Author: Burns Club of Atlanta
Publisher:
ISBN:
Category :
Languages : en
Pages : 4

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Author: Capitol Centennial Committee (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 54

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Author: Duncan S. Walker
Publisher:
ISBN:
Category : Washington, D.C
Languages : en
Pages : 220

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Author: Pennsylvania. Capitol Preservation Committee
Publisher:
ISBN:
Category : Cornerstone laying
Languages : en
Pages : 12

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Author: Ohio. Perry's Victory Centennial Commission
Publisher:
ISBN:
Category : Lake Erie, Battle of, 1813
Languages : en
Pages :

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Book Description
Contains an invitation to the cornerstone laying ceremony of the Perry Victory Memorial and the banquet that followed. This memorial was constructed in observance of the 100th anniversary of Oliver Perry's victory in the battle of Lake Erie during the War of 1812.

Author:
Publisher:
ISBN:
Category : Herkimer County (N.Y.)
Languages : en
Pages : 152

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Author: California. Legislature. Assembly
Publisher:
ISBN:
Category : California
Languages : en
Pages : 1836

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Author: Dwight L. Smith
Publisher: Lulu.com
ISBN: 1387819925
Category : History
Languages : en
Pages : 596

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Book Description
'Goodly Heritage' by Dwight L. Smith is the most comprehensive historical account ever written about the Freemasons in the state of Indiana. It was originally published in 1968 in conjunction with the 150th anniversary of the January 1818 founding of the Grand Lodge of Indiana F&AM in Madison, and is widely considered to be the most authoritative historical reference work for the state's fraternity. It contains a wealth of early photographs of historic lodges and influential men within the Masonic community, along with exhaustive reference lists of lodges, grand lodge officers, and more. This facsimile reprint edition was authorized in 2018 in conjunction with the Grand Lodge's Bicentennial celebration and through the assistance of the Masonic Library and Museum of Indiana, Inc.

Author: Charles V. Heath
Publisher: U of Nebraska Press
ISBN: 0803284225
Category : History
Languages : en
Pages : 233

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Book Description
In the hands of the state, music is a political tool. The Banda de Música del Estado de Oaxaca (State Band of Oaxaca, BME), a civil organization nearly as old as the modern state of Oaxaca itself, offers unique insights into the history of a modern political state. In The Inevitable Bandstand, Charles V. Heath examines the BME’s role as a part of popular political culture that the state of Oaxaca has deployed in an attempt to bring unity and order to its domain. The BME has always served multiple functions: it arose from musical groups that accompanied military forces as they trained and fought; today it performs at village patron saint days and at Mexico’s patriotic celebrations, propagating religions both sacred and civic; it offers education in the ways of liberal democracy to its population, once largely illiterate; and finally, it provides respite from the burdens of life by performing at strictly diversionary functions such as serenades and Sunday matinees. In each of these government-sanctioned roles, the BME serves to unify, educate, and entertain the diverse and fragmented elements within the state of Oaxaca, thereby mirroring the historical trajectory of the state of Oaxaca and the nation of Mexico from the pre-Hispanic and Spanish colonial eras to the nascent Mexican republic, from a militarized and fractured young nation to a consolidated postrevolutionary socialist state, and from a predominantly Catholic entity to an ostensibly secular one.

Author: Bruce G. Harvey
Publisher: Univ. of Tennessee Press
ISBN: 1621900789
Category : History
Languages : en
Pages : 407

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Book Description
The South was no stranger to world’s fairs prior to the end of the nineteenth century. Atlanta first hosted a fair in the 1880s, as did New Orleans and Louisville, but after the 1893 World’s Columbian Exposition in Chicago drew comparisons to the great exhibitions of Victorian-era England, Atlanta’s leaders planned to host another grand exposition that would not only confirm Atlanta as an economic hub the equal of Chicago and New York, but usher the South into the nation’s industrial and political mainstream. Nashville and Charleston quickly followed suit with their own exhibitions. In the 1890s, the perception of the South was inextricably tied to race, and more specifically racial strife. Leaders in Atlanta, Nashville, and Charleston all sought ways to distance themselves from traditional impressions about their respective cities, which more often than not conjured images of poverty and treason in Americans barely a generation removed from the Civil War. Local business leaders used large-scale expositions to lessen this stigma while simultaneously promoting culture, industry, and economic advancement. Atlanta’s Cotton States and International Exposition presented the city as a burgeoning economic center and used a keynote speech by Booker T. Washington to gain control of the national debate on race relations. Nashville’s Tennessee Centennial and International Exposition chose to promote culture over mainstream success and marketed Nashville as a “Centennial City” replete with neoclassical architecture, drawing on its reputation as “the Athens of the south.” Charleston’s South Carolina Inter-State and West Indian Exposition followed in the footsteps of Atlanta’s exposition. Its new class of progressive leaders saw the need to reestablish the city as a major port of commerce and designed the fair around a Caribbean theme that emphasized trade and the corresponding economics that would raise Charleston from a cotton exporter to an international port of interest. Bruce G. Harvey studies each exposition beginning at the local and individual level of organization and moving upward to explore a broader regional context. He argues that southern urban leaders not only sought to revive their cities but also to reinvigorate the South in response to northern prosperity. Local businessmen struggled to manage all the elements that came with hosting a world’s fair, including raising funds, designing the fairs’ architectural elements, drafting overall plans, soliciting exhibits, and gaining the backing of political leaders. However, these businessmen had defined expectations for their expositions not only in terms of economic and local growth but also considering what an international exposition had come to represent to the community and the region in which they were hosted. Harvey juxtaposes local and regional aspects of world’s fair in the South and shows that nineteenth-century expositions had grown into American institutions in their own right.