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Author: C. Stokes
Publisher: Springer
ISBN: 0230295061
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Traversing the themes of language, terror and representation, this is the first study to engage Coleridge through the sublime, showing him to have a compelling position in an ongoing conversation about finitude. Drawing on close readings of both his poetry and prose, it depicts Coleridge as a thinker of 'the limit' with contemporary force.
Author: C. Stokes
Publisher: Springer
ISBN: 0230295061
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Traversing the themes of language, terror and representation, this is the first study to engage Coleridge through the sublime, showing him to have a compelling position in an ongoing conversation about finitude. Drawing on close readings of both his poetry and prose, it depicts Coleridge as a thinker of 'the limit' with contemporary force.
Author: David Vallins
Publisher: Springer
ISBN: 023051426X
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
This new volume demonstrates the extent and diversity of Coleridge's writings on the sublime. It highlights the development of his aesthetic of transcendence from an initial emphasis on the infinite progressiveness of humanity, through a fascination with landscape as half-revealing the infinite forces underlying it, and with literature as producing a similar feeling of the inexpressible, to an increasing emphasis on contemplating the ineffable nature of God, as well as the transcendent power of Reason or spiritual insight.
Author: M. Evans
Publisher: Springer
ISBN: 1137121548
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Sublime Coleridge focuses on the role of the Opus Maximum in explaining Samuel Taylor Coleridge's ideas about religion, psychology, and the sublime. This book is an introduction, a reader's guide, and an interpretation of this central text in British Romanticism.
Author: Albert O. Wlecke
Publisher: Berkeley : University of California Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Author: Steven Knapp
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Eighteenth-century and Romantic readers had a peculiar habit of calling personified abstractions "sublime." This has always seemed mysterious, since the same readers so often expressed a feeling that there was something wrong with turning ideas into people--or, worse, turning people into ideas. In this wide-ranging, carefully argued study, Steven Knapp explains the connection between personification and the aesthetics of the sublime. Personifications, such as Milton's controversial figures of Sin and Death in Paradise Lost, were seen to embody a unique combination of imaginative power and overt fictionality, and these, Knapp shows, were exactly the conflicting requirements of the sublime in general. He argues that the uneasiness readers felt toward sublime personifications was symptomatic of broader ambivalences toward archaic beliefs, political and religious violence, and poetic fiction as such. Drawing on recent interpretations of Romanticism, allegory, and the sublime, Knapp provides important new readings of Coleridge, Wordsworth, Kant, and William Collins. His provocative thesis sheds new light on the relationship between Romanticism and the eighteenth century.
Author: Murray J. Evans
Publisher: Springer Nature
ISBN: 3031255275
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book explores the sublime in Samuel Taylor Coleridge’s later major prose in relation to more recent theories of the sublime. Building on the author’s previous monograph Sublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge’s other major prose texts of the 1820s: Confessions of an Inquiring Spirit (wr. 1824), Aids to Reflection (1825), and On the Constitution of the Church and State (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière.
Author: M. Evans
Publisher: Palgrave Macmillan
ISBN: 9780230341395
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Sublime Coleridge focuses on the role of the Opus Maximum in explaining Samuel Taylor Coleridge's ideas about religion, psychology, and the sublime. This book is an introduction, a reader's guide, and an interpretation of this central text in British Romanticism.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1604134437
Category : Electronic books
Languages : en
Pages : 315
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Book Description
The sublime in literature is described as the sense of awe that is evoked in the presence of great power and grandeur in nature or in art. In this engaging new volume, the role of the sublime is discussed in ""Emma"", ""Ode to the West Wind"", ""Song of Myself"", and many other works. Featuring original essays and excerpts from previously published critical analyses, each book in the new Bloom's ""Literary Themes"" series gives students valuable insight into the title's subject theme.
Author: Samuel Taylor Coleridge
Publisher: DigiCat
ISBN:
Category : Poetry
Languages : en
Pages : 285
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Book Description
DigiCat Publishing presents to you this special edition of "Poems of Coleridge" by Samuel Taylor Coleridge. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Anne C. McCarthy
Publisher: University of Toronto Press
ISBN: 1487516290
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in Anne C. McCarthy’s Awful Parenthesis. Examining various aesthetics of suspension in the works of poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, McCarthy shares important insights into the nineteenth-century fascination with the sublime. Attentive to differences between "Romantic" and "Victorian" articulations of suspension, Awful Parenthesis offers a critical alternative to assumptions about periodization. While investigating various conceptualizations of suspension, including the suspension of disbelief, suspended animation, trance, paralysis, pause, and dilatation, McCarthy provides historically-aware close readings of nineteenth-century poems in conversation with prose genres that include devotional works, philosophy, travel writing, and periodical fiction. Awful Parenthesis reveals the cultural obsession with the aesthetics of suspension as a response to an expanding, incoherent world in crisis, one where the audience is both active participant and passive onlooker.
