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Author:
Publisher:
ISBN:
Category : Performing arts
Languages : en
Pages :
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Material in the Australian performing arts programs and ephemera (PROMPT) collection consists of programs and related items for Australian performing arts organisations, Australian artists performing overseas, professional productions performed in Australia (including those featuring overseas performers) and overseas performances of Australian plays, music, etc.
Author:
Publisher:
ISBN:
Category : Performing arts
Languages : en
Pages :
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Book Description
Material in the Australian performing arts programs and ephemera (PROMPT) collection consists of programs and related items for Australian performing arts organisations, Australian artists performing overseas, professional productions performed in Australia (including those featuring overseas performers) and overseas performances of Australian plays, music, etc.
Author: Gabriel Harris
Publisher: Xulon Press
ISBN: 9781498460231
Category : Drama
Languages : en
Pages : 156
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The Church has always been a hospital for those with a spiritual need, who desire for their broken lives to be healed, but what happens when the head of the church becomes corrupt? This is one such story of a pastor who became corrupt, and through his conceit, he formed a choir of one hundred voices to glorify his own talents. No one was able to stand against him, until one day when a very bright young man who was sent by God himself, showed up with a choir which consisted of one thousand voices, and was able to stand against him, and outnumber him ten times over. Be prepared to be taken to a small town called Showville, where you will find a story of love, hope; despair, and disappointment; and after many tribulations, ultimate victory!
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 850
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Author: Thomas Pooley
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 305
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Mzilikazi Khumalo (1932-2021), an iconic figure in choral music in South Africa, rose to prominence as one of Africa's leading composers of art music. This is a work of music history. Biographical essays on Khumalo's major works, including those for choir, orchestra, and opera are complemented by contextual studies of his compositions and arrangements as well as reflections on his roles as editor, conductor, and music director. Specifically in the context of South Africa's cultural and political transition from Apartheid to democracy, Khumalo's key role in establishing the Nation Building Massed Choir Festival, a multi-racial institution that forged an inclusive space for music, in the 1980s is discussed as evidence of his importance and relevance in South African culture. Khumalo's major works are studied in relation to contemporary art music, choral composition, and traditional song. These are UShaka KaSenzangakhona (1996), an African epic, and Princess Magogo KaDinuzulu (2002), one of the first indigenous African operas. Khumalo's artistic collaborators provide insight into their experiences working on these major projects, documenting the relationships the composer cultivated with his peers. This volume addresses a lacuna in the literature on South African art music which until recently tended to focus on works in the classical tradition and shows that Khumalo is a composer without peer in his synthesis of classical and choral, traditional and contemporary.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 468
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Author:
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ISBN:
Category : Music
Languages : en
Pages : 354
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ISBN:
Category : Music
Languages : en
Pages : 1208
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ISBN:
Category : Church music
Languages : en
Pages : 300
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Author: Ursula Geïsler
Publisher: Cambridge Scholars Publishing
ISBN: 144386904X
Category : Music
Languages : en
Pages : 295
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What role does contemporary choral activity play in the construction of social and musical meaning? How can historical knowledge and analysis shed light on contemporary choral problems and possibilities? And how can choral research promote the development and expansion of new music today? Questions like these are addressed in this anthology from a wide range of disciplines and perspectives. The book comprises a selection of papers presented at the International Conference on the Concepts and Practices of Choral Singing in Lund, Sweden, in October 2012. The aim of the conference was to highlight the contemporary dynamic developments in choral research, and to explore interdisciplinary investigations and interaction between practice-based and historical approaches. The conference was also the fourth meeting of the network “Choir in Focus”, which was initiated in 2009 at Southern Choral Centre (Körcentrum Syd), a joint venture between Malmö Academy of Music, the Department of Musicology, Odeum (all at Lund University), Malmö Symphony Orchestra and Music South (Musik i Syd), Sweden. The continuous ambition of the network has been to provide a forum for co-operation across national and disciplinary borders and to encourage debates around the musical and social function of choirs in modern society as mirroring collective and individual needs for meaning, music-making and well-being. In the introductory chapter, the editors describe choral practice as a field of simultaneous (re)presentation, (re)production and (re)creation, and suggest that these three aspects may be seen as umbrella themes for the fifteen chapters of the anthology. The authors come from Sweden, Norway, Finland, Estonia, Germany, United Kingdom, Portugal and Belgium, and explore choral practice from differing theoretical and methodological starting points. Together, they contribute to a transdisciplinary discussion about the origins, functions and meanings of choral singing.
Author:
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ISBN:
Category : Music
Languages : en
Pages : 1070
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