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Author: Michael Ewans
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660996
Category : Music
Languages : en
Pages : 244
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Book Description
Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. He examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.
Author: Michael Ewans
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660996
Category : Music
Languages : en
Pages : 244
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Book Description
Michael Ewans explores how classical Greek tragedy and epic poetry have been appropriated in opera, through eight selected case studies. He examines the issues through a comparative analysis of significant divergences of plot, character and dramatic strategy between source text, libretto and opera.
Author: Lorenzo Bianconi
Publisher: University of Chicago Press
ISBN: 0226045919
Category : Music
Languages : en
Pages : 449
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Book Description
The History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.
Author: John Bokina
Publisher: Yale University Press
ISBN: 9780300101232
Category : Music
Languages : en
Pages : 264
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Book Description
To what extent do operas express the political and cultural ideas of their age? How do they reflect the composer's view of the changing relations among art, politics, and society? In this book John Bokina focuses on political aspects and meanings of operas from the baroque to postmodern period, showing the varied ways that operas become sensuous vehicles for the articulation of political ideas. Bokina begins with an analysis of Monteverdi's three extant operas, which address in an oblique way the political and ideological dualities of aristocratic rule in the seventeenth-century Italy. He then moves to Mozart's "Don Giovanni", which he views as a celebration of the demise of a predatory aristocracy. He presents Beethoven's "Fidelio" as an example of the political spirit of a revolution based on republican virtue, and Wagner's "Parsifal" as a utopian music drama that projects romantic anticapitalist ideals onto an imagined past. He shows that Strauss's "Elektra" and Schoenberg's "Erwartung" transform the traditional operatic depiction of madness by reflecting the emerging Freudian psychoanalysis of that era. And he argues that operas by Pfitzner, Hindemith, and Schoenberg explore the political roles of art and the artists, each couching contemporary conditions in an allegory about the fate of art in a historical period of transition. Finally, Bokina offers a reappraisal of Henze's "The Bassarids" as a political opera that confronts the promise and limits of the sensual-sexual revolt of the twentieth-century.
Author: Jeongwon Joe
Publisher: Routledge
ISBN: 1136534075
Category : Music
Languages : en
Pages : 252
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Book Description
Leading scholars of opera and film explore the many ways these two seemingly unrelated genres have come together from the silent-film era to today.
Author: John Tyrrell
Publisher: Cambridge University Press
ISBN: 9780521347136
Category : Music
Languages : en
Pages : 376
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Book Description
Opera is the grandest and most potent cultural expression of the nationalist movement which led to the establishment of the Czechoslovak Republic in 1918. During this period Czech opera developed into a genre of major artistic importance cultivated by composers of the stature of Smetana, Dvorák and Janácek. Czech Opera examines opera in its national contexts, and is a study not only of operas written in Czech, but also of the specific circumstances which shaped them. These include the historical and political background to the period, the theatres in which Czech plays and operas were first performed, and the composers and performers who worked in them. The role of the librettists is given particular prominence and is complemented by a detailed chapter on the subject matter of the librettos shedding light on the subject matter of the historical and mythic background of the genre.
Author: David Schroeder
Publisher: Bloomsbury Publishing
ISBN: 1474291414
Category : Social Science
Languages : en
Pages : 400
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Book Description
The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways – some predictable, some unexpected, and some bizarre – in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence – a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.
Author: Tereza Havelková
Publisher: Oxford University Press
ISBN: 0190091274
Category : Music
Languages : en
Pages : 240
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Book Description
Drawing on the concept of hypermediacy from media studies, this book situates opera within the larger context of contemporary media practices, and particularly those that play up the multiplicity, awareness and enjoyment of media. It is driven by the underlying question of what politics of representation and perception opera performs within this context. This entails approaching operas as audiovisual events (rather than works or texts) and paying attention to what they do by visual means, along with the operatic music and singing. The book concentrates on events that foreground their use of media and technology, drawing attention to opera's inherently hypermedial aspects. It works with the recognition that such events nevertheless engender powerful effects of immediacy, which are not contingent on illusionism or the seeming transparency of the medium. It analyzes how effects like presence, liveness and immersion are produced, contesting some critical claims attached to them. It also sheds light on how these effects, often perceived as visceral or material in nature, are related to the production of meaning in opera. The discussion pertains to contemporary pieces such as Louis Andriessen and Peter Greenaway's Rosa and Writing to Vermeer, as well as productions of the canonical repertory such as Wagner's Ring Cycle by Robert Lepage at the Met and La Fura dels Baus in Valencia.
Author: Michael Hauser
Publisher: Arcadia Publishing
ISBN: 1439674353
Category : Performing Arts
Languages : en
Pages : 128
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Book Description
Utilizing remarkable images from the Manning Brothers Historical Collection, the Michigan Opera Theatre Archives, and several additional collections, Michael Hauser and Marianne Weldon have captured the excitement of the shared entertainment experience in Detroit Opera House. The theater known today as the Detroit Opera House has been an integral part of the city's culture and history as well as the live entertainment industry. Its existence has been threatened in the past, but it has survived wars, the Great Depression, civil unrest, economic meltdowns, the abandonment of downtown, and, most recently, a pandemic. Generations of patrons have fond, vivid memories of attending films, stage presentations, or events with family and friends as it transitioned from the Broadway Capitol to the Paramount to the Grand Circus to the Detroit Opera House. The reason for building these "temples of amusement" was to literally transport a guest into another world, and the Detroit Opera House has valiantly fulfilled that task. What began as an idea by David DiChiera, founder of Michigan Opera Theatre, the owner and operator of today's Detroit Opera House, blossomed into a magnificent performing arts center with its formal opening in 1996. Hauser is marketing manager for the Detroit Opera House, and Weldon is the collections manager for art and artifacts at Bryn Mawr College.
Author: Sir Denis Forman
Publisher: Modern Library
ISBN: 0375751769
Category : Music
Languages : en
Pages : 980
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Book Description
“Delightful and anti-reverential”—Sunday Times (London) With an encyclopedic knowledge of opera and a delightful dash of irreverence, Sir Denis Forman throws open the world of opera—its structure, composers, conductors, and artists—in this hugely informative guide. A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are “worth looking out for,” “really good,” or, occasionally, “stunning.” He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma (although the Ring cycle gets an “X”), and Sir Denis has no qualms about voicing his opinion: the first act of Fidelio is “a bit of a mess,” while the last scene of Don Giovanni “towers above the comic finales of Figaro and Così and whether or not [it] is Mozart's greatest opera, it is certainly his most powerful finale.” The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of subtitles. A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.
Author: Nancy November
Publisher: Cambridge University Press
ISBN: 1009409808
Category : Music
Languages : en
Pages : 267
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Book Description
A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
