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Author: Ann Lee Morgan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 434
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Author: Ann Lee Morgan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 434
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Book Description
Author: Archives of American Art
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
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Book Description
Author: Whitney Museum of American Art
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 90
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Book Description
Author: Whitney Museum of American Art. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 708
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Book Description
Author: Darlene Clark Hine
Publisher: University of Illinois Press
ISBN: 0252078586
Category : History
Languages : en
Pages : 250
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Book Description
"The "New Negro" consciousness with its roots in the generation born in the last and opening decades of the 19th and 20th centuries replenished and nurtured by migration, resulted in the Harlem Renaissance in the 1920s then reemerged transformed in the 1930s as the Black Chicago Renaissance. The authors in this volume argue that beginning in the 1930s and lasting into the 1950s, Black Chicago experienced a cultural renaissance that rivaled the cultural outpouring in Harlem. The Black Chicago Renaissance, however, has not received its full due. This book addresses that neglect. Like Harlem, Chicago had become a major destination for black southern migrants. Unlike Harlem, it was also an urban industrial center that gave a unique working class and internationalist perspective to the cultural work that took place here. The contributors to Black Chicago Renaissance analyze a prolific period of African American creativity in music, performance art, social science scholarship, and visual and literary artistic expression. Each author discusses forces that distinguished and link the Black Chicago Renaissance to the Harlem Renaissance as well as placing the development of black culture in a national and international context by probing the histories of multiple (sequential and overlapping--Philadelphia, Cleveland, Detroit, Los Angeles, Memphis) black renaissances. Among the topics discussed in this volume are Chicago writers Gwendolyn Brooks and Richard Wright, The Chicago Defender and Tivoli Theater, African American music and visual arts, as well as the American Negro Exposition of 1940"--
Author: Roger Hull
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
Carl Hall, born in 1921 in Detroit, was an accomplished Magic Realist painter on the brink of a major career in American art when World War II intervened. As a young Army recruit, he was assigned to Camp Adair near Corvallis, Oregon, in 1942. For Hall, Oregon was "Eden Again", and after military service in the Pacific he and his wife settled permanently in the state, which became the focus of Hall's consummate artistry for the next 50 years. Hall became one of western Oregon's most expressive visual interpreters, focusing for most of his lifetime on the terrain of the Willamette Valley, the mountains that enclose it, and the Pacific coast beyond. In exploring Hall's place in Pacific Northwest and American art, this book is a study of regional art and art history, of the interplay betwen regional and national art production in the periods before and after World War II, and of Hall's metaphorical use of natural forms as the basis for personal expression.
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 472
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Author: Janet Bishop
Publisher: University of California Press
ISBN: 0520304373
Category : Art
Languages : en
Pages : 220
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Book Description
This generously illustrated volume is the first comprehensive publication devoted to the powerfully expressive work of David Park (1911–60). Best known as the founder of Bay Area Figurative art, Park moved from Boston to California at the age of seventeen and spent most of his adult life in and around San Francisco. In the immediate postwar years, like many avant-garde American artists, he engaged with Abstract Expressionism and painted non-objectively. In a moment of passion in 1949, he made the radical decision to abandon nearly all of his abstract canvases at the Berkeley city dump and return to the human figure, in so doing marking the beginning of the Bay Area Figurative movement. The astonishingly powerful paintings he made in the decade that followed brought together his long-held interest in classic subjects such as portraiture, domestic interiors, musicians, rowers, and bathers with lush, gestural paint handling and an extraordinary sense of color. In 1958–59 Park reached his expressive peak, reveling in the sensuous qualities of paint to create intensely physical, psychologically charged, and deeply felt canvases. This fertile period cut short by illness in 1960, Park transferred his creative energy to other mediums when he could no longer work on canvas. In the last months of his life, bedridden, he produced an extraordinary thirty-foot-long felt-tip-pen scroll and a poignant series of gouaches. Published to accompany the first major museum exhibition of Park’s work in more than thirty years, David Park: A Retrospective traces the full arc of the artist’s career, from his early social realist and cubist-inspired efforts of the 1930s to his mature figurative paintings of the 1950s and his astounding final works on paper. An overview of Park’s full body of work by Janet Bishop, SFMOMA’s Thomas Weisel Family Curator of Painting and Sculpture, will be joined by approximately ninety full-color plates of paintings and works on paper; an essay by Tara McDowell on the figure drawing sessions held by Park, Richard Diebenkorn, Elmer Bischoff, Frank Lobdell, and others in their studios starting in 1953; short essays on Park’s scroll, his gouaches, and the portraits that Imogen Cunningham and Park made of each other; and an illustrated chronology. Published in association with the San Francisco Museum of Modern Art. Exhibition schedule: Modern Art Museum of Fort Worth: June 2–September 8, 2019 Kalamazoo Institute of Arts: December 21, 2019–March 15, 2020 San Francisco Museum of Modern Art: April 11–September 7, 2020
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
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Book Description
Author:
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 712
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Book Description
