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Author: Anna Anguissola
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882654856
Category : Art
Languages : it
Pages : 316
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Book Description
Barbro Santillo Frizell, Premessa; Marcello Barbanera, Agneta Freccero, Archeologia, architettura, restauro: lo studio di una collezione di antichit� come storia culturale; Marcello Barbanera, Agneta Freccero, Archeology, Architecture, Restoration: the Study of a Collection of Antiquities as Cultural History; Avvertenze e ringraziamenti; SAGGI: Daniela Candilio, Tutela e conservazione della collezione di antichit� di palazzo Lancellotti ai Coronari; Patrizia Cavazzini, Il palazzo e la famiglia Lancellotti nel primo Seicento; Paolo Sanvito, Il ruolo dei cortili nelle collezioni di antiquitates come luogo di rappresentazione del patriziato. Il caso di palazzo Lancellotti; Anna Anguissola, La storia della collezione Lancellotti di antichit�; Paolo Liverani, Le antichit� Lancellotti nei Musei Vaticani; Agneta Freccero, Made for Collections. Three Consuls and Sempronia; Marina Prusac, The Ninth Mask from the Temple of Venus and Roma?; Alessandro Danesi, Silvia Gambardella, Il restauro come mezzo di ricerca storica. La conservazione delle sculture di palazzo Lancellotti ai Coronari; Agneta Freccero, Changing Ideals in Conservation: CATALOGO: Antichit� nel Palazzo Lancellotti; Statue e teste ideali; Togati, busti e ritratti; Sarcofagi; Sculture e rilievi di carattere vario; Iscrizioni e altari funerari; Opere non antiche o di dubbia antichit�; Antichit� nei Musei Vaticani; Sculture; Sarcofagi; Dispersi e inaccessibili; Appendice; Bibliografia.
Author: Anna Anguissola
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882654856
Category : Art
Languages : it
Pages : 316
Get Book Here
Book Description
Barbro Santillo Frizell, Premessa; Marcello Barbanera, Agneta Freccero, Archeologia, architettura, restauro: lo studio di una collezione di antichit� come storia culturale; Marcello Barbanera, Agneta Freccero, Archeology, Architecture, Restoration: the Study of a Collection of Antiquities as Cultural History; Avvertenze e ringraziamenti; SAGGI: Daniela Candilio, Tutela e conservazione della collezione di antichit� di palazzo Lancellotti ai Coronari; Patrizia Cavazzini, Il palazzo e la famiglia Lancellotti nel primo Seicento; Paolo Sanvito, Il ruolo dei cortili nelle collezioni di antiquitates come luogo di rappresentazione del patriziato. Il caso di palazzo Lancellotti; Anna Anguissola, La storia della collezione Lancellotti di antichit�; Paolo Liverani, Le antichit� Lancellotti nei Musei Vaticani; Agneta Freccero, Made for Collections. Three Consuls and Sempronia; Marina Prusac, The Ninth Mask from the Temple of Venus and Roma?; Alessandro Danesi, Silvia Gambardella, Il restauro come mezzo di ricerca storica. La conservazione delle sculture di palazzo Lancellotti ai Coronari; Agneta Freccero, Changing Ideals in Conservation: CATALOGO: Antichit� nel Palazzo Lancellotti; Statue e teste ideali; Togati, busti e ritratti; Sarcofagi; Sculture e rilievi di carattere vario; Iscrizioni e altari funerari; Opere non antiche o di dubbia antichit�; Antichit� nei Musei Vaticani; Sculture; Sarcofagi; Dispersi e inaccessibili; Appendice; Bibliografia.
Author: Tomas Macsotay
Publisher: Routledge
ISBN: 1351550543
Category : Art
Languages : en
Pages : 295
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Book Description
The world that shaped Europe's first national sculptor-celebrities, from Schadow to David d'Angers, from Flaxman to Gibson, from Canova to Thorvaldsen, was the city of Rome. Until around 1800, the Holy See effectively served as Europe's cultural capital, and Roman sculptors found themselves at the intersection of the Italian marble trade, Grand Tour expenditure, the cult of the classical male nude, and the Enlightenment republic of letters. Two sets of visitors to Rome, the David circle and the British traveler, have tended to dominate Rome's image as an open artistic hub, while the lively community of sculptors of mixed origins has not been awarded similar attention. Rome, Travel and the Sculpture Capital, c.1770?1825 is the first study to piece together the labyrinthine sculptors' world of Rome between 1770 and 1825. The volume sheds new light on the links connecting Neo-classicism, sculpture collecting, Enlightenment aesthetics, studio culture, and queer studies. The collection offers ideal introductory reading on sculpture and Rome around 1800, but its combination of provocative perspectives is sure to appeal to a readership interested in understanding a modernized Europe's overwhelmingly transnational desire for Neo-classical, Roman sculpture.
