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Author: Peter Ninaus
Publisher: BoD – Books on Demand
ISBN: 3755797615
Category : Music
Languages : en
Pages : 334
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Book Description
The term choro is a complex expression of a genre, a style and a cast. This diversity is complemented by regionality and forms a special appearance with the choro tradition in the Brazilian state of Maranhão. This work represents the first attempt to systematically explore this choro and to open it as a contribution to the basic research aboutthe music in Maranhão. This Choro Maranhense is a living tradition that is very receptive to neighboring styles of music and sets itself apart from other choro styles in Brazil in its musical practice. The practice of this music of the Northeast has a long history and was influential for the entire music of the country. Notwithstanding the dispute of domination between the centers of Rio de Janeiro and São Paulo in the southeast and the centers of the northeast, such as São Luís and Maranhão, the studies show that this choro has many variations and imitations of the folklore of Maranhão, such as Bumba-meu-Boi or Lelê, which give this choro tradition a completely different picture in comparison to the classical models of Pixinguinha. This work is intended as a basis for further research and as a contribution to the study of music in northeastern Brazil.
Author: Peter Ninaus
Publisher: BoD – Books on Demand
ISBN: 3755797615
Category : Music
Languages : en
Pages : 334
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Book Description
The term choro is a complex expression of a genre, a style and a cast. This diversity is complemented by regionality and forms a special appearance with the choro tradition in the Brazilian state of Maranhão. This work represents the first attempt to systematically explore this choro and to open it as a contribution to the basic research aboutthe music in Maranhão. This Choro Maranhense is a living tradition that is very receptive to neighboring styles of music and sets itself apart from other choro styles in Brazil in its musical practice. The practice of this music of the Northeast has a long history and was influential for the entire music of the country. Notwithstanding the dispute of domination between the centers of Rio de Janeiro and São Paulo in the southeast and the centers of the northeast, such as São Luís and Maranhão, the studies show that this choro has many variations and imitations of the folklore of Maranhão, such as Bumba-meu-Boi or Lelê, which give this choro tradition a completely different picture in comparison to the classical models of Pixinguinha. This work is intended as a basis for further research and as a contribution to the study of music in northeastern Brazil.
Author: Tamara Elena Livingston
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
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Book Description
The first book in English to explore Brazilian choro.
Author:
Publisher:
ISBN:
Category : Geography
Languages : en
Pages : 720
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Book Description
Author: John Shepherd
Publisher:
ISBN:
Category : Popular music
Languages : en
Pages : 408
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Book Description
See:
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 594
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Book Description
Author: Ricardo Cravo Albin
Publisher: Fundacao Nacional de Arte, Funarte
ISBN:
Category : Music
Languages : pt-BR
Pages : 460
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Book Description
Author: Library of Congress. Library of Congress Office, Brazil
Publisher:
ISBN:
Category : Brazil
Languages : pt-BR
Pages : 104
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Book Description
Author: Fátima Quintas
Publisher:
ISBN:
Category : Afro-Brazilian cults
Languages : pt-BR
Pages : 426
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Book Description
Author: Emily I. Dolan
Publisher: Oxford University Press
ISBN: 0190637250
Category : Music
Languages : en
Pages : 740
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Book Description
Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.
Author:
Publisher:
ISBN:
Category : Arts, Brazilian
Languages : pt-BR
Pages : 534
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Book Description
