Civil Warscapes: Images of American Sanctuaries, Eastern Theater 1861-1863 PDF Download
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Author: Matthew A. Holzman
Publisher:
ISBN: 9781320660136
Category :
Languages : en
Pages :
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Book Description
In Civil Warscapes: Images of American Sanctuaries Eastern Theater 1861-1863, Matthew A. Holzman captures the scenery of the earliest significant battlefields in the Eastern Theater of the American Civil War. By specifically choosing photographs he has taken over the recent years, he highlights the various actions that ultimately shaped the outcome of these battles. The visual appearance of certain monuments and structures may very well be known by many who have visited and seen these locations, but the facts behind their meaning with relation to that given battle may not. The windows into these historic places reveal the dedication and destruction that took place on their hallowed grounds. They also display the natural beauty that surrounded unprecedented struggles over one hundred and fifty years ago. From the tranquil and clear water of Antietam Creek flowing under Burnside Bridge to the stone wall at the foot of Marye's Heights, where perhaps no other display of valor was equaled during the war; from the magnificent farms surrounding Gettysburg to the distant views seen from atop converging mountains at Harpers Ferry. Holzman shares his vision of these fields of battle by presenting the critical events that transpired in the middle of their uniquely American landscapes.
Author: Matthew A. Holzman
Publisher:
ISBN: 9781320660136
Category :
Languages : en
Pages :
Get Book Here
Book Description
In Civil Warscapes: Images of American Sanctuaries Eastern Theater 1861-1863, Matthew A. Holzman captures the scenery of the earliest significant battlefields in the Eastern Theater of the American Civil War. By specifically choosing photographs he has taken over the recent years, he highlights the various actions that ultimately shaped the outcome of these battles. The visual appearance of certain monuments and structures may very well be known by many who have visited and seen these locations, but the facts behind their meaning with relation to that given battle may not. The windows into these historic places reveal the dedication and destruction that took place on their hallowed grounds. They also display the natural beauty that surrounded unprecedented struggles over one hundred and fifty years ago. From the tranquil and clear water of Antietam Creek flowing under Burnside Bridge to the stone wall at the foot of Marye's Heights, where perhaps no other display of valor was equaled during the war; from the magnificent farms surrounding Gettysburg to the distant views seen from atop converging mountains at Harpers Ferry. Holzman shares his vision of these fields of battle by presenting the critical events that transpired in the middle of their uniquely American landscapes.
Author: Sander Govaerts
Publisher:
ISBN: 9781641893985
Category :
Languages : en
Pages :
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Book Description
Using the ecosystem concept as his starting point, the author examines the complex relationship between premodern armed forces and their environment at three levels: landscapes, living beings, and diseases. The study focuses on Europe's Meuse Region, well-known among historians of war as a battleground between France and Germany. By analyzing soldiers' long-term interactions with nature, this book engages with current debates about the ecological impact of the military, and provides new impetus for contemporary armed forces to make greater effort to reduce their environmental footprint.
Author: Hillel Schwartz
Publisher: MIT Press
ISBN: 1935408453
Category : History
Languages : en
Pages : 473
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Book Description
A novel attempt to make sense of our preoccupation with copies of all kinds—from counterfeits to instant replay, from parrots to photocopies. The Culture of the Copy is a novel attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us. This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with problems of authenticity, identity, and originality. Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra: counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries—not to mention the very notion of the Real McCoy. Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves. The book is an innovative blend of microsociology, cultural history, and philosophical reflection, of interest to anyone concerned with problems of authenticity, identity, and originality. Praise for the first edition “[T]he author... brings his considerable synthetic powers to bear on our uneasy preoccupation with doubles, likenesses, facsimiles, replicas and re-enactments. I doubt that these cultural phenomena have ever been more comprehensively or more creatively chronicled.... [A] book that gets you to see the world anew, again.” —The New York Times “A sprightly and disconcerting piece of cultural history” —Terence Hawkes, London Review of Books “In The Culture of the Copy, [Schwartz] has written the perfect book: original and repetitive at once.” —Todd Gitlin, Los Angeles Times Book Review
Author: Jolyon Mitchell
Publisher: Springer Nature
ISBN: 3030178757
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
