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Author: 杭间
Publisher: 中信出版社
ISBN: 9787508509631
Category : Education
Languages : en
Pages : 166
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Book Description
Also part of the Cultural China Series, this volume introduces the history and development of the traditional arts and crafts, and how these apply to many fields such as utensil, apparel, furnishings, adornment, entertainment, and commerce. Vivid color illustrations and photographs throughout.
Author: Jian Hang
Publisher: Cambridge University Press
ISBN: 9780521186551
Category : Art
Languages : en
Pages : 202
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Book Description
Chinese arts and crafts enjoy a unique reputation in the history of material culture and civilisation. For several thousand years, crafts have echoed the rhythm of daily life in China. From rural society to the imperial court, these crafts have served a practical purpose, constantly evolving with changes in lifestyle. In this illustrated introduction Hang Jian and Guo Qiuhui discuss the colorful history and development of distinctive Chinese crafts, including ceramics, furniture, clothing and decorative arts.
Author: 杭间
Publisher: 中信出版社
ISBN: 9787508509631
Category : Education
Languages : en
Pages : 166
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Book Description
Also part of the Cultural China Series, this volume introduces the history and development of the traditional arts and crafts, and how these apply to many fields such as utensil, apparel, furnishings, adornment, entertainment, and commerce. Vivid color illustrations and photographs throughout.
Author: Shen Min
Publisher: Shanghai Press
ISBN: 9781602201323
Category : Art
Languages : en
Pages : 128
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Book Description
An exploration of Chinese art and culture, Bamboo in China shines a light on this relatively unknown craft. The noted British scholar Joseph Needham concluded from his thorough study of the history of Chinese science and technology that the "East Asian civilization is none other than a bamboo civilization" and China is just the cradle of that bamboo civilization. Since bamboo has been used for thousands of years in China and in many aspects of daily life, it became an influential part of the Chinese culture. With the tributes to bamboo and the extolling of its strengths, it was further blended into China's Confucian, Buddhist and Taoist thinking to give birth to a cultural phenomenon uniquely Chinese that has since spread far and wide. This beautifully illustrated book presents a vivid history of bamboo in China: The uses of bamboo in daily life, production, musical instruments, transportation, architecture and landscaping, hydraulic engineering and the military Traditional treatments of bamboo by Chinese artisans, including two main artistic processing techniques. Bamboo wares with a unique Chinese flavor such as fans, oilpaper umbrellas, and mats and curtains
Author: Hilda Arthurs Strong
Publisher:
ISBN:
Category : Art objects, Chinese
Languages : en
Pages : 308
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Book Description
Author:
Publisher:
ISBN:
Category : Art industries and trade
Languages : en
Pages : 224
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Book Description
Author: Hua Jueming
Publisher: Springer Nature
ISBN: 9811953791
Category : History
Languages : en
Pages : 1185
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Book Description
This book systematically introduces readers to traditional Chinese handicrafts, which are original, distinct, and have had major impacts in China and around the globe. It explores 14 different types of handicraft, and provides a clear definition, detailed information on the techniques, and extensive discussion of each. Readers will not only learn the fascinating stories behind traditional Chinese handicrafts, but also be inspired by the great Chinese handicraftsmen’s inherent spirit of innovation and creativity.
Author: American Woman's Club, Shanghai, China
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 242
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Book Description
Author: Cao Xiao’ou
Publisher: Springer Nature
ISBN: 9819998999
Category :
Languages : en
Pages : 316
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Book Description
Author: Xifan Li
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110790947
Category : Art
Languages : en
Pages : 664
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Book Description
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Author: Jeanne Boden
Publisher: PUNCT
ISBN: 9464590327
Category : Art
Languages : en
Pages : 249
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Book Description
In the early 1990s artist Xu Bing stamped two pigs with respectively nonsensical Latin words and fake Chinese characters and allowed them to mate in an art gallery. The performance of ‘two creatures, devoid of human consciousness, yet carrying on their bodies the marks of human civilization’, engaging in the ‘most primal form of social intercourse’ confronted the public with the tension between nature and civilization. The work also addresses the tension between China and the West and therefore perfectly fits the core message of this book. Contemporary art in China takes place in a post-socialist (post-Mao) context, and at the same time a post-traditional one, searching for balance between aesthetic legacy and modernization. It also tries to find its position in the post-colonial globalized arena. This book explores the tension between individual artistic freedom and a dominant discourse of central Chinese government, between China’s cultural legacy and modernization, and between China and a global art world still dominated by a Western canon. As a case study it focuses on the artists who participated in the Venice Biennale in 1993, which was the first time contemporary art from mainland China was structurally invited to participate in a global art context. Jeanne Boden has a PhD in Oriental Languages and Cultures. Her research focuses on Eurocentrism, Sinocentrism and contemporary Chinese art. (jeanneboden.com) Cover picture: Xu Bing, A Case Study of Transference, 1993-94
