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Author: Reinhold Heller
Publisher: University of Chicago David & Alfred
ISBN: 9780935573367
Category : Architecture
Languages : en
Pages : 179
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Book Description
What does it mean to be German? Recent answers to this question have ranged from the general ("Germans are always the other") to the analytic ("They are a multiple identity with a constant wish for redefinition"). The catalogue for Confronting Identities in German Art—an exhibition to run at the David and Alfred Smart Museum of Art from October, 2002 to January, 2003—turns to art works, artists, and their audiences to explore how Germans of the past two centuries have confronted issues of identity, both individual and collective. Focusing on the Smart Museum's rich holdings of German art and a significant selection of important loans, it examines the complex interweaving of subjective identities from the period of Caspar David Friedrich to that of Anselm Kiefer. Thematic essays come together with a select number of object entries to place individual works of art within a larger historical context, and the whole is lavishly illustrated with one hundred images from the exhibition itself.
Author: Reinhold Heller
Publisher: University of Chicago David & Alfred
ISBN: 9780935573367
Category : Architecture
Languages : en
Pages : 179
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Book Description
What does it mean to be German? Recent answers to this question have ranged from the general ("Germans are always the other") to the analytic ("They are a multiple identity with a constant wish for redefinition"). The catalogue for Confronting Identities in German Art—an exhibition to run at the David and Alfred Smart Museum of Art from October, 2002 to January, 2003—turns to art works, artists, and their audiences to explore how Germans of the past two centuries have confronted issues of identity, both individual and collective. Focusing on the Smart Museum's rich holdings of German art and a significant selection of important loans, it examines the complex interweaving of subjective identities from the period of Caspar David Friedrich to that of Anselm Kiefer. Thematic essays come together with a select number of object entries to place individual works of art within a larger historical context, and the whole is lavishly illustrated with one hundred images from the exhibition itself.
Author: Peter Chametzky
Publisher: Univ of California Press
ISBN: 0520260422
Category : Art
Languages : en
Pages : 299
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Book Description
This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
Author: Lynette Roth
Publisher: Yale University Press
ISBN: 0300278802
Category : Art
Languages : en
Pages : 209
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Book Description
An examination of shifting notions of identity in modern-day Germany--and the diverse artists challenging conventional meanings of "Germanness" today Made in Germany? Art and Identity in a Global Nation addresses important questions of contemporary art and belonging in Germany from the 1980s, when discussions about multiculturalism in West Germany came to the fore, to our current time, a period still deeply impacted by the country's unification and more recent migration policies. In the wake of these developments, racial violence, right-wing populism, and ethnically defined nationalism have grown. Accessible essays on topics such as labor migration, being Black in Germany, and the aftermath of the fall of the Berlin Wall lay the groundwork for understanding the intercultural dynamics in Germany today. Object-focused texts delve into works in various media, from Candida Höfer's slideshow Turks in Germany 1979, which presented Turkish immigrants as embedded in public life at a time when they were not welcomed as a permanent part of German society, to Ngozi Schommers's readymade sculpture Commuters, a commentary on the country's ongoing housing crisis. In a period when right-wing nationalist movements are gaining traction in Germany and around the globe, Made in Germany? argues for a more expansive idea of what it means to be German, spotlighting artists from diverse backgrounds whose works probe notions of national identity. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (September 13, 2024-January 5, 2025)
Author: Christian Weikop
Publisher: Routledge
ISBN: 1351556444
Category : Art
Languages : en
Pages : 378
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Book Description
New Perspectives on Br?cke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Br?cke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Br?cke studies by deploying new research combined with innovative interpretative approaches. This is an exciting volume of essays with an interlinking tripartite structure that charts the significance of this pioneering German avant-garde group in relation to various critical themes, namely, 'cultural and material identity', 'collectivity and selfhood', as well as 'defamation and rehabilitation'. The book is unique in the field in that it seeks to excavate specific historical research relating to the activities of the Br?cke as a bohemian yet nonetheless enterprising artists' community, and considers the contributions of the key members in relation to the dynamics of that group rather than simply on an individual basis. It thoroughly explores the historiography of the Br?cke artists' reception throughout the turbulent history of the twentieth century up until the present day.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: Deborah Schultz
Publisher: Routledge
ISBN: 1317967526
Category : Art
Languages : en
Pages : 150
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Book Description
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum and Salomon. In defiance of conventional artistic practice, they produced word-image combinations that can be read as narrative sequences, incorporating specific references to political events. While there has been a wealth of literary, philosophical and historical studies relating to the Holocaust, aesthetic debate has developed less extensively. This is the first comparative study of three artists who are only belatedly achieving recognition and the recent reception of their work is evaluated. By identifying the aesthetic principles and narrative strategies underlying their work, the book reassesses their achievement in creating new forms of modernism with an unmistakable political momentum. This book was published as a special issue of Word & Image.
Author:
Publisher: BRILL
ISBN: 9401200408
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
This collection of essays, written by leading scholars in the fields of East German art, film, literature, music, and museum studies, seeks to renegotiate the artistic legacy of the German Democratic Republic. Combining a range of theoretical and practical perspectives, the volume challenges the narrow frameworks of totalitarianism and Ostalgie that have dominated discussions of art produced in the GDR. It explores the diversity of art produced in the state and contests the long-held perception that socialist realism and artistic innovation were mutually exclusive. Crucially, the collection puts art itself to the fore; GDR art is considered not simply as a political by-product, as is so often the case, but as an entity of innovation and aesthetic value in its own right.
Author: Isabel Wünsche
Publisher: Routledge
ISBN: 1351777998
Category : Art
Languages : en
Pages : 598
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Book Description
The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century. Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production. Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.
Author: Pamela M. Potter
Publisher: Univ of California Press
ISBN: 0520282345
Category : Art
Languages : en
Pages : 408
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Book Description
This provocative study asks why we have held on to vivid images of the NazisÕ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other Òenemies of the stateÓ was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
Author: Karen Hermine Jankowsky
Publisher: SUNY Press
ISBN: 9780791434499
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Explores notions of personal and cultural identity, and offers an introduction to the work of women in literature, film, dance, and visual art in Germany.
