Chromaticism in the English Madrigal PDF Download
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Author: Kian-Seng Teo
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 378
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Book Description
Author: Kian-Seng Teo
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 378
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Book Description
Author: Susan Lewis Hammond
Publisher: Routledge
ISBN: 1135966990
Category : Music
Languages : en
Pages : 376
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Book Description
The Madrigal: A Research and Information Guide is the first comprehensive annotated bibliography of scholarship on virtually all aspects of madrigal composition, production, and consumption. It contains 1,237 entries for items in English, French, German, and Italian. Scholars, students, teachers, librarians, and performers now have access to this rich literature in a single volume.
Author: Edmund Horace Fellowes
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 380
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Book Description
Author: Richard Turbet
Publisher: Routledge
ISBN: 0415943019
Category : Music
Languages : en
Pages : 350
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Book Description
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Edmund H. Fellowes
Publisher: London : Oxford University Press
ISBN:
Category : Composers
Languages : en
Pages : 120
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Book Description
Author: Richard Turbet
Publisher: Routledge
ISBN: 1000143589
Category : Music
Languages : en
Pages : 350
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Book Description
This book surveys the most significant published materials relating to William Byrd. It presents a collection of all-new original essays covering everything from feminist to postcolonial readings of his play as well as source queries and analysis of historical performances of the play.
Author: Edmund Horace Fellowes
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages : 220
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Book Description
Author: Susan McClary
Publisher: University of California Press
ISBN: 0520314255
Category : Music
Languages : en
Pages : 386
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Book Description
In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.
Author: Andrew Woolley
Publisher: Routledge
ISBN: 1317113551
Category : Music
Languages : en
Pages : 334
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Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Author: Murray Steib
Publisher: Routledge
ISBN: 1135942692
Category : Music
Languages : en
Pages : 2624
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Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
