, politics, colonial history, dance and choreography into a life-transforming tapestry. It charts the extraordinary story of the author's work in South Africa during the abhorrent system of Apartheid when she started a mixed-race dance company called Moving into Dance in the garage of her house. Her in-depth research into rock art, its meaning, the creation and performance of Tranceformations, the dancers' own transformative experiences, as well as issues of cultural appropriation, are at the core of this book. It straddles different disciplines, and shows in real terms how art, or specifically dance, can transform people's lives, not only in physical or cognitive parameters, but that it can change attitudes and perceptions of both participants and observers; that it can touch the human spirit and transcend the very essence of being human.
Author: Sylvia Glasser
Publisher:
ISBN: 9781928440321
Category : Art, San
Languages : en
Pages : 192
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Book Description
Author: J.D. Lewis-Williams
Publisher: Ohio University Press
ISBN: 0821444581
Category : Art
Languages : en
Pages : 159
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Book Description
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Author: Lenka Tucek
Publisher: GRIN Verlag
ISBN: 3638778029
Category : Art
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2001 in the subject Art - Painting, grade: 1 (A), Nelson Mandela Metropolitan University (Faculty of Arts), course: Course: South African Archaeology and Ethno-history (SA 301), 9 entries in the bibliography, language: English, abstract: One aspect of the wealth of material evidence left behind by the early people are the pictures in south african rock art. They occur in paintings and engravings. In 1996 the total number of sites in South Africa was estimated to be a little over 10 000 but the actual number of sites is significantly undercounted. It is still not known exactly when the artists started to make rock art, although new techniques of radiocarbon dating, using very small samples of paint, open the possibility of an absolute chronology. The oldest example of rock art in Africa was found in 1969 by Eric Wendt in the southern region of Namibia at a site called Apollo 11. After various datings, mainly with the radiocarbon method, archaeologists concluded that the rock art tradition in southern africa is at least 27 500 years old. In South Africa the oldest dated rock art is an engraving in the Northern Cape which was found on a small slab of dolomite at the Wonderwerk Cave south of Kuruman. It has a radiocarbon date of c.10 200 BP. Rock paintings are found in the mountainous parts of the subcontinent in abundant rock shelters and shallow overhangs, while engravings were generally made on the interior plateau of South Africa. There are about 1600 paintings in South Africa. In this assignment I will focus on the meaning of rock paintings, on the specific symbols and their importance for the early people. In Chapter Two, I provide a short introduction about the artists and their methods. Then I will explain the three important approaches to reveal the meaning of rock art described by Lewis - Williams and give some examples of misinterpretations of rock paintings. Chapter Three deals with the spiritual world and shamanism in the society
Author: Renaud Ego
Publisher: NYU Press
ISBN: 1776142330
Category : Social Science
Languages : en
Pages : 371
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Book Description
An illustrated collection that takes stock of current knowledge and proposes a new way of reading indigenous art For thousands of years, nomadic hunter-gatherers assigned a fundamental role to the visualization of the animals who shared their lives. Some, such as the Cape eland, the largest of antelopes, were the object of a fascinated gaze, as though the graceful markings and shapes of their bodies were the key to secret knowledge safeguarded by the animals’ unsettling silence. Renaud Ego posits that the artists sought to steal the animals’ secret through an act of rendering visible a vitality that remained hidden beneath appearances. In this process, the San themselves became the visionary animal who, possessing the gift of making pictures, would acquire far-seeing powers. Thanks to the singular effectiveness of their visual art, they could make intellectual contact with the world in order better to think and,ultimately, to act. They gained access to the full dimension of their human condition through painting scenes that functioned like visual contracts with spiritual and ancestral powers. Their art is an act that seeks to preserve the wholeness of existence through a respect for the relationships linking all beings, both real and imaginary,who partake of it. The fundamentally ecological dimension of this message confers on San art its universality and contemporary relevance.Visionary Animal is a translation of L’Animal voyant, published in France in 2015. This rich collection of essays is beautifully illustrated with the author’s photographs of rock art from across southern Africa.
Author: J. David Lewis-Williams
Publisher: CUP Archive
ISBN: 9780521244602
Category : Social Science
Languages : en
Pages : 136
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Book Description
Author: Siyakha Mguni
Publisher: NYU Press
ISBN: 1868147770
Category : History
Languages : en
Pages : 234
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Book Description
Siyakha Mguni’s personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as formlings. In Termites of the Gods, Siyakha Mguni narrates his personal journey, over many years, to discover the significance of a hitherto enigmatic theme in San rock paintings known as 'formlings'. Formlings are a painting category found across the southern African region, including South Africa, Namibia and Zimbabwe, with its densest concentration in the Matopo Hills, Zimbabwe. Generations of archaeologists and anthropologists have wrestled with the meaning of this painting theme in San cosmology without reaching consensus or a plausible explanation. Drawing on San ethnography published over the past 150 years, Mguni argues that formlings are, in fact, representations of flying termites and their underground nests, and are associated with botantical subjects and a range of larger animals considered by the San to have great power and spiritual significance. This book fills a gap in rock art studies around the interpretation and meaning of formlings. It offers an innovative methodological approach for understanding subject matter in San rock art that is not easily recognisable, and will be an invaluable reference book to students and scholars in rock art studies and archaeology.
Author: Thomas A. Dowson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 460
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Book Description
This volume brings together the work of a number of scholars in the field of rock art studies who engage the so-called trance hypothesis in terms of their own empirical data and theoretical interests.
Author: J. David Lewis-Williams
Publisher: New Africa Books
ISBN: 9780864861672
Category : Art
Languages : en
Pages : 116
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Book Description
A book on the ancient rock art of the San -- the story behind the research. Ways of discovering rock art. The aesthetic approach. The narrative approach. Rediscovering the San. The interpretative approach: San beliefs. The interpretative approach: pictures in the brain. Ducks and rabbits. Battling it out. Many meanings. The broken string. Fragile heritage.
