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Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521390026
Category : Drama
Languages : en
Pages : 384
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Book Description
This volume explores a theme that has become central in our time, as 'the death of God' is widely seen to be succeeded by 'the death of Man'. Our contributors set forth its urgency in a variety of contexts. Among these, Peter Stern gives the paradigmatic history of the bereft, damaged, and repudiated self in German philosophy and literature from Kleist to Ernst Jilnger. In 'Not I' Michael Edwards pursues the theological and psychological consequences of a self without substance. Peter France supplies a witty account of the marriage of self and commerce more at home in the eighteenth-century tradition of British empiricism, and the challenge of Rousseau's refusal of the terms of commerce. Raman Selden explores views of the self from the Romantics to the poststructuralists. Roger Cardinal probes the secret diary: is the genre a contradiction in terms? Stephen Bann explores the representations of Narcissus in recent psychoanalytic theory. Other contributors include Pierre Dupuy, David James, Julie Scott Meisami, Gregory Blue,Mark Ogden and A. D. Nuttall.
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521390026
Category : Drama
Languages : en
Pages : 384
Get Book Here
Book Description
This volume explores a theme that has become central in our time, as 'the death of God' is widely seen to be succeeded by 'the death of Man'. Our contributors set forth its urgency in a variety of contexts. Among these, Peter Stern gives the paradigmatic history of the bereft, damaged, and repudiated self in German philosophy and literature from Kleist to Ernst Jilnger. In 'Not I' Michael Edwards pursues the theological and psychological consequences of a self without substance. Peter France supplies a witty account of the marriage of self and commerce more at home in the eighteenth-century tradition of British empiricism, and the challenge of Rousseau's refusal of the terms of commerce. Raman Selden explores views of the self from the Romantics to the poststructuralists. Roger Cardinal probes the secret diary: is the genre a contradiction in terms? Stephen Bann explores the representations of Narcissus in recent psychoanalytic theory. Other contributors include Pierre Dupuy, David James, Julie Scott Meisami, Gregory Blue,Mark Ogden and A. D. Nuttall.
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521411165
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Topics covered in this volume include literary Chinese as a language for science, the history and principles of scientific translation in Europe, the theatrical panorama in the 19th century and its roots in optical theory and experiment, and an alternative perspective on Gerard Manley Hopkins.
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521471992
Category : Drama
Languages : en
Pages : 344
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Book Description
This 1994 book addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521431040
Category : Drama
Languages : en
Pages : 316
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Book Description
Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521390149
Category : Literary Criticism
Languages : en
Pages : 448
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Book Description
Volume 10, dedicated to 'Comedy, Irony, Parody', celebrates the first decade of Comparative Criticism in a light-hearted vein. Michael Silk opens with a wide-ranging essay asserting the primacy of comedy and declaring its independence of tragedy. T. L. S. Sprigge explores philosophers who dared to write on laughter: Schopenhauer and Bergson. Bernard Harrison looks at the twentieth century's favourite comic novel, Tristram Shandy, in the light of Locke's views on 'the particular'. Peter Brand pursues the theatrical arts of disguises, masking, and gender-swapping through Renaissance Europe, from Ariosto to Shakespeare. Jane H. M. Taylor traces the danse macabre in modern 'black humour'. Christine Brooke-Rose, distinguished novelist and critic, reads from and comments on her own witty fictions. Michael Wood describes how Lolita outwitted her seducer.
Author: David Booy
Publisher: Routledge
ISBN: 1351911929
Category : Literary Criticism
Languages : en
Pages : 484
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Book Description
The seventeenth century saw a dramatic increase in self-writing-from the private jotting down of personal thoughts in an irregular and spontaneous way, to the carefully considered composition of extended autobiographical narrative and deliberate self-fashioning for public consumption. Recent anthologies of women's writing, drawing to some extent on this rich but relatively little-known archive, have demonstrated the importance of studying such material to gain insight into female lives in that era. Personal Disclosures is innovative in that it stimulates and facilitates comparative analysis of female and male representations of the self, and of gendered constructions of identity and experience, by presenting a broad range of extracts from both women's and men's autobiographical writings. The majority of the extracts have been freshly edited from original seventeenth-century manuscripts and books. Exploiting all kinds of text-diaries, journals, logs, testimonies, memoirs, letters, autobiographies-the anthology also encourages consideration of topics central to current scholarly interest: religious experience, the body, communities, the family, encounters with new lands and peoples, and the conceptualization and writing of the self. A General Introduction discusses early modern autobiographical writing, and there are substantial introductions to each of the six sections, together with detailed suggestions for further reading.
Author:
Publisher:
ISBN:
Category : Former Soviet republics
Languages : en
Pages : 584
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Book Description
Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636687
Category : Foreign Language Study
Languages : en
Pages : 554
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Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Author:
Publisher:
ISBN:
Category : Africa, Portuguese-speaking
Languages : en
Pages : 632
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Book Description
Author: Ross Hamilton
Publisher: University of Chicago Press
ISBN: 0226817598
Category : Philosophy
Languages : en
Pages : 351
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Book Description
From ancient philosophy to Tristram Shandy and Buster Keaton movies, this book tells the engaging history of accident as an idea. An accidental glance at a newspaper notice causes Rousseau to collapse under the force of a vision. A car accidentally hits Giacometti, and he experiences an epiphany. Darwin introduces accident to the basic process of life, and Freud looks to accident as the expression of unconscious desire. Accident, Ross Hamilton claims, is the force that makes us modern. Tracing the story of accident from Aristotle to Buster Keaton and beyond, Hamilton’s daring book revives the tradition of the grand history of ideas. Accident tells an original history of Western thought from the perspective of Aristotle’s remarkably durable categories of accident and substance. Throughout antiquity and the Middle Ages, Aristotle’s distinction underwrote an insistence on order and subordination of the inessential. In a groundbreaking innovation, Hamilton argues that after the Reformation, the concept of accident began to change places with that of substance: accident became a life-transforming event and effectively a person’s essence. For moderns, it is the accidental, seemingly trivial moments of consciousness that, like Wordsworth’s “spots of time,” create constellations of meaning in our lives. Touching on a broad array of images and texts—Augustine, Dante, the frescoes of Raphael, Descartes, Jane Austen, the work of the surrealists, and twentieth-century cinema—Hamilton provides a new way to map the mutations of personal identity and subjectivity.
