Bruce Conner: In the Estheticization of Violence PDF Download
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Author: Frederic Colier
Publisher: Books We Live by
ISBN: 1628480130
Category : Performing Arts
Languages : en
Pages : 54
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Book Description
Someday, Bruce Conner will be considered as a pioneer of the post-modern aesthetic trend, along with the likes of Lawrence Stern or Marcel Duchamp. Strange claim you may think since none of them really created during the post-modern era. This claim is made clear in this book, which covers the filmic work of Bruce Conner, the pioneer of found footage filmmaking, so well-known nowadays for having influenced a generation of main-road filmmakers and TV producers, something often referred to as the MTV generation. But beyond the social recuperation of art trends, Bruce Conner's revolutionary films seriously question the nature of representation and, to a larger extent, the narration of history and its usefulness in a media-saturated society. Analyzed through a post-modern lens, this book contains a mixture of film theory and literary criticism. It investigates the role of Irony in relation to our history of violence (a tone Conner excelled at depicting), and explores its limitations. What can irony really teach us in our commercially and technologically driven society? Is violence really the becoming and inevitable outcome of Man? Or is its repeated spectacle just another form of dogma: a historical chimera portending dubious philosophical notions, such as supporting the constant belief of historical and human progress? The book finally raises a larger question as to whether Conner's socio-political statements, through an oeuvre being widely imitated and falling into main artistic network, did not anticipate, participate and precipitate the fall of the post-modern aesthetic.
Author: Frederic Colier
Publisher: Books We Live by
ISBN: 1628480130
Category : Performing Arts
Languages : en
Pages : 54
Get Book Here
Book Description
Someday, Bruce Conner will be considered as a pioneer of the post-modern aesthetic trend, along with the likes of Lawrence Stern or Marcel Duchamp. Strange claim you may think since none of them really created during the post-modern era. This claim is made clear in this book, which covers the filmic work of Bruce Conner, the pioneer of found footage filmmaking, so well-known nowadays for having influenced a generation of main-road filmmakers and TV producers, something often referred to as the MTV generation. But beyond the social recuperation of art trends, Bruce Conner's revolutionary films seriously question the nature of representation and, to a larger extent, the narration of history and its usefulness in a media-saturated society. Analyzed through a post-modern lens, this book contains a mixture of film theory and literary criticism. It investigates the role of Irony in relation to our history of violence (a tone Conner excelled at depicting), and explores its limitations. What can irony really teach us in our commercially and technologically driven society? Is violence really the becoming and inevitable outcome of Man? Or is its repeated spectacle just another form of dogma: a historical chimera portending dubious philosophical notions, such as supporting the constant belief of historical and human progress? The book finally raises a larger question as to whether Conner's socio-political statements, through an oeuvre being widely imitated and falling into main artistic network, did not anticipate, participate and precipitate the fall of the post-modern aesthetic.
Author: Gwyn Symonds
Publisher: Bloomsbury Publishing USA
ISBN: 1441117369
Category : Performing Arts
Languages : en
Pages : 496
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Book Description
The topic of violence in the media seems as inundated as can be. Countless studies and research projects have been conducted, mostly to show its negative effects on society. What Gwynneth Symonds proposes, though, takes this significant topic one step further: studying the aesthetics of media violence. By defining key terms like the 'graphic' nature and 'authenticity' of violent representations, and discussing how those definitions are linked to actual violence outside the film and television screen, Symonds broadens the arena of study. Engagingly written, The Aesthetics of Violence in Contemporary Media fills an important gap. Symonds uses existing studies for the empirical audience reception data, together with discussions of the different representations of violence to look at violence in the media as an art form in of itself. By looking at The Simpsons, Bowling for Columbine and Norma Khouri's Forbidden Love, just to name a few, Symonds cross-analyzes violence in multiple media to see their affective role in audience reception - an important aspect when discussing media. The book strikes a balance between the readers' need to see how theory matches what actually happens in the texts in question and the demands of a theoretical overview.
Author: Anna Dezeuze
Publisher: Manchester University Press
ISBN: 1526112914
Category : Art
Languages : en
Pages : 367
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Book Description
What does an assemblage made out of crumpled newspaper have in common with an empty room in which the lights go on and off every five seconds? This book argues that they are both examples of a 'precarious' art that flourished from the late 1950s to the first decade of the twenty-first century, in light of a growing awareness of the individual's fragile existence in capitalist society. Focusing on comparative case studies drawn from European, North and South American practices, this study maps out a network of similar concerns and practices, while outlining its evolution from the 1960s to the beginning of the twenty-first century. This book will provide students and amateurs of contemporary art and culture with new insights into contemporary art practices and the critical issues that they raise concerning the material status of the art object, the role of the artist in society, and the relation between art and everyday life.
Author: Rudolf Frieling
Publisher: Univ of California Press
ISBN: 0520290569
Category : Art
Languages : en
Pages : 384
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Book Description
"This book is published by the San Francisco Museum of Modern Art on the occasion of the exhibition Bruce Conner: It's All True, co-curated by Stuart Comer, Rudolf Frieling, Gary Garrels, and Laura Hoptman, with Rachel Federman"--Colophon.
Author: Art Simon
Publisher: Temple University Press
ISBN: 1439906203
Category : History
Languages : en
Pages : 289
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Book Description
An intriguing work of cultural criticism on the contemporary meaning and influence of images from the JFK assassination.
Author: John C. Welchman
Publisher: Jrp Ringier
ISBN:
Category : Aesthetics
Languages : en
Pages : 422
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Book Description
Edited by John C. Welchman. Text by Jane Blocker, Douglas Crimp, Rachel Greene, Richard Shiff, et. al.
Author:
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 342
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Book Description
Author: William Charles Wees
Publisher: New York : Anthology Film Archives
ISBN: 9780911689198
Category : Photography
Languages : en
Pages : 117
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Book Description
Author: Susan E. Cahan
Publisher: Duke University Press
ISBN: 0822374897
Category : Art
Languages : en
Pages : 377
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Book Description
In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions.
Author: Claudia Hopkins
Publisher: Routledge
ISBN: 1351187651
Category : Art
Languages : en
Pages : 776
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Book Description
Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. With the exception of those originally published in English, the majority of these texts are translated into English for the first time from eight languages, and are introduced by scholarly essays. They offer a representative selection of the diverse responses to American art in Great Britain, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden, and Finland. There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural, and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism. This book, together with its companion volume Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990,, is a joint initiative of the Terra Foundation for American Art and the editors of the journal Art in Translation at the University of Edinburgh. The journal, launched in 2009, publishes English-language translations of the most significant texts on art and visual cultures presently only available only in their source language. It is committed to widening the perspectives of art history, making it more pluralist in terms of its authors, viewpoints, and subject matter.
