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Author: Hugo Riemann
Publisher: Cambridge University Press
ISBN: 1108057306
Category : History
Languages : en
Pages : 77
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Book Description
Published in 1895, three engaging lectures aiming to establish aesthetics as an aid to the performance and appreciation of music.
Author: Hugo Riemann
Publisher: Cambridge University Press
ISBN: 1108057306
Category : History
Languages : en
Pages : 77
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Book Description
Published in 1895, three engaging lectures aiming to establish aesthetics as an aid to the performance and appreciation of music.
Author: HUGO. RIEMANN
Publisher:
ISBN: 9781033507070
Category :
Languages : en
Pages : 0
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Book Description
Author: Hugo Riemann
Publisher: Sagwan Press
ISBN: 9781298872029
Category :
Languages : en
Pages : 74
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jonathan L. Friedmann
Publisher: Cambridge Scholars Publishing
ISBN: 1527514900
Category : Music
Languages : en
Pages : 179
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Book Description
This book contains six chapters covering key areas of musical aesthetics, including aesthetics of emotions; aesthetics of listening; aesthetics of performance; aesthetics of composition; aesthetics of nature; and aesthetics of commerce. Each chapter adopts an experiential approach to aesthetics, in which perceptual and intuitive musical responses – real-time experiences – are valued as a source of truth. Unlike intellectual aesthetics, which values conscious associations and meticulous artistic appraisals, experiential aesthetics looks primarily at everyday subconscious appreciations. The explorations here draw from the social sciences, hard sciences, philosophy, literature, theology, musicology, humanities, and other fields that directly or indirectly contribute to an understanding of our attraction to music. Presenting user-friendly distillations of numerous theories, concepts, and functions, this book will be of interest to both lay readers and expert practitioners.
Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 522
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 596
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Book Description
Author: Ian Bent
Publisher: Cambridge University Press
ISBN: 9780521259699
Category : Music
Languages : en
Pages : 404
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Book Description
This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.
Author: Stewart Macpherson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 104
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Book Description
Author: T. Matthay
Publisher: Рипол Классик
ISBN: 1171809832
Category : History
Languages : en
Pages : 181
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Book Description
