Author: Paul Cézanne
Publisher: Yale University Press
ISBN: 9780300147155
Category : Art, American
Languages : en
Pages : 0
Book Description
The first in-depth look at Cézanne's powerful influence in shaping early 20th-century American art Paul Cézanne (1839-1906) is one of the great geniuses in the history of art, and his work has influenced a multitude of artists throughout Europe. Across the Atlantic, Cézanne's paintings had a similarly catalytic effect on artists emerging in the United States during the early 20th century. Cézanne and American Modernism is the first book devoted specifically to his impact on American art and its eager reception there. It shows how American painters and photographers cemented Cézanne's legacy by spreading their respect and admiration for his vision with their own art, writings, and exhibitions. Examining Cézanne's influence on more than a generation of American artists, this handsomely illustrated book features paintings and photography by Paul Strand, Marsden Hartley, Man Ray, Alfred Stieglitz, Charles Demuth, Arshile Gorky, Charles Sheeler, Stanton Macdonald-Wright, Maurice Prendergast, Morgan Russell, Max Weber, and many others. Cézanne's far-reaching transformative impact on each artist's aesthetic vision is explored, while extensive essays shed new light on a wide range of subjects from American collectors of his work and his shaping of modernism in the American West to the lasting resonance of his art on Abstract Expressionism in the 1950s. Published in association with The Baltimore Museum of Art Exhibition Schedule: Montclair Art Museum (9/13/09 - 1/3/10) The Baltimore Museum of Art (2/14/10 - 5/23/10) Phoenix Art Museum (6/26/10 - 9/26/10)
Cézanne and American Modernism
Author: Paul Cézanne
Publisher: Yale University Press
ISBN: 9780300147155
Category : Art, American
Languages : en
Pages : 0
Book Description
The first in-depth look at Cézanne's powerful influence in shaping early 20th-century American art Paul Cézanne (1839-1906) is one of the great geniuses in the history of art, and his work has influenced a multitude of artists throughout Europe. Across the Atlantic, Cézanne's paintings had a similarly catalytic effect on artists emerging in the United States during the early 20th century. Cézanne and American Modernism is the first book devoted specifically to his impact on American art and its eager reception there. It shows how American painters and photographers cemented Cézanne's legacy by spreading their respect and admiration for his vision with their own art, writings, and exhibitions. Examining Cézanne's influence on more than a generation of American artists, this handsomely illustrated book features paintings and photography by Paul Strand, Marsden Hartley, Man Ray, Alfred Stieglitz, Charles Demuth, Arshile Gorky, Charles Sheeler, Stanton Macdonald-Wright, Maurice Prendergast, Morgan Russell, Max Weber, and many others. Cézanne's far-reaching transformative impact on each artist's aesthetic vision is explored, while extensive essays shed new light on a wide range of subjects from American collectors of his work and his shaping of modernism in the American West to the lasting resonance of his art on Abstract Expressionism in the 1950s. Published in association with The Baltimore Museum of Art Exhibition Schedule: Montclair Art Museum (9/13/09 - 1/3/10) The Baltimore Museum of Art (2/14/10 - 5/23/10) Phoenix Art Museum (6/26/10 - 9/26/10)
Publisher: Yale University Press
ISBN: 9780300147155
Category : Art, American
Languages : en
Pages : 0
Book Description
The first in-depth look at Cézanne's powerful influence in shaping early 20th-century American art Paul Cézanne (1839-1906) is one of the great geniuses in the history of art, and his work has influenced a multitude of artists throughout Europe. Across the Atlantic, Cézanne's paintings had a similarly catalytic effect on artists emerging in the United States during the early 20th century. Cézanne and American Modernism is the first book devoted specifically to his impact on American art and its eager reception there. It shows how American painters and photographers cemented Cézanne's legacy by spreading their respect and admiration for his vision with their own art, writings, and exhibitions. Examining Cézanne's influence on more than a generation of American artists, this handsomely illustrated book features paintings and photography by Paul Strand, Marsden Hartley, Man Ray, Alfred Stieglitz, Charles Demuth, Arshile Gorky, Charles Sheeler, Stanton Macdonald-Wright, Maurice Prendergast, Morgan Russell, Max Weber, and many others. Cézanne's far-reaching transformative impact on each artist's aesthetic vision is explored, while extensive essays shed new light on a wide range of subjects from American collectors of his work and his shaping of modernism in the American West to the lasting resonance of his art on Abstract Expressionism in the 1950s. Published in association with The Baltimore Museum of Art Exhibition Schedule: Montclair Art Museum (9/13/09 - 1/3/10) The Baltimore Museum of Art (2/14/10 - 5/23/10) Phoenix Art Museum (6/26/10 - 9/26/10)
Paul Cézanne, 1839-1906
Author: Ulrike Becks-Malorny
Publisher: Taschen
ISBN: 9783822856420
Category : Art
Languages : en
Pages : 102
Book Description
From banker to painter - Cezanne and the Impressionists - Harmony in parallel with nature - Still lifes - Mont Saint-Victoire - Latter years.
