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Author: Cheryl Ganz
Publisher: University of Illinois Press
ISBN: 0252078527
Category : History
Languages : en
Pages : 270
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Book Description
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
Author: Cheryl Ganz
Publisher: University of Illinois Press
ISBN: 0252078527
Category : History
Languages : en
Pages : 270
Get Book Here
Book Description
Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. But not everyone at Chicago's 1933 exposition had abandoned notions of progress that entailed social justice and equality, recognition of ethnicity and gender, and personal freedom and expression. The fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of other exceptional individuals, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. Cheryl R. Ganz offers the stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression. This engaging history also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other it
Author: Bill Cotter
Publisher: Arcadia Publishing
ISBN: 1439649472
Category : Photography
Languages : en
Pages : 128
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Book Description
It took six years and cost $100 million, but on May 27, 1933, the gates swung open on the biggest birthday party the city of Chicago had ever seen. The Century of Progress Exposition, better known as the 1933-34 Chicago World's Fair, commemorated the amazing progress that had been made since the founding of the city just 100 years earlier. Many of America's largest companies joined with countries from around the world to showcase their histories and advertise their newest products. The road to opening day was not an easy one, with the Great Depression making it look like the fair might never be built, but thousands of small investors stepped forward to help close the financial gap. The fair went on to an unprecedented second season, and when the gates finally closed after the last of the 39 million visitors went home, it had achieved something quite rare among world's fairs: earning a profit. This collection of rare photographs, previously unpublished, highlights the major attractions of the fair and the astonishing changes made between seasons.
Author: William Elliott Hazelgrove
Publisher: Rowman & Littlefield
ISBN: 1442272279
Category : True Crime
Languages : en
Pages : 281
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Book Description
Al Capone and the 1933 World’s Fair: The End of the Gangster Era in Chicago is a historical look at Chicago during the darkest days of the Great Depression. The story of Chicago fighting the hold that organized crime had on the city to be able to put on The 1933 World's Fair. William Hazelgrove provides the exciting and sprawling history behind the 1933 World's Fair, the last of the golden age. He reveals the story of the six millionaire businessmen, dubbed The Secret Six, who beat Al Capone at his own game, ending the gangster era as prohibition was repealed. The story of an intriguing woman, Sally Rand, who embodied the World's Fair with her own rags to riches story and brought sex into the open. The story of Rufus and Charles Dawes who gave the fair a theme and then found financing in the worst economic times the country had ever experienced. The story of the most corrupt mayor of Chicago, William Thompson, who owed his election to Al Capone; and the mayor who followed him, Anton Cermak, who was murdered months before the fair opened by an assassin many said was hired by Al Capone. But most of all it’s the story about a city fighting for survival in the darkest of times; and a shining light of hope called A Century of Progress.
Author: Howard M. Rossen
Publisher: Schiffer Publishing
ISBN: 9780764304606
Category : History
Languages : en
Pages : 0
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Book Description
Two landmark World's Fairs, 1933 in Chicago and 1939 in New York, remembered by their souvenirs and promotional items. Tour each, see the thrilling Skyride of 1933 and the towering Trylon of 1939. Color photographs illustrate the vast array of posters, souvenirs, and memorabilia depicting attractions and exhibits from both fairs.
Author: Robert W. Rydell
Publisher:
ISBN: 9780300149579
Category : Century of Progress International Exposition
Languages : en
Pages : 0
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Book Description
Based on an exhibition held at the National Building Museum, Washington, DC, October 2010-July 2011.
Author: Lisa Diane Schrenk
Publisher:
ISBN: 9780816648368
Category : Architecture
Languages : en
Pages : 357
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Book Description
From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago's second World's Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated Building a Century of Progress, Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World's Fair in modern American architecture. She recounts how the exposition's architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair's pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls' designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, Building a Century of Progress captures a crucial moment in American modernism. Lisa D. Schrenk is assistant professor of architecture and art history at Norwich University and former education director of the Frank Lloyd Wright Home and Studio Foundation.
