Author: Matt White
Publisher: Capstone
ISBN: 9780736840040
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Recounts the story of wartime photography, from the first use of cameras on the battlefield through the war in Vietnam.
Cameras on the Battlefield
Author: Matt White
Publisher: Capstone
ISBN: 9780736840040
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Recounts the story of wartime photography, from the first use of cameras on the battlefield through the war in Vietnam.
Publisher: Capstone
ISBN: 9780736840040
Category : Juvenile Nonfiction
Languages : en
Pages : 68
Book Description
Recounts the story of wartime photography, from the first use of cameras on the battlefield through the war in Vietnam.
Armed With Cameras
Author: Peter Maslowski
Publisher: Simon and Schuster
ISBN: 1439106312
Category : History
Languages : en
Pages : 456
Book Description
A chronicle of the frontline photographers of World War II recounts the sometimes harrowing exploits of the American Military Photographers, men armed with cameras who accompanied the Army, Marines, Air Force, and Navy into battle.
Publisher: Simon and Schuster
ISBN: 1439106312
Category : History
Languages : en
Pages : 456
Book Description
A chronicle of the frontline photographers of World War II recounts the sometimes harrowing exploits of the American Military Photographers, men armed with cameras who accompanied the Army, Marines, Air Force, and Navy into battle.
Original Photographs Taken on the Battlefields during the Civil War of the United States (Illustrations)
Author: Francis Trevelyan Miller
Publisher: Hartford, Connecticut
ISBN:
Category : History
Languages : en
Pages : 226
Book Description
This is undoubtedly the most valuable collection of historic photographs in America. It is believed to be the first time that the camera was used so extensively and practically on the battle-field. It is the first known collection of its size on the Western Continent and it is the only witness of the scenes enacted during the greatest crisis in the annals of the American nation. As a contribution to history it occupies a position that the higher art of painting, or scholarly research and literal description, can never usurp. It records a tragedy that neither the imagination of the painter nor the skill of the historian can so dramatically relate. The existence of this collection is unknown by the public at large. Even while this book has been in preparation eminent photographers have pronounced it impossible, declaring that photography was not sufficiently advanced at that period to prove of such practical use in War. Distinguished veterans of the Civil War have informed me that they knew positively that there were no cameras in the wake of the army. This incredulity of men in a position to know the truth enhances the value of the collection inasmuch that its genuineness is officially proven by the testimony of those who saw the pictures taken, by the personal statement of the man who took them, and by the Government Records. For forty-two years the original negatives have been in storage, secreted from public view, except as an occasional proof is drawn for some special use. How these negatives came to be taken under most hazardous conditions in the storm and stress of a War that threatened to change the entire history of the world is itself an interesting historical incident. Moreover, it is one of the tragedies of genius. While the clouds were gathering, which finally broke into the Civil War in the United States, there died in London one named Scott-Archer, a man who had found one of the great factors in civilization, but died poor and before his time because he had overstrained his powers in the cause of science. It was necessary to raise a subscription for his widow, and the government settled upon the children a pension of fifty pounds per annum on the ground that their father was "the discoverer of a scientific process of great value to the nation, from which the inventor had reaped little or no benefit." This was in 1857, and four years later, when the American Republic became rent by a conflict of brother against brother, Mathew B. Brady of Washington and New York, asked the permission of the Government and the protection of the Secret Service to demonstrate the practicability of Scott-Archer's discovery in the severest test that the invention had ever been given. Brady was an artist by temperament and gained his technical knowledge of portraiture in the rendezvous of Paris. He had been interested in the discoveries of Niepce and Daguerre and Fox-Talbot along the crude lines of photography but with the introduction of the collodion process of Scott-Archer he accepted the science as a profession and, during twenty-five years of labor as a pioneer photographer, took the likenesses of the political celebrities of the epoch and of eminent men and women throughout the country. Brady's request was granted and he invested heavily in cameras which were made specially for the hard usage of warfare. These cameras were cumbersome and were operated by what is known as the old wet-plate process, requiring a dark room which was carried with them onto the battle-fields. The experimental operations under Brady proved so successful that they attracted the immediate attention of President Lincoln, General Grant and Allan Pinkerton, known as Major Allen and chief of the Secret Service. Equipments were hurried to all divisions of the great army and some of them found their way into the Confederate ranks. To be continue in this ebook...