"Ending violent conflict requires societies to take leaps of political imagination. Artistic communities are often uniquely placed to help promote new thinking by enabling people to see things differently. In place of conflict’s binary divisions, artists are often charged with exploring the ambiguities and possibilities of the excluded middle. Yet, their role in peacebuilding remains little explored. This excellent and agenda-setting volume provides a ground-breaking look at a range of artistic practices, and the ways in which they have attempted to support peacebuilding – a must-read for all practitioners and policy-makers, and indeed other peacemakers looking for inspiration."Professor Christine Bell, FBA, Professor of Constitutional Law, Assistant Principal (Global Justice), and co-director of the Global Justice Academy, The University of Edinburgh, UK "Peacebuilding and the Arts offers an impressive and impressively comprehensive engagement with the role that visual art, music, literature, film and theatre play in building peaceful and just societies. Without idealizing the role of the arts, the authors explore their potential and limits in a wide range of cases, from Korea, Cambodia, Colombia and Northern Ireland to Uganda, Rwanda, South Africa and Israel-Palestine."Roland Bleiker, Professor of International Relations, University of Queensland, Australia, and author of Aesthetics and World Politics and Visual Global Politics "Peacebuilding and the Arts is the first publication to focus critically and comprehensively on the relations between the creative arts and peacebuilding, expanding the conventional boundaries of peacebuilding and conflict transformation to include the artist, actor, poet, novelist, dramatist, musician, dancer and film director. The sections on the visual arts, music, literature, film and theatre, include case studies from very different cultures, contexts and settings but a central theme is that the creative arts can play a unique and crucial role in the building of peaceful and just societies, with the power to transform relationships, heal wounds, and nurture compassion and empathy. Peacebuilding and the Arts is a vital and unique resource which will stimulate critical discussion and further research, but it will also help to refine and reframe our understanding of peacebuilding. While it will undoubtedly become mandatory reading for students of peacebuilding and the arts, its original approach and dynamic exploratory style should attract a much wider interdisciplinary audience."Professor Anna King, Professor of Religious Studies and Social Anthropology and Director of Research, Centre of Religion, Reconciliation and Peace (WCRRP), University of Winchester, UK This volume explores the relationship between peacebuilding and the arts. Through a series of original essays, authors consider some of the ways that different art forms (including film, theatre, music, literature, dance, and other forms of visual art) can contribute to the processes and practices of building peace. This book breaks new ground, by setting out fresh ways of analysing the relationship between peacebuilding and the arts. Divided into five sections on the Visual Arts, Music, Literature, Film and Theatre/Dance, over 20 authors offer conceptual overviews of each art form as well as new case studies from around the globe and critical reflections on how the arts can contribute to peacebuilding. As interest in the topic increases, no other book approaches this complex relationship in the way that Peacebuilding and the Arts does. By bringing together the insights of scholars and practitioners working at the intersection of the arts and peacebuilding, this book develops a series of unique, critical perspectives on the interaction of diverse art forms with a range of peacebuilding endeavours.
Author: Keith F. Otterbein
Publisher: Texas A&M University Press
ISBN: 1603446370
Category : History
Languages : en
Pages : 314
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Book Description
Have humans always fought and killed each other, or did they peacefully coexist until organized states developed? Is war an expression of human nature or an artifact of civilization? Questions about the origins and inherent motivations of warfare have long engaged philosophers, ethicists, and anthropologists as they speculate on the nature of human existence. In How War Began, author Keith F. Otterbein draws on primate behavior research, archaeological research, and data gathered from the Human Relations Area Files to argue for two separate origins. He identifies two types of military organization: one that developed two million years ago at the dawn of humankind, wherever groups of hunters met, and a second that developed some five thousand years ago, in four identifiable regions, when the first states arose and proceeded to embark upon military conquests. In careful detail, Otterbein marshals evidence for his case that warfare was possible and likely among early Homo sapiens. He argues from comparison with other primates, from Paleolithic rock art depicting wounded humans, and from rare skeletal remains embedded with weapon points to conclude that warfare existed and reached a peak in big game hunting societies. As the big game disappeared, so did warfare--only to reemerge once agricultural societies achieved a degree of political complexity that allowed the development of professional military organizations. Otterbein concludes his survey with an analysis of how despotism in both ancient and modern states spawns warfare. A definitive resource for anthropologists, social scientists, and historians, How War Began is written for all who areinterested in warfare, whether they be military buffs or those seeking to understand the past and the present of humankind. --Publlisher.
Author: Stockholm International Peace Research Institute
Publisher:
ISBN:
Category : History
Languages : en
Pages : 272
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Book Description
"Among the crucial problems that confront mankind today are those associated with a degraded environment. This book examines the extent to which warfare and other military activities contribute to such degradation. The military capability to damage the environment and to cause ecological disruption has escalated, and there is no sign that the level of conflict in the world is decreasing. The military use and abuse of each of the several major global habitats -- temperate, tropical, desert, arctic, insular, and oceanic -- are evalusated separately in the light of the civil use and abuse of that habitat"--Dust jacket.
