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Author: Brentano's (Firm)
Publisher:
ISBN:
Category : American guide series
Languages : en
Pages : 31
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Book Description
Author: Brentano's (Firm)
Publisher:
ISBN:
Category : American guide series
Languages : en
Pages : 31
Get Book Here
Book Description
Author: Federal Writers' Project
Publisher:
ISBN:
Category : American guide series
Languages : en
Pages : 46
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Book Description
Author: Federal Writers' Project
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 31
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Book Description
Author:
Publisher:
ISBN:
Category : American guide series
Languages : en
Pages : 0
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Book Description
Author: Writers' Program (U.S.)
Publisher:
ISBN:
Category : American guide series
Languages : en
Pages : 62
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 31
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Book Description
Author:
Publisher:
ISBN:
Category : American guide series
Languages : en
Pages : 0
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Book Description
Author: Federal Writers' Project
Publisher:
ISBN:
Category : American guide series
Languages : en
Pages : 44
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Book Description
Author: Christine Bold
Publisher: Univ. Press of Mississippi
ISBN: 9781578061952
Category : History
Languages : en
Pages : 268
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Book Description
In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when the federal government was extending its reach into citizens' daily lives. The 400 guidebooks the teams produced have been widely celebrated as icons of American democracy and diversity. Clumped together, they manifest a lofty role for the project and a heavy responsibility for its teams of writers. The guides assumed the authority of conceptualizing the national identity. In The WPA Guides: Mapping America Christine Bold closely examines this publicized view of the guides and reveals its flaws. Her research in archival materials reveals the negotiations and conflicts between the central editors in Washington and the local people in the states. Race, region, and gender are taken as important categories within which difference and conflict appear. She looks at the guidebook for each of five distinctively different locations -- Idaho, New York City, North Carolina, Missouri, and U.S. One and the Oregon Trail--to assess the editorial plotting of such issues as gender, race, ethnicity, and class. As regionalists jostled with federal officialdom, the faultlines of the project gaped open. Spotlighting the controversies between federal and state bureaucracies, Bold concludes that the image of America that the WPA fostered is closer to fabrication than to actuality. Christine Bold is director of the Centre for Cultural Studies and an associate professor of English at the University of Guelph in Guelph, Ontario.
Author: David A. Taylor
Publisher: Turner Publishing Company
ISBN: 0470885882
Category : History
Languages : en
Pages : 307
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Book Description
Soul of a People is about a handful of people who were on the Federal Writer's Project in the 1930s and a glimpse of America at a turning point. This particular handful of characters went from poverty to great things later, and included John Cheever, Ralph Ellison, Zora Neale Hurston, Richard Wright, and Studs Terkel. In the 1930s they were all caught up in an effort to describe America in a series of WPA guides. Through striking images and firsthand accounts, the book reveals their experiences and the most vivid excerpts from selected guides and interviews: Harlem schoolchildren, truckers, Chicago fishmongers, Cuban cigar makers, a Florida midwife, Nebraskan meatpackers, and blind musicians. Drawing on new discoveries from personal collections, archives, and recent biographies, a new picture has emerged in the last decade of how the participants' individual dramas intersected with the larger picture of their subjects. This book illuminates what it felt like to live that experience, how going from joblessness to reporting on their own communities affected artists with varied visions, as well as what feelings such a passage involved: shame humiliation, anger, excitement, nostalgia, and adventure. Also revealed is how the WPA writers anticipated, and perhaps paved the way for, the political movements of the following decades, including the Civil Rights movement, the Women's Right movement, and the Native American rights movement.