Publisher: Taschen
ISBN: 9783822856420
Category : Art
Languages : en
Pages : 102
Book Description
From banker to painter - Cezanne and the Impressionists - Harmony in parallel with nature - Still lifes - Mont Saint-Victoire - Latter years.
Marsden Hartley and the West
Author: Heather Hole
Publisher: Yale University Press
ISBN: 9780300121490
Category : Art
Languages : en
Pages : 200
Book Description
A revelatory look at Hartley's New Mexico landscapes and the darker side of postwar American modernism Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.
Publisher: Yale University Press
ISBN: 9780300121490
Category : Art
Languages : en
Pages : 200
Book Description
A revelatory look at Hartley's New Mexico landscapes and the darker side of postwar American modernism Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.
American Modernism
Author: Charles Brock
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Unknown countries : early American modernism and the Shein collection / Charles Brock -- Catalogue -- "Find the right people and listen" : evolution of a collection / Nancy Anderson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
Book Description
Unknown countries : early American modernism and the Shein collection / Charles Brock -- Catalogue -- "Find the right people and listen" : evolution of a collection / Nancy Anderson
CŽzanne, Murder, and Modern Life
Author: AndrŽ Dombrowski
Publisher: Univ of California Press
ISBN: 0520273397
Category : Art
Languages : en
Pages : 320
Book Description
"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance
Publisher: Univ of California Press
ISBN: 0520273397
Category : Art
Languages : en
Pages : 320
Book Description
"Cézanne, Murder and Modern Life changes the way we think about—and see—Cézanne’s entire oeuvre. Dombrowski’s arguments are convincing and bold, especially on the theme of murder as a vehicle for representation. Modern Olympia has never before been so satisfactorily analyzed." Susan Sidlauskus, Rutgers University, author of Cezanne's Other: The Portraits of Hortense “Exciting and intelligent, Cézanne, Murder, and Modern Life will be important for modernists, and essential for scholars of Cézanne, early Impressionism, and painting in the 1860s. Dombrowski shows us a Cézanne we did not know.” Nancy Locke, author of Manet and the Family Romance
The H.D. Book
Author: Robert Duncan
Publisher: Univ of California Press
ISBN: 0520272625
Category : Literary Collections
Languages : en
Pages : 694
Book Description
"What began in 1959 as a simple homage to the modernist poet H.D. (Hilda Doolittle) developed into an expansive and unique quest for a poetics that would fuel Duncan's great work into the 1960s and 1970s. A meditation on both the roots of modernism and its manifestation in the writings of H.D., Djuna Barnes, Ezra Pound, D.H. Lawrence, Gertrude Stein, William Carlos Williams, Virginia Woolf, and many others, Duncan's wide-ranging work is especially notable for illuminating the role women played in creating literary modernism"--From publisher description.
Publisher: Univ of California Press
ISBN: 0520272625
Category : Literary Collections
Languages : en
Pages : 694
Book Description
"What began in 1959 as a simple homage to the modernist poet H.D. (Hilda Doolittle) developed into an expansive and unique quest for a poetics that would fuel Duncan's great work into the 1960s and 1970s. A meditation on both the roots of modernism and its manifestation in the writings of H.D., Djuna Barnes, Ezra Pound, D.H. Lawrence, Gertrude Stein, William Carlos Williams, Virginia Woolf, and many others, Duncan's wide-ranging work is especially notable for illuminating the role women played in creating literary modernism"--From publisher description.
Foursome
Author: Carolyn Burke
Publisher: Knopf
ISBN: 0307957292
Category : Biography & Autobiography
Languages : en
Pages : 457
Book Description
A captivating, spirited account of the intense relationship among four artists whose strong personalities and aesthetic ideals drew them together, pulled them apart, and profoundly influenced the very shape of twentieth-century art. New York, 1921: acclaimed photographer Alfred Stieglitz celebrates the success of his latest exhibition—the centerpiece, a series of nude portraits of his soon-to-be wife, the young Georgia O'Keeffe. The exhibit acts as a turning point for the painter poised to make her entrance into the art scene. There she meets Rebecca Salsbury, the fiancé of Stieglitz’s protégé, Paul Strand, marking the start of a bond between the couples that will last more than a decade and reverberate throughout their lives. In the years that followed, O'Keeffe and Stieglitz become the preeminent couple in American modern art, spurring on each other's creativity. Observing their relationship leads Salsbury to encourage new artistic possibilities for Strand and to rethink her own potential as an artist.