Author: Merikay Waldvogel
Publisher: Thomas Nelson Publishers
ISBN: 9781558532571
Category : Century of Progress International Exposition
Languages : en
Pages : 0
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Book Description
The contest was not without its controversy. When it was announced, rules stated that preference would be given to quilts which developed the Century of Progress theme. However, when the prizes were awarded, commemorative quilts were ignored in favor of traditional patterns. Disgruntled contestants complained to Sears that the judges were biased in favor of tradition. The winning quilt, called the Unknown Star, was entered by Margaret Rogers Caden of Lexington, Kentucky. Much of the work on Ms. Caden's quilt was done by seamstresses who sewed for hire, in violation of contest rules.
Author: Robert W. Rydell
Publisher: University of Chicago Press
ISBN: 0226732371
Category : History
Languages : en
Pages : 281
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Book Description
In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.
Author: Mark Bussler
Publisher: Independently Published
ISBN: 9781098589745
Category :
Languages : en
Pages : 242
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Book Description
A Century of Progress, a millennium of Chicago. Chicago was no stranger to World's Fairs. The Windy City hosted the great 1893 World's Fair at the end of the 19th century, the fair which introduced the Ferris Wheel and electric lights on a grand scale to the world. Forty years later Chicago would try to one-up itself and celebrate the city's 100 year anniversary with The Sky RIde, art deco styling, the Sinclair Dinosaurs, Hall of Science, and creative applications of lighting that stunned millions of visitors. A Century of Progress heralded not just Chicago's history but also the past several decades of American advancement in electricity, transportation, agriculture, science, medicine, art, movies, and architecture. It was said that "if Washington could return to our land of railroads and steamboats and airplanes and electricity and telephones and radios and the myriad products of physics and chemistry and biology and geology, he would think that by some magic he had been transported to some marvelous fairyland." Written and designed by filmmaker and photographer, Mark Bussler (Expo: Magic of the White City, The 1893 World's Fair Ultra Massive Photographic Adventure Series and San Francisco 1915 World's Fair: The Panama-Pacific International Exposition) Chicago 1933 World's Fair: A Century of Progress in Photographs collects a wealth of stunning amateur, professional, and press photographs that chronicle this incredible event. Learn about the construction of the fair, the styling, the buildings, funding, and the fairgoers' experience of a lifetime! Chapter List: 010 - Introduction 014 - Chicago 1933 029 - The Fairgrounds 040 - Hall Of Science 059 - Administration Building 064 - Avenue of Flags 071 - U.S. Government Building and Hall of States 094 - The Sky Ride 108 - The Adler Planetarium 114 - Travel and Transport Building 124 - Electrical Building 142 - Company Buildings 166 - The Sinclair Dinosaurs 172 - Other Sights and Sounds
Author: Joseph M. Di Cola
Publisher: Arcadia Publishing
ISBN: 0738594415
Category : Architecture
Languages : en
Pages : 130
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Book Description
What came to be known as the World s Columbian Exposition was planned to commemorate the 400th anniversary of Christopher Columbus s 1492 landfall in the New World. Chicago beat out New York City, St. Louis, Missouri, and Washington, DC, in its bid as host a coup for the Windy City. The site finally selected for the fair was Jackson Park, originally designed by Frederick Law Olmsted and Calvert Vaux, a marshy area covered with dense, wild vegetation. Daniel H. Burnham and John W. Root were selected as chief architects, creating the famous White City. The fair featured several different thematic areas: the Great Buildings, Foreign Buildings, State Buildings, and the Midway Plaisance, a nearly mile-long area that featured exotic exhibits. The exposition also showcased the world s first Ferris Wheel and introduced fairgoers to new sensations like Cracker Jack, Pabst Beer, and ragtime music. The World s Columbian Exposition, covering 633 acres, opened on May 1, 1893. Admission prices were 50cents for adults, 25cents for children under 12 years of age, and free for children under six. Unfortunately, by 1896, most of the fair s buildings had been removed or destroyed, but this collection takes readers on a tour of the grounds as they looked in 1893."