Publisher: Hartford, Connecticut
ISBN:
Category : History
Languages : en
Pages : 226
Book Description
This is undoubtedly the most valuable collection of historic photographs in America. It is believed to be the first time that the camera was used so extensively and practically on the battle-field. It is the first known collection of its size on the Western Continent and it is the only witness of the scenes enacted during the greatest crisis in the annals of the American nation. As a contribution to history it occupies a position that the higher art of painting, or scholarly research and literal description, can never usurp. It records a tragedy that neither the imagination of the painter nor the skill of the historian can so dramatically relate. The existence of this collection is unknown by the public at large. Even while this book has been in preparation eminent photographers have pronounced it impossible, declaring that photography was not sufficiently advanced at that period to prove of such practical use in War. Distinguished veterans of the Civil War have informed me that they knew positively that there were no cameras in the wake of the army. This incredulity of men in a position to know the truth enhances the value of the collection inasmuch that its genuineness is officially proven by the testimony of those who saw the pictures taken, by the personal statement of the man who took them, and by the Government Records. For forty-two years the original negatives have been in storage, secreted from public view, except as an occasional proof is drawn for some special use. How these negatives came to be taken under most hazardous conditions in the storm and stress of a War that threatened to change the entire history of the world is itself an interesting historical incident. Moreover, it is one of the tragedies of genius. While the clouds were gathering, which finally broke into the Civil War in the United States, there died in London one named Scott-Archer, a man who had found one of the great factors in civilization, but died poor and before his time because he had overstrained his powers in the cause of science. It was necessary to raise a subscription for his widow, and the government settled upon the children a pension of fifty pounds per annum on the ground that their father was "the discoverer of a scientific process of great value to the nation, from which the inventor had reaped little or no benefit." This was in 1857, and four years later, when the American Republic became rent by a conflict of brother against brother, Mathew B. Brady of Washington and New York, asked the permission of the Government and the protection of the Secret Service to demonstrate the practicability of Scott-Archer's discovery in the severest test that the invention had ever been given. Brady was an artist by temperament and gained his technical knowledge of portraiture in the rendezvous of Paris. He had been interested in the discoveries of Niepce and Daguerre and Fox-Talbot along the crude lines of photography but with the introduction of the collodion process of Scott-Archer he accepted the science as a profession and, during twenty-five years of labor as a pioneer photographer, took the likenesses of the political celebrities of the epoch and of eminent men and women throughout the country. Brady's request was granted and he invested heavily in cameras which were made specially for the hard usage of warfare. These cameras were cumbersome and were operated by what is known as the old wet-plate process, requiring a dark room which was carried with them onto the battle-fields. The experimental operations under Brady proved so successful that they attracted the immediate attention of President Lincoln, General Grant and Allan Pinkerton, known as Major Allen and chief of the Secret Service. Equipments were hurried to all divisions of the great army and some of them found their way into the Confederate ranks. To be continue in this ebook...
CAMERAS, COMBAT AND COURAGE
Author: DAN. BROOKES
Publisher:
ISBN: 9781526750235
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781526750235
Category :
Languages : en
Pages :
Book Description
Battle for Our Minds
Author: Michael Widlanski
Publisher: Simon and Schuster
ISBN: 1451659032
Category : Political Science
Languages : en
Pages : 402
Book Description
From political communications expert Dr. Widlanski comes a rich and detailed portrayal of how intellectual arrogance and complacency in government has led to a failure to effectively use counter-terrorism intelligence.
