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Author: R. W. Lightbown
Publisher: Yale University Press
ISBN: 0300102860
Category : Art
Languages : en
Pages : 580
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Book Description
Venetian artist Carlo Crivelli (c. 1430–1495) is a painter whose individuality of style and mastery of powerful line have fascinated many, but whose life and art have remained enigmatic. This absorbing book, drawing on extensive research in Venice and the Marches, the region of central Italy that Crivelli dominated artistically from 1468 until his death, examines his paintings in depth and traces the fundamental influences of the Vivarini, of Squarcione and Mantegna, and later of Flemish art. Ronald Lightbown, eminent historian of Italian Renaissance art, interweaves stylistic and iconographical analysis of Crivelli’s work with historical and cultural background. The author uncovers the reasons that led patrons to choose the saints that figured in Crivelli’s altarpieces, discusses the initiations of new cults and the devising of an iconography for them, and demonstrates Crivelli’s independence from clerical dictation in the symbolism of his still-life pictures.
Author: R. W. Lightbown
Publisher: Yale University Press
ISBN: 0300102860
Category : Art
Languages : en
Pages : 580
Get Book Here
Book Description
Venetian artist Carlo Crivelli (c. 1430–1495) is a painter whose individuality of style and mastery of powerful line have fascinated many, but whose life and art have remained enigmatic. This absorbing book, drawing on extensive research in Venice and the Marches, the region of central Italy that Crivelli dominated artistically from 1468 until his death, examines his paintings in depth and traces the fundamental influences of the Vivarini, of Squarcione and Mantegna, and later of Flemish art. Ronald Lightbown, eminent historian of Italian Renaissance art, interweaves stylistic and iconographical analysis of Crivelli’s work with historical and cultural background. The author uncovers the reasons that led patrons to choose the saints that figured in Crivelli’s altarpieces, discusses the initiations of new cults and the devising of an iconography for them, and demonstrates Crivelli’s independence from clerical dictation in the symbolism of his still-life pictures.
Author: Gordon McNeil Rushforth
Publisher: Legare Street Press
ISBN: 9781015553163
Category : Art
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: C. Jean Campbell
Publisher:
ISBN: 9781907372865
Category : Decoration and ornament
Languages : en
Pages : 0
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Book Description
The work of Carlo Crivelli (c.1435-c.1495), one of the most original artists of the Italian Renaissance, is well represented in the art museums of North America. Although much admired by collectors, artists, and designers in the 19th and early 20th centuries, he has until recently been largely written out of the history of early Renaissance art, is little known to the public, and outside of some rare instances in Italy, has never been the focus of a monographic exhibition. The book, accompanying an exhibition at the Isabella Stewart Gardner Museum, Boston, will reevaluate Crivelli s provincial status, presenting him as an experimental artist who provided an alternative to the influential new models of modern painting associated with Florence. He was an artist who aimed to dazzle through a repertoire of spectacular pictorial effects that combined luxuriant ornamental display with bravura illusionism the latter entailing a sophisticated, witty, and sometimes unsettling play with the limits of frames and fictive space.
Author: Jamie Camplin
Publisher: Getty Publications
ISBN: 1606065866
Category : Art
Languages : en
Pages : 14
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Book Description
“Why do artists love books?” This volume takes this tantalizingly simple question as a starting point to reveal centuries of symbiosis between the visual and literary arts. First looking at the development of printed books and the simultaneous emergence of the modern figure of the artist, The Art of Reading appraises works by the many great masters who took inspiration from the printed word. Authors Jamie Camplin and Maria Ranauro weave together an engaging cultural history that probes the ways in which books and paintings represent a key to understanding ourselves and the past. Paintings contain a world of information about religion, class, gender, and power, but they also reveal details of everyday life often lost in history texts. Such artworks show us not only how books have been valued over time but also how the practice of reading has evolved in Western society. Featuring over one hundred works by artists from across Europe and the United States and all painting genres, The Art of Reading explores the two-thousand-year story of the great painters and the preeminent information-providing, knowledge-endowing, solace-giving, belief-supporting, leisure-enriching, pleasure-delivering medium of all time: the book.
Author: Alan Pipes
Publisher: Laurence King Publishing
ISBN: 9781856693752
Category : Art
Languages : en
Pages : 262
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Book Description
Alan Pipes here provides an engaging introduction to the fundamentals of art and design for students embarking on graphic design, fine art and illustration - and also allied courses in interior, fashion, textile, industrial and product design, as well as printmaking.
Author: Elizabeth A. Honig
Publisher: Yale University Press
ISBN: 9780300072396
Category : Art
Languages : en
Pages : 374
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Book Description
This study of the ways in which Flemish painting between 1550 and 1650 reflected the burgeoning capitalism of Antwerp, focuses not only on the market-scene paintings, but also on the interaction between painters and markets as it was influenced by merchants, governments and consumers.
Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300238843
Category : Art
Languages : en
Pages : 354
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Book Description
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Author: Perry Grayson
Publisher:
ISBN: 9780863557606
Category :
Languages : en
Pages : 14
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Book Description
Author: Peter Osborne
Publisher: Verso Books
ISBN: 1781680949
Category : Art
Languages : en
Pages : 289
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Book Description
A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism. Winner of the 2014 Annual Book Prize of the Association for the Study of the Arts of the Present (USA)
Author: Noah Charney
Publisher: Phaidon Press
ISBN: 9780714875842
Category : Art
Languages : en
Pages : 0
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Book Description
True tales of lost art, built around case studies of famous works, their creators, and stories of disappearance and recovery From the bestselling author of The Art of Forgery comes this dynamic narrative that tells the fascinating stories of artworks stolen, looted, or destroyed in war, accidentally demolished or discarded, lost at sea or in natural disasters, or attacked by iconoclasts or vandals; works that were intentionally temporal, knowingly destroyed by the artists themselves or their patrons, covered over with paint or plaster, or recycled for their materials. An exciting read that spans the centuries and the continents.
