Cinema for Russian Conversation, Volume 1

Cinema for Russian Conversation, Volume 1 PDF Author: Olga Kagan
Publisher: Hackett Publishing
ISBN: 1585106283
Category : Foreign Language Study
Languages : ru
Pages : 206

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Book Description
Cinema for Russian Conversation covers fourteen Russian language films in two volumes that are used as the basis for discussion and language acquisition, teaching vocabulary, strengthening oral and written skills, and as well as an introduction to Russian culture. The films (arranged in historical order) are selected to provide interesting viewing, key cultural information, and accessible language levels. Each chapter of the book is devoted to a single movie and includes aids for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. Also included: vocabulary helpful to understanding and discussing the film; structured exercises in understanding the film once it has been viewed, especially for discussion in class; an accompanying reading for each film designed to provide perspective on the film itself.

Cinema for Russian Conversation, Volume 1

Cinema for Russian Conversation, Volume 1 PDF Author: Olga Kagan
Publisher: Hackett Publishing
ISBN: 1585106283
Category : Foreign Language Study
Languages : ru
Pages : 206

Get Book

Book Description
Cinema for Russian Conversation covers fourteen Russian language films in two volumes that are used as the basis for discussion and language acquisition, teaching vocabulary, strengthening oral and written skills, and as well as an introduction to Russian culture. The films (arranged in historical order) are selected to provide interesting viewing, key cultural information, and accessible language levels. Each chapter of the book is devoted to a single movie and includes aids for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. Also included: vocabulary helpful to understanding and discussing the film; structured exercises in understanding the film once it has been viewed, especially for discussion in class; an accompanying reading for each film designed to provide perspective on the film itself.

Cinema for Russian Conversation, Volume 2

Cinema for Russian Conversation, Volume 2 PDF Author: Olga Kagan
Publisher: Hackett Publishing
ISBN: 1585106291
Category : Foreign Language Study
Languages : ru
Pages : 186

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Book Description
Cinema for Russian Conversation covers fourteen Russian language films in two volumes that are used as the basis for discussion and language acquisition, teaching vocabulary, strengthening oral and written skills, and as well as an introduction to Russian culture. The films (arranged in historical order) are selected to provide interesting viewing, key cultural information, and accessible language levels. Each chapter of the book is devoted to a single movie and includes aids for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. Also included: vocabulary helpful to understanding and discussing the film; structured exercises in understanding the film once it has been viewed, especially for discussion in class; an accompanying reading for each film designed to provide perspective on the film itself.

Cinema for Russian conversation

Cinema for Russian conversation PDF Author: Mara Kashper
Publisher:
ISBN:
Category : Motion pictures, Russian
Languages : en
Pages : 194

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Book Description


Kinotalk

Kinotalk PDF Author: Olga Mesropova
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 200

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Book Description


Conversational Russian Dialogues

Conversational Russian Dialogues PDF Author: Touri Language Learning
Publisher: Touri Language Learning
ISBN: 1799274500
Category : Foreign Language Study
Languages : en
Pages : 149

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Book Description
When face-to-face with a real Russian speaker, do you freeze? Do you know how to ask for directions in Russian or communicate if there's an emergency? If your answer to any of the previous questions was 'Yes', then this book is for you! If there's anything more challenging than learning the grammar rules of a new language, it's knowing what to say and having the courage to speak with confidence. We know how you feel - You always try to avoid making embarrassing mistakes or not getting your message through correctly, but it will happen anyway. 'How do I get out of this situation?', You may ask yourself, but have yet to find a straight-forward answer. Until now. We have compiled 50 Russian Stories along with their translations, providing new Russian speakers with the necessary tools to begin effectively studying how to set a meeting, how to check into a hotel and even what to say during an emergency! Our Russian dialogues get straight to the point saving you precious time. There's no benefit learning words and phrases you will never actually use! If you want to learn Russian quickly and have a ton of fun along the way, obviously, this book is for you! How Conversational Russian Dialogues works: • Each new chapter will have a fresh, new story between two or more people who wish to solve a common, day-to-day problem that you will most likely experience in real life. • A Russian version of the conversation will take place first, followed by an English translation. This ensures that you fully understood just what it was that they were saying! • Before and after the main section of the book, we shall provide you with an introduction and conclusion that will offer you important strategies, tips and tricks to allow you to get the absolute most out of this learning material. • That's about it! Simple, useful and incredibly helpful; you will NOT need another conversational Russian book once you have started reading and studying this one! Focus on getting from zero to conversationally fluent, so you can: -Travel or live in Russia or any Russian speaking country without relying on Google Translate -Join Russian conversations with your Russian speaking coworkers, friends, or family members -Date Russian-speakers without embarrassing yourself -Stop getting passed over for jobs or promotions for less-qualified people who are bilingual We want you to feel confident while learning Russian; after all, there should never be a language barrier stopping you from traveling around the world and expanding your social circles! So look no further! Grab your copy of Conversational Russian Dialogues and start learning Russian right now!

A Modernist Cinema

A Modernist Cinema PDF Author: Scott W. Klein
Publisher: Oxford University Press
ISBN: 0190912138
Category : Performing Arts
Languages : en
Pages : 337

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Book Description
In A Modernist Cinema, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors - Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles - these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art of filmmaking; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography.

Inside the Film Factory

Inside the Film Factory PDF Author: Ian Christie
Publisher: Routledge
ISBN: 1134944330
Category : Performing Arts
Languages : en
Pages : 306

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Book Description
This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.

Early Cinema in Russia and its Cultural Reception

Early Cinema in Russia and its Cultural Reception PDF Author: Yuri Tsivian
Publisher: Routledge
ISBN: 1317928377
Category : Performing Arts
Languages : en
Pages : 298

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Book Description
This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

A History of Russian Cinema

A History of Russian Cinema PDF Author: Birgit Beumers
Publisher: Berg Publishers
ISBN:
Category : History
Languages : en
Pages : 344

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Book Description
Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.

Joseph Losey

Joseph Losey PDF Author: Colin Gardner
Publisher: Manchester University Press
ISBN: 1526141566
Category : Performing Arts
Languages : en
Pages : 328

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Book Description
The career of Wisconsin-born Joseph Losey spanned over four decades and several countries. A self-proclaimed Marxist and veteran of the 1930s Soviet agit-prop theater, he collaborated with Bertholt Brecht before directing noir B-pictures in Hollywood. A victim of McCarthyism, he later crossed the Atlantic to direct a series of seminal British films such as "Time Without Pity," "Eve," "The Servant," and "The Go-Between," which mark him as one of the cinema's greatest baroque stylists. His British films reflect on exile and the outsider's view of a class-bound society in crisis through a style rooted in the European art house tradition of Resnais and Godard. Gardner employs recent methodologies from cultural studies and poststructural theory, exploring and clarifying the films' uneasy tension between class and gender, and their explorations of fractured temporality.