Publisher: Simon and Schuster
ISBN: 1451659032
Category : Political Science
Languages : en
Pages : 402
Book Description
From political communications expert Dr. Widlanski comes a rich and detailed portrayal of how intellectual arrogance and complacency in government has led to a failure to effectively use counter-terrorism intelligence.
YouTube War
Author: Cori Elizabeth Dauber
Publisher:
ISBN:
Category : Armed Forces and mass media
Languages : en
Pages : 140
Book Description
"Terrorist attacks today are often media events in a second sense: information and communication technologies have developed to such a point that these groups can film, edit, and upload their own attacks within minutes of staging them, whether the Western media are present or not. In this radically new information environment, the enemy no longer depends on traditional media. This is the "YouTube War." This monograph methodically lays out the nature of this new environment in terms of its implications for a war against media-savvy insurgents, and then considers possible courses of action for the Army and the U.S. military as they seek to respond to an enemy that has proven enormously adaptive to this new environment and the new type of warfare it enables."--P. iii
Publisher:
ISBN:
Category : Armed Forces and mass media
Languages : en
Pages : 140
Book Description
"Terrorist attacks today are often media events in a second sense: information and communication technologies have developed to such a point that these groups can film, edit, and upload their own attacks within minutes of staging them, whether the Western media are present or not. In this radically new information environment, the enemy no longer depends on traditional media. This is the "YouTube War." This monograph methodically lays out the nature of this new environment in terms of its implications for a war against media-savvy insurgents, and then considers possible courses of action for the Army and the U.S. military as they seek to respond to an enemy that has proven enormously adaptive to this new environment and the new type of warfare it enables."--P. iii
Signals
Author:
Publisher:
ISBN:
Category : Communications, Military
Languages : en
Pages : 1016
Book Description
Publisher:
ISBN:
Category : Communications, Military
Languages : en
Pages : 1016
Book Description
The Vest Pocket Kodak and the First World War
Author: JON. COOKSEY
Publisher: Ammonite Press
ISBN: 9781781452790
Category :
Languages : en
Pages : 96
Book Description
Publisher: Ammonite Press
ISBN: 9781781452790
Category :
Languages : en
Pages : 96
Book Description
Combat Camera
Author: Christian Hill
Publisher: Alma Books
ISBN: 0714545449
Category : History
Languages : en
Pages : 278
Book Description
May 2011, Afghanistan: Camp Bastion is under attack, the Sun's Defence Editor is about to catch the wrong helicopter, and a famous TV war reporter is missing half his kit and wants his trainers back. Amid the chaos, Christian Hill is preparing to lead his Combat Camera Team on the British Army's first big operation of the Helmand summer, inching through the IED-riddled fields of the notorious Green Zone, very probably getting shot at. A captain in the Media Operations Group, his job is to promote the war to the British media - and make it look like things are under control and getting better...Funny, offbeat, shocking and affectionate, Combat Camera offers a unique insight into the military's media operations in Afghanistan. As coalition troops return home after years of fighting, it will appeal to anyone who wants to know whether our campaign against the Taliban has really been worth the effort.
Publisher: Alma Books
ISBN: 0714545449
Category : History
Languages : en
Pages : 278
Book Description
May 2011, Afghanistan: Camp Bastion is under attack, the Sun's Defence Editor is about to catch the wrong helicopter, and a famous TV war reporter is missing half his kit and wants his trainers back. Amid the chaos, Christian Hill is preparing to lead his Combat Camera Team on the British Army's first big operation of the Helmand summer, inching through the IED-riddled fields of the notorious Green Zone, very probably getting shot at. A captain in the Media Operations Group, his job is to promote the war to the British media - and make it look like things are under control and getting better...Funny, offbeat, shocking and affectionate, Combat Camera offers a unique insight into the military's media operations in Afghanistan. As coalition troops return home after years of fighting, it will appeal to anyone who wants to know whether our campaign against the Taliban has really been worth the effort.