Author: George Gershon Korson
Publisher:
ISBN:
Category : American ballads and songs
Languages : en
Pages : 232
Book Description
Songs and Ballads of the Anthracite Miner
Author: George Gershon Korson
Publisher:
ISBN:
Category : American ballads and songs
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : American ballads and songs
Languages : en
Pages : 232
Book Description
Three Ballads
Author: Edward Carpenter
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 24
Book Description
English and Scottish Ballads
Author: Francis James Child
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 714
Book Description
Bloomfield's Farmer's Boy, Rural Tales, Ballads, Songs & Wild Flowers
Author: Robert Bloomfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Schwann-1, Record & Tape Guide
Author:
Publisher:
ISBN:
Category : Audiotapes
Languages : en
Pages : 758
Book Description
Publisher:
ISBN:
Category : Audiotapes
Languages : en
Pages : 758
Book Description
Ball-room Ballads
Author: K. L. Orde
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 104
Book Description
Bunny's House
Author: E. M. Walker
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
The Farmer's Boy; Rural Tales, Ballads, and Songs. Wild Flowers; Or, Pastoral and Local Poetry
Author: Robert Bloomfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 204
Book Description
Ballad Collection, Lyric, and the Canon
Author: Steve Newman
Publisher: University of Pennsylvania Press
ISBN: 0812202937
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century? Exploring the widespread breach of the wall that separated "high" and "low," Steve Newman challenges our current understanding of lyric poetry. He shows how the lesser lyric of the ballad changed lyric poetry as a whole and, in so doing, helped to transform literature from polite writing in general into the body of imaginative writing that became known as the English literary canon. For Newman, the ballad's early lack of prestige actually increased its value for elite authors after 1660. Easily circulated and understood, ballads moved literature away from the exclusive domain of the courtly, while keeping it rooted in English history and culture. Indeed, elite authors felt freer to rewrite and reshape the common speech of the ballad. Newman also shows how the ballad allowed authors to access the "common" speech of the public sphere, while avoiding what they perceived as the unpalatable qualities of that same public's increasingly avaricious commercial society.
Publisher: University of Pennsylvania Press
ISBN: 0812202937
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century? Exploring the widespread breach of the wall that separated "high" and "low," Steve Newman challenges our current understanding of lyric poetry. He shows how the lesser lyric of the ballad changed lyric poetry as a whole and, in so doing, helped to transform literature from polite writing in general into the body of imaginative writing that became known as the English literary canon. For Newman, the ballad's early lack of prestige actually increased its value for elite authors after 1660. Easily circulated and understood, ballads moved literature away from the exclusive domain of the courtly, while keeping it rooted in English history and culture. Indeed, elite authors felt freer to rewrite and reshape the common speech of the ballad. Newman also shows how the ballad allowed authors to access the "common" speech of the public sphere, while avoiding what they perceived as the unpalatable qualities of that same public's increasingly avaricious commercial society.
The farmer's boy: Rural tales. ballads, and songs: Wild flowers; or, pastoral and local poetry: and The banks of Wye
Author: Robert Bloomfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
Book Description