Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road PDF Download
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Author: Shigeo Aoki
Publisher: Springer Nature
ISBN: 9813341610
Category : Technology & Engineering
Languages : en
Pages : 330
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Book Description
This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.
Author: Shigeo Aoki
Publisher: Springer Nature
ISBN: 9813341610
Category : Technology & Engineering
Languages : en
Pages : 330
Get Book Here
Book Description
This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.
Author: Paolo Mora
Publisher: London ; Toronto ; Butterworths
ISBN: 9780408108126
Category : Art
Languages : en
Pages : 494
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Book Description
Author: Courtauld Institute of Art (London)
Publisher:
ISBN: 9780892361625
Category :
Languages : en
Pages : 0
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Book Description
Author: Miguel Angel Corzo
Publisher: Getty Publications
ISBN: 0892361301
Category : Art
Languages : en
Pages : 163
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Book Description
The final report on the conservation of the wall paintings in the tomb of Nefertari in the Valley of Queens, Egypt. This highly successful collaborative venture launched by the Getty Conservation Institute and the Egyptian Antiquities Organization brought together scientists and conservators from all over the world to address the problems facing one of the most beautiful monuments of antiquity. The painstaking process that saved this cultural treasure in situ is documented in the text written by those who were most intimately involved in its rescue. Paolo and Laura Mora worked with and trained the team of conservators who carried out the consolidation and cleaning of the paintings. An international group of scientists carried out the analysis that was essential to the conservation process. Others contribute articles on the archaeology of the Valley, the iconography of the tomb, the original techniques and materials used by the artists, photographic documentation of the wall paintings, and literary sources for their study.
Author: Andrew Middleton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
The 11 painting fragments from the tomb-chapel of Nebamun that were brought to the British Museum in the early 19th century have long been recognized as some of the finest examples of ancient Egyptian art. This book places the paintings in their historical context and provides an account of the work done to preserve them.
Author: Dobrochna Zielinska
Publisher:
ISBN: 9781909492684
Category :
Languages : en
Pages : 176
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Book Description
This volume, which draws on more than 50 years of research experience in Nubia is the result of four years of collaboration between chemists, restorers and archaeologists from Poland, Czech Republic, Austria, France, and Sudan who conducted an extensive program of research based on investigations of samples of Nubian wall paintings from the Middle Nile Valley dating from the 6th to the 14th century AD which are now to be found in various places including the National Museum, Warsaw and the Sudan National Museum, Khartoum.
Author: Lora Angelova
Publisher:
ISBN: 9781909492509
Category :
Languages : en
Pages : 420
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Book Description
The papers in this publication will be talks at the 3 day Gels in Conservation conference held by IAP in association with Tate. The conference will be a gathering of conservators, conservation and other scientists, and students of conservation to present and discuss the theory and practical use of gels in various branches of conservation (paintings, paper, wall paintings, textiles, museum objects etc).The papers and posters present in this publication cover topics on the theory of Gels, recent developments in Gel technologies, clearance and residues, systematic evaluation of Gel properties and effects, preparation and practical issues with case studies concerning: wall paintings, easel paintings, contemporary art, textiles, archaeological objects, paper, sculpture, mixed media, traditional materials and more.
Author: Robert Steven Bianchi
Publisher: Getty Conservation Institute
ISBN: 0892362294
Category : Antiques & Collectibles
Languages : en
Pages : 96
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Book Description
The most lavishly decorated tomb in ancient Egypt was constructed for Queen Nefertari, wife of Rameses the Great. The Getty Conservation Institute has been instrumental in the effort to restore the tomb’s magnificent wall paintings, and in the fall of 1992, to mark the project’s completion, an exhibition was held at the Getty Museum. The exhibition included a model of the tomb and full-scale reproductions of the wall paintings. The publication describes the conservation work (including before and after photographs), outlines the life of Nefertari, and places the tomb in the context of Egyptian art history.
Author: Gerald Ziegenbalg
Publisher: CRC Press
ISBN: 0429767935
Category : Science
Languages : en
Pages : 369
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Book Description
The conservation and protection of buildings that constitute our cultural heritage are complex tasks calling for a comprehensive knowledge of the historical background of the buildings, as well as the construction technologies and materials used. Nanomaterials in Architecture and Art Conservation gives a comprehensive overview of the state of the art of using nanomaterials in conservation sciences, mainly for stone, mortar and plaster strengthening, but also for the consolidation of wall paintings. The book compiles and details deterioration mechanisms of stone and historical mortars, as well as methods of characterising and testing consolidation effects. The non- or semi-destructive characterisation methods that will be presented allow additional measurements to characterise objects before and after any interventions. Besides, general aspects of inorganic consolidants are targeted. The focus, in particular, is the application of nanolime as a new consolidation agent. Basic characteristics and application advices as well as beneficial combinations with other consolidation agents, such as silicic acid esters, are emphasised. What makes this book so special is the large number of practical applications described from the viewpoint of different restorers, offering a direct inside view of the procedure for the conservation of historical monuments. Restorers dealing with stone, mortar and plaster conservation; artists; advanced undergraduate- and graduate-level students of conservation science, art and nanotechnology; offices for the protection of monuments and heritage agencies; and researchers in materials science, conservation, nanotechnology and chemistry, especially those with an interest in applied sciences, will find this book a great reference.
Author: Elizabeth S. Bolman
Publisher: Yale University Press
ISBN: 0300092245
Category : Art
Languages : en
Pages : 348
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Book Description
The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.