Author: Silvia De Renzi
Publisher: Routledge
ISBN: 1317083318
Category : History
Languages : en
Pages : 397
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Book Description
Post-mortems may have become a staple of our TV viewing, but the long history of this practice is still little known. This book provides a fresh account of the dissections that took place across early modern Europe on those who had died of a disease or in unclear circumstances. Drawing on different approaches and on sources as varied as notes taken at the dissection table, legal records and learned publications, the chapters explore how autopsies informed the understanding of pathology of all those involved. With a broad geography, including Rome, Amsterdam and Geneva, the book recaptures the lost worlds of physicians, surgeons, patients, families and civic authorities as they used corpses to understand diseases and make sense of suffering. The evidence from post-mortems was not straightforward, but between 1500 and 1750 medical practitioners rose to the challenge, proposing various solutions to the difficulties they encountered and creating a remarkable body of knowledge. The book shows the scope and diversity of this tradition and how laypeople contributed their knowledge and expectations to the wide-ranging exchanges stimulated by the opening of bodies.
Author: Marina Prusac
Publisher: BRILL
ISBN: 9004192328
Category : Art
Languages : en
Pages : 384
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Book Description
This book provides analyses of different recarving methods in Late Antiquity, and argues on the basis of 500 recarved portraits that the late antique portrait style, which was formerly considered an expression of a new era, was rather a technical consequence.
Author:
Publisher: BRILL
ISBN: 9004443258
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
Nonnus of Panopolis in Context III, edited by Filip Doroszewski and Katarzyna Jażdżewska, explores both old and new questions about the poet and his works ‒ the grand mythological epic Dionysiaca and the hexameter Paraphrase of St. John’s Gospel.
Author: Stine Birk
Publisher: Aarhus Universitetsforlag
ISBN: 8771244166
Category : History
Languages : en
Pages : 350
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Book Description
The present monograph takes its place in a now well-established tradition of seeing sarcophagi as visual statements of deceased individuals that used allegories to plot lives and personal memories against mythological and other idealised narratives. It focuses on Roman sarcophagi, often referred to as stadtromisch, which reflects the fact that the field has traditionally been dominated by German scholars. The aim of the book is twofold: Firstly, it is an exploration of how to read Roman sarcophagi, which starts from those with portraits, but which can contribute more broadly to the study of sarcophagi in general. Secondly, this book investigates gender values as represented through images and how to locate the individual in standardised iconography.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606062980
Category : Art
Languages : en
Pages : 388
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Book Description
This book explores the principles of the display of art in the magnificent Roman palaces of the early modern period, focusing attention on how the parts function to convey multiple artistic, social, and political messages, all within a splendid environment that provided a model for aristocratic residences throughout Europe. Many of the objects exhibited in museums today once graced the interior of a Roman Baroque palazzo or a setting inspired by one. In fact, the very convention of a paintings gallery— the mainstay of museums—traces its ancestry to prototypes in the palaces of Rome. Inside Roman palaces, the display of art was calibrated to an increasingly accentuated dynamism of social and official life, activated by the moving bodies and the attention of residents and visitors. Display unfolded in space in a purposeful narrative that reflected rank, honor, privilege, and intimacy. With a contextual approach that encompasses the full range of media, from textiles to stucco, this study traces the influential emerging concept of a unified interior. It argues that art history—even the emergence of the modern category of fine art—was worked out as much in the rooms of palaces as in the printed pages of Vasari and other early writers on art.
Author: Stine Birk
Publisher: Oxbow Books
ISBN: 1782972625
Category : History
Languages : en
Pages : 337
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Book Description
Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.
Author: Giuseppe Giarrizzo
Publisher: Fabrizio Serra Editore
ISBN:
Category : Antiques & Collectibles
Languages : it
Pages : 244
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Book Description
Author: Jill Burke
Publisher: Routledge
ISBN: 1351575716
Category : Art
Languages : en
Pages : 308
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Book Description
From the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for the opportunity to work for its many wealthy patrons. They contributed to the eclecticism of the Roman artistic scene, and to the diffusion of 'Roman' artistic styles in Europe and beyond. Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. Drawing together an international cast of key scholars in the field of Renaissance studies, the book adroitly demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and unique sense of civic identity - interacted with developments in the visual arts. With its distinctive chronological span and uniquely interdisciplinary approach, Art and Identity in Early Modern Rome puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.
