Author: Harold D. Rosenthal
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Opera
Languages : en
Pages : 478
Book Description
This addition to the range of Oxford dictionaries, compiled by Harold Rosenthal and John Warrack, meets the need for a compact, comprehensive, but inexpensive reference book on opera.
Concise Oxford Dictionary of Opera
Author: Harold D. Rosenthal
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Opera
Languages : en
Pages : 478
Book Description
This addition to the range of Oxford dictionaries, compiled by Harold Rosenthal and John Warrack, meets the need for a compact, comprehensive, but inexpensive reference book on opera.
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Opera
Languages : en
Pages : 478
Book Description
This addition to the range of Oxford dictionaries, compiled by Harold Rosenthal and John Warrack, meets the need for a compact, comprehensive, but inexpensive reference book on opera.
The Concise Oxford Dictionary of Opera
Author: John Warrack
Publisher: Oxford Paperbacks
ISBN: 0192800280
Category : Music
Languages : en
Pages : 594
Book Description
Derived from the full Oxford Dictionary of Opera, this is the most authoritative and up-to-date dictionary of opera available in paperback. Fully revised for this new edition, with over 3,500 entries, it is designed to be accessible to all those who enjoy opera, whether at the opera-house oron record. * Composers and their works * Singers and their notable performances * Plot summaries and separate entries for well-known roles, arias, and choruses * Leading conductors, producers, and designers * Opera companies and festivals
Publisher: Oxford Paperbacks
ISBN: 0192800280
Category : Music
Languages : en
Pages : 594
Book Description
Derived from the full Oxford Dictionary of Opera, this is the most authoritative and up-to-date dictionary of opera available in paperback. Fully revised for this new edition, with over 3,500 entries, it is designed to be accessible to all those who enjoy opera, whether at the opera-house oron record. * Composers and their works * Singers and their notable performances * Plot summaries and separate entries for well-known roles, arias, and choruses * Leading conductors, producers, and designers * Opera companies and festivals
A Dictionary of Opera Characters
Author: Joyce Bourne Kennedy
Publisher: Oxford University Press, USA
ISBN: 0199550395
Category : Music
Languages : en
Pages : 375
Book Description
A unique reference work containing over 2,500 A-Z entries on operatic characters. Includes synopses for over 200 operas and operettas, as well as feature articles written by well-known personalities from the world of opera, including Plácido Domingo and Dame Janet Baker. It is an essential book for anyone with an interest in opera.
Publisher: Oxford University Press, USA
ISBN: 0199550395
Category : Music
Languages : en
Pages : 375
Book Description
A unique reference work containing over 2,500 A-Z entries on operatic characters. Includes synopses for over 200 operas and operettas, as well as feature articles written by well-known personalities from the world of opera, including Plácido Domingo and Dame Janet Baker. It is an essential book for anyone with an interest in opera.
The Concise Oxford Dictionary of English Place-names
Author: Eilert Ekwall
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 546
Book Description
The Oxford Dictionary of Opera
Author: John Warrack
Publisher: Oxford ; New York : Oxford University Press
ISBN: 9780198691648
Category : Music
Languages : en
Pages : 808
Book Description
From Aachen, a city launching much young talent, to Zwischenspiel, the usual German term for intermezzo, this new reference contains some 4,500 entries, including 750 on opera composers (with bibliographies), 600 on individual operas, 900 biographies of singers, and 350 entries of specialist terms, along with hundreds covering directors, conductors, scenes, writers, critics. A pleasing 782 pages, lots of detail, covering all aspects of the historical development and present standing of opera; appropriate for virtually all libraries. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Oxford ; New York : Oxford University Press
ISBN: 9780198691648
Category : Music
Languages : en
Pages : 808
Book Description
From Aachen, a city launching much young talent, to Zwischenspiel, the usual German term for intermezzo, this new reference contains some 4,500 entries, including 750 on opera composers (with bibliographies), 600 on individual operas, 900 biographies of singers, and 350 entries of specialist terms, along with hundreds covering directors, conductors, scenes, writers, critics. A pleasing 782 pages, lots of detail, covering all aspects of the historical development and present standing of opera; appropriate for virtually all libraries. Annotation copyright by Book News, Inc., Portland, OR
Historical Dictionary of Opera
Author: Scott L. Balthazar
Publisher: Scarecrow Press
ISBN: 0810879433
Category : Music
Languages : en
Pages : 564
Book Description
Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.
Publisher: Scarecrow Press
ISBN: 0810879433
Category : Music
Languages : en
Pages : 564
Book Description
Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.
Who Married Figaro?
Author: Joyce Bourne Kennedy
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
"From Aeneas to Zaida, Who Married Figaro? contains more than 2,500 entries on operatic characters from around the world. Giving details of the composer of each role as well as notable performances, this unique reference book also provides comprehensive synopses for over 200 operas and operettas. It features articles by well-known personalities from the world of opera, including Placido Domingo, Dame Janet Baker, and, new to this edition, Christine Brewer, Susan Bullock, Simon Keenlyside, and Joyce DiDonato. This fully revised edition now contains an appendix of contemporary opera of the last ten years, offering detailed synopses and world premiere cast lists. Up to date, authoritative, and packed with valuable information, this A-Z is an essential book for opera lovers."--BOOK JACKET.
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
"From Aeneas to Zaida, Who Married Figaro? contains more than 2,500 entries on operatic characters from around the world. Giving details of the composer of each role as well as notable performances, this unique reference book also provides comprehensive synopses for over 200 operas and operettas. It features articles by well-known personalities from the world of opera, including Placido Domingo, Dame Janet Baker, and, new to this edition, Christine Brewer, Susan Bullock, Simon Keenlyside, and Joyce DiDonato. This fully revised edition now contains an appendix of contemporary opera of the last ten years, offering detailed synopses and world premiere cast lists. Up to date, authoritative, and packed with valuable information, this A-Z is an essential book for opera lovers."--BOOK JACKET.
Baker's Dictionary of Opera
Author: Laura Diane Kuhn
Publisher: Macmillan Reference USA
ISBN:
Category : Music
Languages : en
Pages : 1160
Book Description
This reference covers the unique stature and scope of opera in all its grandeur and complexity, as well as the people who have made significant contributions to the field. The 1,000 entries present information on past and newly emerged performers, librettists, set designers, scholars, directors, and composers (including current ones who have pushed the boundaries of the form). Other features include synopses of operas, an opera timeline, a glossary, a directory of opera companies, histories of the world's leading opera houses, and a foreword by famed musicologist Nicholas Slonimsky. Contains about 250 b & w illustrations and photos. Annotation copyrighted by Book News, Inc., Portland, OR.
Publisher: Macmillan Reference USA
ISBN:
Category : Music
Languages : en
Pages : 1160
Book Description
This reference covers the unique stature and scope of opera in all its grandeur and complexity, as well as the people who have made significant contributions to the field. The 1,000 entries present information on past and newly emerged performers, librettists, set designers, scholars, directors, and composers (including current ones who have pushed the boundaries of the form). Other features include synopses of operas, an opera timeline, a glossary, a directory of opera companies, histories of the world's leading opera houses, and a foreword by famed musicologist Nicholas Slonimsky. Contains about 250 b & w illustrations and photos. Annotation copyrighted by Book News, Inc., Portland, OR.
Opera
Author: Guy A. Marco
Publisher: Routledge
ISBN: 113557801X
Category : Art
Languages : en
Pages : 655
Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Publisher: Routledge
ISBN: 113557801X
Category : Art
Languages : en
Pages : 655
Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Operas in English
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.