Author: J. R. McNeill
Publisher: Cambridge University Press
ISBN: 1139484508
Category : History
Languages : en
Pages : 391
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Book Description
This book explores the links among ecology, disease, and international politics in the context of the Greater Caribbean - the landscapes lying between Surinam and the Chesapeake - in the seventeenth through early twentieth centuries. Ecological changes made these landscapes especially suitable for the vector mosquitoes of yellow fever and malaria, and these diseases wrought systematic havoc among armies and would-be settlers. Because yellow fever confers immunity on survivors of the disease, and because malaria confers resistance, these diseases played partisan roles in the struggles for empire and revolution, attacking some populations more severely than others. In particular, yellow fever and malaria attacked newcomers to the region, which helped keep the Spanish Empire Spanish in the face of predatory rivals in the seventeenth and early eighteenth centuries. In the late eighteenth and through the nineteenth century, these diseases helped revolutions to succeed by decimating forces sent out from Europe to prevent them.
Author: N.P. Gleditsch
Publisher: Springer Science & Business Media
ISBN: 940158947X
Category : Nature
Languages : en
Pages : 626
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Book Description
Nils Petter Gleditsch International Peace Research Institute, Oslo (PRIO) & Department of Sociology and Political Science, Norwegian University of Science and Technology, Trond heim This book could hardly have happened but for the end of the Cold War. The decline of the East-West conflict has opened up the arena for increased attention to other lines of conflict, in Europe and at the global level. Environmental disruption, not a new phenomenon by any means, is a chief beneficiary of the shift in priorities in the public debate. The Scientific and Environmental Affairs Divi sion of NATO has moved with the times and has defined environmental security as one of its priority areas for cooperation with Central and Eastern Europe and countries of the former Soviet Union. This book is the main output of an Advanced Research Workshop (ARW), held in Bolkesjl/l, Norway, 12-16 June 1996. I would like to acknowledge the personal support of L. Veiga da Cunha, Director of the Priority Area on Environmental Security. Research on these issues is now very much a collaborative effort across former lines of division in Europe. NATO encourages, indeed requires, that this be reflected in the composition of the participants, as well as the organizing committee. This meeting was organized by a group of five people from five different countries: Lothar Brock (Germany), Nils Petter Gleditsch (Norway), Thomas Homer-Dixon (Canada), Renat Perelet (Co-Director, Russia), and Evan Vlachos (USA).
Author: Theodora Hawksley
Publisher: University of Notre Dame Pess
ISBN: 0268108471
Category : Political Science
Languages : en
Pages : 402
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Book Description
The Roman Catholic Church, with its global reach, centralized organization, and more than 1.4 billion members, could be one of the world’s most significant forces in global peacemaking, and yet its robust tradition of social teaching on peace is not widely known. In Peacebuilding and Catholic Social Teaching, Theodora Hawksley aims to make that tradition better known and understood, and to encourage its continued development in light of the lived experience of Catholics engaged in peacebuilding and conflict transformation worldwide. The first part of this book analyzes the development of Catholic social teaching on peace from the time of the early Church fathers to the present, drawing attention to points of tension and areas in need of development. The second part engages in constructive theological work, exploring how the existing tradition might develop in order to support the efforts of Catholic peacebuilders and respond to the distinctive challenges of contemporary conflict. Peacebuilding and Catholic Social Teaching is one of the first scholarly monographs dedicated exclusively to theology, ethics, and peacebuilding. It will appeal to students and academics who specialize in Catholic social teaching and peacebuilding, to practitioners of Catholic peacebuilding, and to anyone with an interest in religion and peacebuilding more generally.
Author: Joanne Drayton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Published with the assistance of the Edith Collier Trust, Sarjeant Art Gallery and Whanganui Regional Community Polytechnic. Edith Collier's contribution to New Zealand art as an innovator, modernist and expatriate painter placed her in a most distinguished group, but her achievements have been eclipsed by the very company she kept - such as Frances Hodgkins and Margaret Preston. This book - and the travelling exhibition it accompanies - sets the record straight. After a thorough although conservative art education at the Technical School in Wanganui, Edith Collier left New Zealand in 1913 for St John's Wood Art School in London. She was then aged 27. Rapidly disillusioned, and feeling marginalised as an expatriate woman painter, she became more influenced by other expatriates in London, and was to enjoy greater success through exhibiting with the Society of Women Artists and Women's International Art Club - venues outside the art establishment - and became a significant Modernist painter. Collier returned to New Zealand in 1922 as an experienced artist with innovative ideas, but as a spinster in provincial Wanganui received harsh treatment, including what Drayton describes as savage, critical assessment and negative response from her own community. In a well-known incident (on which Drayton casts a new perspective) her father burned many of her finest paintings. She died in 1964.