Publisher: Knopf
ISBN: 0307957292
Category : Biography & Autobiography
Languages : en
Pages : 457
Book Description
A captivating, spirited account of the intense relationship among four artists whose strong personalities and aesthetic ideals drew them together, pulled them apart, and profoundly influenced the very shape of twentieth-century art. New York, 1921: acclaimed photographer Alfred Stieglitz celebrates the success of his latest exhibition—the centerpiece, a series of nude portraits of his soon-to-be wife, the young Georgia O'Keeffe. The exhibit acts as a turning point for the painter poised to make her entrance into the art scene. There she meets Rebecca Salsbury, the fiancé of Stieglitz’s protégé, Paul Strand, marking the start of a bond between the couples that will last more than a decade and reverberate throughout their lives. In the years that followed, O'Keeffe and Stieglitz become the preeminent couple in American modern art, spurring on each other's creativity. Observing their relationship leads Salsbury to encourage new artistic possibilities for Strand and to rethink her own potential as an artist.
Cézanne and America
Author: John Rewald
Publisher: Princeton University Press
ISBN: 0691252270
Category : Art
Languages : en
Pages : 352
Book Description
The classic work by internationally acclaimed Cézanne scholar John Rewald In Cézanne and America, John Rewald presents a full account of how Paul Cézanne’s reputation and influence became established in America between 1891 and 1921, and of how some of the world’s largest collections of his works were formed in the United States. This is the fascinating story of enthusiastic young American artists who took up Cézanne’s cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work—Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others—many of whom made their first purchases from Cézanne’s wily dealer Ambroise Vollard in Paris, or from the dealer Alfred Stieglitz in New York, and of the beginning of the famous collection of Dr. Albert C. Barnes. Each chapter is illustrated not only with Cézanne’s works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers’ ledgers, and Cézanne’s own correspondence.
Publisher: Princeton University Press
ISBN: 0691252270
Category : Art
Languages : en
Pages : 352
Book Description
The classic work by internationally acclaimed Cézanne scholar John Rewald In Cézanne and America, John Rewald presents a full account of how Paul Cézanne’s reputation and influence became established in America between 1891 and 1921, and of how some of the world’s largest collections of his works were formed in the United States. This is the fascinating story of enthusiastic young American artists who took up Cézanne’s cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work—Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others—many of whom made their first purchases from Cézanne’s wily dealer Ambroise Vollard in Paris, or from the dealer Alfred Stieglitz in New York, and of the beginning of the famous collection of Dr. Albert C. Barnes. Each chapter is illustrated not only with Cézanne’s works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers’ ledgers, and Cézanne’s own correspondence.
American Modern: Hopper to O'Keeffe
Author: Esther Adler
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Cézanne's Gravity
Author: Carol Armstrong
Publisher: Yale University Press
ISBN: 0300232713
Category : Art
Languages : en
Pages : 293
Book Description
A transformative study, freeing the artist from outdated art historical narratives and revealing his work as newly strange again Cézanne’s Gravity is an ambitious reassessment of the paintings of Paul Cézanne (1839–1906). Whereas previous studies have often looked at the artist’s work for its influence on his successors and on the development of abstraction, Carol Armstrong untethers it from this timeline, examining Cézanne’s painting as a phenomenological and intellectual endeavor. Armstrong uses an interdisciplinary approach to analyze Cézanne’s work, pairing the painter with artists and thinkers who came after him, including Roger Fry, Virginia Woolf, Albert Einstein, Maurice Merleau-Ponty, Rainer Maria Rilke, R. D. Laing, and Helen Frankenthaler. Through these pairings, Armstrong addresses diverse subjects that illuminate Cézanne’s painting, from the nonlinear narratives of modernist literature and the ways in which space and time act on objects, to color sensation and the schizophrenic mind. Cézanne’s Gravity attends to both the physicality of the artist’s works and the weight they bear on the history of art. This distinctive study not only invites its readers to view Cézanne’s paintings with fresh eyes but also offers a new methodology for art historical inquiry outside linear narratives, one truly fitting for our time.
Publisher: Yale University Press
ISBN: 0300232713
Category : Art
Languages : en
Pages : 293
Book Description
A transformative study, freeing the artist from outdated art historical narratives and revealing his work as newly strange again Cézanne’s Gravity is an ambitious reassessment of the paintings of Paul Cézanne (1839–1906). Whereas previous studies have often looked at the artist’s work for its influence on his successors and on the development of abstraction, Carol Armstrong untethers it from this timeline, examining Cézanne’s painting as a phenomenological and intellectual endeavor. Armstrong uses an interdisciplinary approach to analyze Cézanne’s work, pairing the painter with artists and thinkers who came after him, including Roger Fry, Virginia Woolf, Albert Einstein, Maurice Merleau-Ponty, Rainer Maria Rilke, R. D. Laing, and Helen Frankenthaler. Through these pairings, Armstrong addresses diverse subjects that illuminate Cézanne’s painting, from the nonlinear narratives of modernist literature and the ways in which space and time act on objects, to color sensation and the schizophrenic mind. Cézanne’s Gravity attends to both the physicality of the artist’s works and the weight they bear on the history of art. This distinctive study not only invites its readers to view Cézanne’s paintings with fresh eyes but also offers a new methodology for art historical inquiry outside linear narratives, one truly fitting for our time.